School of Humanities and Sciences
Showing 1-37 of 37 Results
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Quyen Nguyen-Hoang
Ph.D. Student in Art History, admitted Autumn 2022
BioQuyên Nguyễn-Hoàng is a writer and translator born in Hà Nội.
Her recent translations include the English translation of Chronicles of a Village, a novel by Nguyễn Thanh Hiện (Yale University Press 2024), and the Vietnamese translation of Samuel Caleb Wee’s poetry collection https://everything.is/ (AJAR Press 2024).
While a curator at Sàn Art, she wrote Masked Force (2022), a bilingual book of war photographs by Võ An Khánh. Her poems, essays, and translations have appeared in Poetry, Jacket2, Modern Poetry in Translation and other venues. -
Yunfei Ren
Master of Fine Arts Student, Art Practice
BioYunfei Ren (1987, Wuhan, China) is a visual artist living in San Francisco, working in installation, photography, sound and sculpture. His work centers on the immigrant experience, exploring the complexity of identity and belonging in the context of history, citizenship and queerness. Inspired by his personal experience, Ren's practice investigates the history of racial prejudice and heightens the tension between the past and the present.
He earned a BA in French Literature from Middlebury College (2010) and is now an MFA candidate at Stanford University (2024). His work was recently exhibited at de Young Museum, Chinese Historical Society Museum, and was featured in the Washington Post. In 2021 and 2022, he was an artist-in-residence at the Atlantic Center for the Arts. -
Aatika Singh
Ph.D. Student in Art History, admitted Autumn 2023
Ph.D. Minor, Comparative Studies in Race and Ethnicity
CSA - Student Admin Assistant, South Asian StudiesCurrent Research and Scholarly InterestsCaste Studies, Art History & Cultural Studies, Race Studies and Modernism
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Pablo Tut
Master of Fine Arts Student, Art Practice
Current Research and Scholarly InterestsCritic and analysis of the social context that supports art from an anticolonial and antiracist perspective. Artistic projects that face precarity and inequality through collective organization, discussion, writing, and art praxis. Specialization in installation art, sculpture, and drawing.
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Dejan Vasic
Ph.D. Student in Art History, admitted Autumn 2023
Course Assistant: Global 50/DLCL 50, H & S ProgramsBioDejan Vasić is an art historian and curator of late modern and contemporary art and moving image media. He specializes in the transnational avant-garde and conceptual art, concentrating primarily on performance, video art, photography, and artists’ films and media works. His research intersects art, power, war, and everyday life, with methodological grounding in historical materialism, memory politics, decolonial, gender and feminist theory, and affirmation of critical thinking as a public good. Dejan is passionate about the history of exhibitions, museology and curatorial practice; he is invested in writings in the first person, and frequently collaborates with artists who battle social, economic and political problems.
Prior to coming to Stanford, Vasić had over a decade of experience in Serbia and the Yugoslav region, where he engaged in radical curatorial practices and critical writing that delves into the politics and ethics of aesthetics. Since 2012, he is a member of the International Association of Art Critics AICA and has served on the Program Advisory Board of AICA-Serbia (2020-2023). Dejan curated visual arts program at the Center for Cultural Decontamination in Belgrade (2017-2023), co-edited the Beton - Cultural Propaganda Kit (2018-2023), was part of the Four Faces of Omarska Working Group (2010-2015), the Culture of Memory curatorial platform (2010-2014) and Kontekst Collective (2009-2013). -
Lingjia Xu
Ph.D. Student in Chinese, admitted Autumn 2020
Ph.D. Minor, Art HistoryBioLingjia Xu is a Ph.D. student in East Asian Languages and Cultures at Stanford University. She specializes in modern Chinese literature, media, and cultural studies. With her general interest in the intersection of techno-science, politics, and culture, she is developing her project on the cross-media reinvention of the ideal of craftsmanship in post-socialist China, which seeks to contribute to studies on labor and technology, nationalism, popular culture, and film and media.