School of Humanities and Sciences
Showing 1-100 of 124 Results
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Courtney MacPhee
Ph.D. Student in History, admitted Autumn 2020
Event Coordinator, History Department
Graduate Mentor, Hume CenterCurrent Role at StanfordCo-coordinator of the Religion, Politics, and Culture Workshop, sponsored by the Stanford Humanities Center
Communications Coordinator of the Center for Medieval and Early Modern Studies at Stanford University
Graduate Mentor for Undergraduate Honors Thesis Writers -
Ali Madani
Lecturer
BioAli Madani is Mellon Fellow in the Humanities and Lecturer in English at Stanford.
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Christopher Manning
Thomas M. Siebel Professor of Machine Learning, Professor of Linguistics, of Computer Science and Senior Fellow at the Stanford Institute for HAI
BioChristopher Manning is the inaugural Thomas M. Siebel Professor of Machine Learning in the Departments of Linguistics and Computer Science at Stanford University, Director of the Stanford Artificial Intelligence Laboratory (SAIL), and an Associate Director of the Stanford Institute for Human-Centered Artificial Intelligence (HAI). His research goal is computers that can intelligently process, understand, and generate human languages. Manning was an early leader in applying Deep Learning to Natural Language Processing (NLP), with well-known research on the GloVe model of word vectors, attention, machine translation, question answering, self-supervised model pre-training, tree-recursive neural networks, machine reasoning, dependency parsing, sentiment analysis, and summarization. He also focuses on computational linguistic approaches to parsing, natural language inference and multilingual language processing, including being a principal developer of Stanford Dependencies and Universal Dependencies. Manning has coauthored leading textbooks on statistical approaches to NLP (Manning and Schütze 1999) and information retrieval (Manning, Raghavan, and Schütze, 2008), as well as linguistic monographs on ergativity and complex predicates. His online CS224N Natural Language Processing with Deep Learning videos have been watched by hundreds of thousands of people. He is an ACM Fellow, a AAAI Fellow, and an ACL Fellow, and a Past President of the ACL (2015). His research has won ACL, Coling, EMNLP, and CHI Best Paper Awards, an ACL Test of Time Award, and the IEEE John von Neumann Medal (2024). He has a B.A. (Hons) from The Australian National University and a Ph.D. from Stanford in 1994, and an Honorary Doctorate from U. Amsterdam in 2023, and he held faculty positions at Carnegie Mellon University and the University of Sydney before returning to Stanford. He is the founder of the Stanford NLP group (@stanfordnlp) and manages development of the Stanford CoreNLP and Stanza software.
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Michael Marrinan
Professor of Art and Art History, Emeritus
BioAreas of Specialization:
European Art - 17th through 19th Centuries -
Lerone A. Martin
Martin Luther King, Jr. Centennial Professor, Professor of Religious Studies and of African and African American Studies
BioLerone A. Martin is the Martin Luther King, Jr., Centennial Professor in Religious Studies, African & African American Studies, and The Nina C. Crocker Faculty Scholar. He also serves as the Director of the Martin Luther King, Jr. Research and Education Institute at Stanford University.
Martin is an award-winning author. His most recent book, "The Gospel of J. Edgar Hoover: How the FBI Aided and Abetted the Rise of White Christian Nationalism," was published in February 2023 by Princeton University Press. The book has garnered praise from numerous publications including The Nation, Foreign Affairs, The Guardian, Publisher’s Weekly, and History Today.
In 2014 he published, "Preaching on Wax: The Phonograph and the Making of Modern African American Religion."vvThe book received the 2015 first book award by the American Society of Church History.
In support of his research, Martin has received a number of nationally recognized fellowships, including the National Endowment for the Humanities, The American Council of Learned Societies, The Institute for Citizens and Scholars (formerly The Woodrow Wilson National Fellowship Foundation), The Teagle Foundation, Templeton Religion Trust, the Louisville Institute for the Study of American Religion, and the Forum for Theological Exploration.
Most recently, Martin became Co-Director of $1 million grant from the Henry Luce Foundation to fund “The Crossroads Project,” a four-year, multi-institution project to advance public understanding of the history, politics, and cultures of African American religions.
He has also been recognized for his teaching, receiving institutional teaching awards as well as fellowships from the Wabash Center for Teaching and Learning in Theology and Religion.
His commentary and writing have been featured on The NBC Today Show, The History Channel, PBS, CSPAN, and NPR, as well as in The New York Times, Boston Globe, CNN.com, and the Atlanta Journal-Constitution. He currently serves as an advisor on the upcoming PBS documentary series The History of Gospel Music & Preaching.
Lerone is currently working on a nonfiction book and an adapted graphic novel about the adolescence and calling of Martin Luther King, Jr., both to be published by HarperCollins. -
Richard Martin
Anthony E. and Isabelle Raubitschek Professor of Classics
BioI have taught for 19 years at Stanford; previously, I taught 18 years at Princeton. I am working on several books, concerning Homeric religion; Aristophanes; and comparative epic poetry.
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Fernando Martinez Periset
Ph.D. Student in Comparative Literature, admitted Autumn 2022
BioHello, this is Fernando. Thanks for stopping by! Before joining Stanford's department of Comparative Literature as a doctoral student in 2022, I trained as a comparatist at Durham, the Sorbonne, Cambridge and Trinity College Dublin. My main supervisor here at Stanford is Roland Greene.
In terms of research interests, the main issue I keep coming back to (which partly derives from my experiences studying in different countries) is how and why intercultural encounters function as driving forces of creative production in its different forms. With a focus on big-picture thinking and global perspectives in the study of cultural history, I see such creative practices at work in the overlaps among literature, art history and philosophy, particularly continental philosophy. More precisely, I believe I am drawn to two broad questions: how classical theories of ethics and subjectivity (like Stoicism and Epicureanism) produced changes in societal values within Early Modern culture, and how the Renaissance, in turn, shaped attitudes to selfhood in later movements, especially Romanticism. From the standpoint of transhistorical reception studies, I would like to explore the inner lives of people from the past as a way of finding questions that speak to our own present. That is why specific topics of interest include the intersections of literary forms with the history of emotions, the history of ethics, cognitive anthropology, psychology, migrations, intellectual history and religion. I like poetry (both studying it and writing it), the epic tradition as well as theatre. Beyond French, Latin, Spanish and English, I am expanding into Portuguese and Arabic.
I am currently developing a research project on Milton and the classical tradition.
Some of my favourite authors include figures from Classical Antiquity and Early Modernity, such as Shakespeare, Milton, Montaigne, Racine, Seneca, Lucretius, Virgil, Homer, Quevedo, but also more recent figures whose work intervenes in and develops preexisting structures of ethics and emotions. I look forward to discovering new, exciting figures.
I would be delighted to hear from students and researchers (from Stanford and beyond!) with whom I could share intellectual interests, so please feel free to drop me a line. -
Yoshiko Matsumoto
Yamato Ichihashi Chair of Japanese History and Civilization and Professor, by courtesy, of Linguistics
Current Research and Scholarly InterestsBased on in-depth analyses of Japanese with a cross-linguistic perspective, my research emphasizes the importance of linguistic and extralinguistic context in understanding the structure, meaning and use of language. I have worked on the pragmatics of linguistic constructions (e.g. frame semantics of noun-modifying construction, reference, honorifics, discourse markers) and sociocultural aspects of discourse (e.g. politeness theories, speech acts, bilingualism, intersection of language, gender and age, ideology, and identity reflected in Japanese as a second language). Topics of my current research center around conversational narratives especially of older adults and disaster survivors – (re)framing of narratives, ordinariness, stances taken by participants, integration of pragmatic factors in Construction Grammar, and typology and functions of noun-modifying constructions.
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Jody Maxmin
Associate Professor of Art and Art History and of Classics
BioProf. Maxmin's research includes Greek painting and sculpture, archaic Greek Art, the Art and Culture of 5th century Athens, classical influence on later art, athletics in ancient Greece.
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Adrienne Mayor
Affiliate, Classics
Visiting Scholar, ClassicsBioAdrienne Mayor has been a research scholar in the Classics Department and History and Philosophy of Science Program at Stanford University since 2006. Her book, Gods and Robots: Myths, Machines, and Ancient Dreams of Technology, explores the timeless quest for artificial life, to show how automatons, self-moving devices, human enhancements, and Artificial Intelligence were imagined in antiquity. Other books include Flying Snakes and Griffin Claws; Greek Fire, Poison Arrows & Scorpion Bombs: Unconventional Warfare in the Ancient World; The Amazons: Lives and Legends of Warrior Women across the Ancient World; The First Fossil Hunters: Dinosaurs, Mammoths and Myths in Greek and Roman Times; and The Poison King: Mithradates, Rome’s Deadliest Enemy (National Book Award finalist).
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Jay McClelland
Lucie Stern Professor in the Social Sciences, Professor of Psychology and, by courtesy, of Linguistics and of Computer Science
Current Research and Scholarly InterestsMy research addresses topics in perception and decision making; learning and memory; language and reading; semantic cognition; and cognitive development. I view cognition as emerging from distributed processing activity of neural populations, with learning occurring through the adaptation of connections among neurons. A new focus of research in the laboratory is mathematical cognition and reasoning in humans and contemporary AI systems based on neural networks.
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Mark McGurl
Albert Guérard Professor of Literature
BioMark McGurl's scholarly work centers on the relation of literature to social, educational and other institutions from the late 19th century to the present. He is the author of The Program Era: Postwar Fiction and the Rise of Creative Writing (Harvard), which was the recipient of the Truman Capote Award for Literary Criticism for 2011. His most recent book, Everything and Less: Fiction in the Age of Amazon (Verso 2021), was a finalist for the National Book Critics Circle Award for criticism.
McGurl’s first book was The Novel Art: Elevations of American Fiction after Henry James (Princeton). He has also published articles in journals such as Critical Inquiry, Representations, American Literary History, and New Literary History. He teaches a range of classes on American literature and related topics.
McGurl received his BA from Harvard, then worked at the New York Times and the New York Review of Books before earning his PhD in comparative literature from Johns Hopkins. He has held fellowships from Office of the President of the University of California and the Stanford Humanities Center. -
Alison McQueen
Associate Professor of Political Science and, by courtesy, of History
BioAlison McQueen is an Associate Professor in the Department of Political Science at Stanford University. Her research focuses on early modern political theory and the history of International Relations thought.
McQueen’s book, Political Realism in Apocalyptic Times (Cambridge University Press, 2018), traces the responses of three canonical political realists—Niccolò Machiavelli, Thomas Hobbes, and Hans Morgenthau—to hopes and fears about the end of the world. A second book project, Absolving God: Hobbes’s Scriptural Politics, tracks and explains changes in Thomas Hobbes’s strategies of Scriptural argument over time.
Her other ongoing research projects explore methods of textual interpretation, the ethics and politics of catastrophe, and treason in the history of political thought. -
Christian V. Mejia
Lecturer
BioChristian Mejia (he/they) believes that light has the ability to transport us to a moment in time and cradle us within a particular place. Light affects our mood, informs our emotional landscape, and enhances the everyday moments that make up our lives. The right light can tell a story that goes beyond words.
Christian’s approach to design seeks to create environments that ask people to lean into and learn something about our shared humanity. His design practice includes live performance, architectural lighting, and immersive entertainment. His work has been seen on stages and in built environments around the world. Some of his most cherished theatrical collaborations include the Geffen Playhouse (Los Angeles), Fountain Theatre (Los Angeles), Edinburgh Fringe Festival (Scotland), ACT (San Francisco), and New Conservatory Theatre Center (San Francisco). His architectural lighting design practice has included work with Universal Creative, Lincoln Center NYC, and global Soho House properties.
Christian received his BFA from New York University’s Tisch School of the Arts and his MFA from California Institute of the Arts. See a selection of his work at christianvmejia.com. -
Jamie Meltzer
Professor of Art and Art History
BioProfessor Jamie Meltzer teaches in the M.F.A. Program in Documentary Film. His feature documentary films have been broadcast nationally on PBS and have screened at numerous film festivals worldwide. Shifted Landscapes, a documentary feature in production, presents a mosaic of stories depicting the environmental, cultural, and psychological landscapes of California amidst the ongoing climate crisis. His short documentary, not even for a moment do things stand still, premiered at SXSW in March 2022, winning a Special Jury Mention in Visual Reflection. The film provides an observational glimpse into a COVID-19 art installation, dropping into intimate moments of people honoring their loved ones, and interrogating the role of mourning and closure during an unfolding tragedy. It was published as a New York Times Op-Doc in April 2022. Huntsville Station, a short documentary film directed with Chris Filippone, was featured as a New York Times Op-Docs and premiered at Berlinale and SXSW in 2020. The film observes the scene at a bus station - where dozens of inmates just released on parole take in their first moments of freedom before taking the bus home. True Conviction (broadcast on Independent Lens in May 2018), a co-production of ITVS and the recipient of a Sundance Institute grant and a MacArthur grant, premiered at the Tribeca Film Festival where it received a Special Jury Mention in the Best Documentary Feature category. Informant (2012), about a revolutionary activist turned FBI informant, was released in theaters in the US and Canada in Fall 2013 by Music Box Films and KinoSmith. Previous films include: Off the Charts: The Song-Poem Story (Independent Lens, 2003), about the shadowy world of song-poems, Welcome to Nollywood (PBS Broadcast, 2007), an investigation into the wildly successful Nigerian movie industry, and La Caminata (2009), a short film about a small town in Mexico that runs a simulated border crossing as a tourist attraction.
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Jisha Menon
Professor of Theater and Performance Studies and, by courtesy, of Comparative Literature
BioJisha Menon is Professor of Theater and Performance Studies, and (by courtesy) of Comparative Literature. Her research interests lie at the intersection of critical theory and performance studies; law and performance; race and the carceral state; affect theory, cities, and capitalism; gender and sexuality; cosmopolitanism and nationalism. Her current research project, Confessional Performance: The Cultural and Legal Arts of Personhood, explores how legal practices entrench a particular liberal topology of personhood, and how this conception departs from other societies where persons are conceived in more plural and discontinuous ways. The book argues that attending to the fictive constitution of the person within the law allows us to highlight the artifice, indeed, the aesthetics that are central to jurisprudence. Her four books explore arts and aesthetics in relation to neoliberal capitalism, postcolonial nationalism, secularism, and geopolitical conflict. Her newest book, Brutal Beauty: Aesthetics and Aspiration in Urban India (Northwestern UP, 2021) considers the city and the self as aesthetic projects that are renovated in the wake of neoliberal economic reforms in India. The study explores how discourses of beauty are mobilized toward anti-democratic ends. Sketching out scenes of urban aspiration and its dark underbelly, the book delineates the creative and destructive potential of India’s lurch into contemporary capitalism. Her first book, The Performance of Nationalism: India, Pakistan and the Memory of Partition (Cambridge UP, 2013), examines the affective and performative dimensions of nation-making. The book recuperates the idea of "mimesis" to think about political history and the crisis of its aesthetic representation, while examining the mimetic relationality that undergirds the encounter between India and Pakistan. She is also co-editor of two volumes: Violence Performed: Local Roots and Global Routes of Conflict (with Patrick Anderson) (Palgrave-Macmillan Press, 2009) and Performing the Secular: Religion, Representation, and Politics (with Milija Gluhovic) (Palgrave Macmillan, 2017.) She has published essays on the Indian partition, diasporic feminist theatre, political violence and performance, transnational queer theory, and neoliberal urbanism. Previously, she served as Assistant Professor of English at the University of British Columbia in Vancouver, Canada.
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Richard Meyer
Robert and Ruth Halperin Professor of Art History
BioAreas of Specialization:
20th-century American art and visual culture -
Ana Raquel Minian
Associate Professor of History
BioAna Raquel Minian is an Associate Professor in the Department of History. Minian received a PhD in American Studies from Yale University. At Stanford University, Minian offers classes on Latinx history, immigration, histories of incarceration and detention, and modern Mexican history.
Minian's first book, Undocumented Lives: The Untold Story of Mexican Migration (Harvard University Press, 2018) received the David Montgomery Award for the best book in labor and working-class history, given jointly by the Organization of American Historians and the Labor and Working-Class History Association; the Immigration and Ethnic History Society’s Theodore Saloutos Book Award for an early career scholar’s work in immigration and ethnic history; the Western Association of Women Historians’ Frances Richardson Keller-Sierra Prize for best monograph in the field of history by a member; the Association for Humanist Sociology’s Betty and Alfred McClung Lee Book Award for best book in humanist sociology; and the Americo Paredes Book Award for Non-Fiction presented by the Center for Mexican American Studies at South Texas College. It was also a finalist for the Frederick Jackson Turner Award, given to the author of a first scholarly book dealing with some aspect of American history by the Organization of American Historians and received an honorable mention for the Latin American Studies Association’s Bryce Wood Book Award given to an outstanding book on Latin America in the social sciences and humanities published in English.
Minian's second book, In the Shadow of Liberty: The Invisible History of Immigrant Detention (Viking Press, forthcoming, April 2024) reveals the history of the immigrant detention system from its inception in the 1800s to the present. Braiding together the vivid stories of four migrants seeking to escape the turmoil of their homelands for the promise of America, the book gives this history a human face, telling the dramatic story of a Central American asylum seeker, a Cuban exile, a European war bride, and a Chinese refugee. As we travel alongside these indelible characters, In the Shadow of Liberty explores how sites of rightlessness have evolved, and what their existence has meant for our body politic. Though these “black sites” exist out of view for the average American, their reach extends into all of our lives: the explosive growth of the for-profit prison industry traces its origins to the immigrant detention system, as does the emergence of Guantanamo and the gradual unraveling of the right to bail and the presumption of innocence. Through these narratives, we see how the changing political climate surrounding immigration has played out in individual lives, and at what cost. But as these stories demonstrate, it doesn’t have to be like this, and a better way might be possible.
Additionally, Minian has published articles in the Journal of American History, American Quarterly, and American Historical Review.
In 2020, Minian was awarded with the prestigious Andrew Carnegie Fellowship.
Minian's third book project, "No Man’s Lands: A New History of Immigration Restriction," examines how during the late Cold War and its aftermath, U.S. officials created new spaces and territories designed to prevent Latin American and Spanish-speaking Caribbean migrants from entering the United States. Rather than a thought-out and coherent project, these various spatial enterprises were designed haphazardly in response to particular incidents and migrations. -
Mercedes Montemayor Elosua
Doctor of Musical Arts Student, Musical Arts
BioMercedes Montemayor (b. Monterrey, Mexico, 1997) is a young composer with a great talent for creating innovative and avant-garde music. Her passion for music began at an early age, and since then, she has been immersed in the world of composition and music production. Her musical influences are diverse, and she enjoys experimenting with different genres, from classical music to ambient and electronic music. One of her greatest influences is Ryuichi Sakamoto, whose compositions have been a constant source of inspiration for Mercedes.
Despite her short career, Mercedes Montemayor has managed to stand out in the world of experimental music thanks to her ability to create complex and immersive soundscapes. Her compositions are often introspective and emotive, reflecting her interest in exploring new forms of expression through music. In addition to her work as a composer, Mercedes is also a sound engineer, which has allowed her to have a more technical and precise approach to her music production.
Mercedes performed in Mutek Mexico in October 2023 and interned in WSDG, an architectural acousics firm. She will be starting her DMA in music composition at Stanford University starting Fall 2024. -
Yumi Moon
Associate Professor of History and, by courtesy, of East Asian Languages and Cultures
BioI joined the department in 2006 after I completed my dissertation on the last phase of Korean reformist movements and the Japanese colonization of Korea between 1896 and 1910. In my dissertation, I revisited the identity of the pro-Japanese collaborators, called the Ilchinhoe, and highlighted the tensions between their populist orientation and the state-centered approach of the Japanese colonizers. Examining the Ilchinhoe’s reformist orientation and their dissolution by the Japanese authority led me to question what it meant to be collaborators during the period and what their tragic history tells us about empire as a political entity. I am currently working on a book manuscript centered on the theme of collaboration and empire, notably in relation to the recent revisionist assessments of empire. My next research will extend to the colonial period of Korea after the annexation and will examine what constituted colonial modernity in people’s everyday lives and whether the particulars of modernity were different in colonial and non-colonial situations. To explore these questions, I plan to look at the history of movie theaters in East Asia between 1890 and 1945, a subject which will allow me to study the interactions between the colonial authority, capitalists and consumers, as well as to look at the circulation of movies as consumed texts.
