Stanford University
Showing 51-100 of 250 Results
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Arka Adhikari
Postdoctoral Scholar, Mathematics
BioI am currently an NSF Postdoctoral Scholar at Stanford University.
My mentor is Sourav Chatterjee.
Main Website: https://arkaa.people.stanford.edu/
Educational Background:
2016,-A.B. Princeton University
2021- Ph.D. Harvard University
Advisor: Horng-Tzer Yau -
Maneesh Agrawala
Forest Baskett Professor and Professor, by courtesy, of Electrical Engineering
Current Research and Scholarly InterestsComputer Graphics, Human Computer Interaction and Visualization.
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Karen Ajluni
Academic Operations Mgr 1, Philosophy
BioKaren Ajluni is the Director of Finance and Operations in the Departments of Philosophy and Religious Studies within the School of Humanities and Sciences (H&S) at Stanford University. Previously, Karen worked for six years as the Finance Manager in the Physics Department, also within H&S. Before coming to Stanford, Karen worked for four years at Santa Clara University, most recently as Assistant Dean of Administration and Finance in the School of Education and Counseling Psychology. Prior to that she was the Operations and Administration Manager of the Miller Center for Social Entrepreneurship. Karen has been employed in non-profit and educational administration for over 25 years, and has experience with a wide variety of organizations, including Downtown College Prep High School, the Girl Scouts of Northern California, EHC Lifebuilders, Futures without Violence, and Project Match. She received a B.S. in Psychology from Santa Clara University and a Masters in Public Administration from San Jose State University. Karen lives in downtown San Jose with her husband and three children.
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Soud Al Kharusi
Postdoctoral Scholar, Physics
Current Research and Scholarly InterestsExperimental/astrophysical probes of neutrinos, fundamental symmetries, and cosmological models.
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Samer Al-Saber
Assistant Professor of Theater and Performance Studies
BioSamer is Assistant Professor of Theatre And Performance Studies, and a member of the faculty at the Center for the Comparative Study of Race and Ethnicity (CCSRE) and the Abbasi Program in Islamic Studies. Before coming to Stanford, he has taught at various institutions (Davidson College, Florida State University) on a wide range of topics, including Conflict and Theatre, Arab Theatre and Culture, Palestinian Theatre, Staging Islam and American Politics, and Orientalism and the Victorians. At Stanford, he teaches courses concerned with identity, race, and ethnicity at the intersection of Islam and the Arts His international research is focused on the cultural dimensions of the Arab World, the Middle East, and Islamicate regions. He has taught widely on topics of Western and non-Western theater as well as American, Middle Eastern, and Global performance. As artist/scholar, his fieldwork intersects with theatre practice as a director and writer. His work appeared in Theatre Research International, Alt.Theatre, Performance Paradigm, Critical Survey, Theatre Survey, Jadaliyya, Counterpunch, This Week In Palestine, and various edited volumes, such as Palgrave’s Performing For Survival, Edinburgh Press’ Being Palestinian, and the Freedom Theatre’s recently published Performing Cultural Resistance in Palestine. He is the co-editor of the anthology Stories Under Occupation and Other Plays from Palestine (Seagull Press/University of Chicago Press) and Arab, Politics, Performance (Routledge - Forthcoming). He edited a collection of plays: Youth Plays from Gaza (Bloomsbury Press). Courses taught include: Performing Identities, Race and Performance, Advanced Directing: Actor-Director Dialog, Making Your Own Solo Show, Edward Said: Scholar Vs Empire, Performing Arabs, Introduction to Comparative Race and Ethnicity, New Play Development, and World Theater History. Samer serves on the advisory boards of Arab Stages and Golden Thread Productions in San Francisco.
Areas of expertise: Theory; History; Criticism; Middle East Studies, Western Theater, Non-Western theater, Race and Performance, Middle Eastern Theatre; Islam and the Arts; Arab Theatre; Directing; Historiography; Postcolonialism; Nationalism; Ethnography; Performance, Politics, Casting, and Collaboration.
