School of Humanities and Sciences
Showing 1,101-1,200 of 1,309 Results
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Dat Tran
Masters Student in Statistics, admitted Autumn 2024
BioDat Tran is an M.S. Statistics/ Data Science student in the Stanford Statistics department. Prior to joining Stanford, Dat was a Data Scientist at Mobilewalla, where he was the co-author of Anovos, one of the most efficient PySpark open-source libraries for large-scale data, as well as multiple B2B Data Science solutions in Telecommunications, FinTech and Large Language Models (LLMs). Dat graduated Cum Laude with a bachelor's in Data Science at University of Texas at Dallas.
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Zhainib A. Amir
Ph.D. Student in Biology, admitted Autumn 2020
BioI received my B.S. in Microbiology, and M.S. in Cell and Molecular Biology from San Francisco State University. Currently, I am a Biology Ph.D. student with an emphasis in Cell, Molecular and Organismal Biology at Stanford University. I am interested in a range of topics, from cell biology to cancer immunology, however, my research interests lie primarily in understanding the cellular mechanisms at play in genetic and autoimmune diseases.
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Chukwudubem Ukaigwe
Master of Fine Arts Student, Art Practice
HIA Grad Mentor, Stanford Arts InstituteBioChukwudubem Ukaigwe is an artist, curator, and writer based out of Canada. Exercising material as an experimental device for cross-examining plural themes, his interdisciplinary practice is an inquiry into semiotic dissonance. Chukwudubem participates in the creation of immersive audiovisual scapes for fecund contemplation, bringing to centre facets of everyday life to generate active conceptual trans-media interconnections pertaining to global aesthetics.
Tapping into a diverse spectrum of influences - from experimental music and literature, to history and futurisms - Ukaigwe approaches his art practice as a double gesture. On one hand, his work is a way of annotating, augmenting, defacing, transposing, and rewriting in the margins of a palimpsestic history. On the other hand, his paintings, installations, and video works are an attempt to assemble and compose a speculative sensorium that permits hearing in a different tempo; one that collapses the subject-object divide and maps out both new and revised sociographies. A compositional practice that is fabulated out of the choice to meander in extant modes of being: fugitive, improvised, ongoing and otherwise.
His social practice is established on the foundations of splintered or shared authorship, community input, fracturing time, and relativity. On obtaining a BFA (Hons.) from the university of Manitoba in Canada, Chukwudubem has presented exhibitions and effectuated artist residencies locally and intercontinentally. Ukaigwe is a founding member of the curatorial force, Patterns collective. -
Calvin Van Zytveld
Ph.D. Student in Music, admitted Autumn 2023
BioCalvin Van Zytveld is pursuing a Ph.D. in Musicology at Stanford University. His research interests include hymnody of pre-industrial America and agricultural practices of the early modern period.
Calvin graduated summa cum laude in music from Princeton University, with a certificate in cello performance. Following graduation, he began master’s degrees in music composition and cello performance at the University of Michigan, but lost his vision suddenly in the second year of his studies due to Leber’s Hereditary Optic Neuropathy (LHON). Unable to read music, Calvin performs and writes music less frequently now, though he can be heard performing with the Plymouth Chamber Players, a grassroots chamber collective he co-directs with violinists Paolo Dara and Karisa Chiu in Grand Rapids, Michigan. Calvin enjoys organic vegetable gardening, drinking tea, and walking with his guide dog, Wake. -
Dejan Vasic
Ph.D. Student in Art History, admitted Autumn 2023
Ph.D. Minor, Theater and Performance StudiesBioDejan Vasić is an art historian and curator of late modern and contemporary art and moving image media. He specializes in the transnational avant-garde and conceptual art, concentrating primarily on performance, video art, photography, and artists’ films and media works. His research intersects art, power, war, and everyday life, with methodological grounding in historical materialism, memory politics, decolonial, gender and feminist theory, and affirmation of critical thinking as a public good. Dejan is passionate about the history of exhibitions, museology and curatorial practice; he is invested in writings in the first person, and frequently collaborates with artists who battle social, economic and political problems.
Prior to coming to Stanford, Vasić had over a decade of experience in Serbia and the Yugoslav region, where he engaged in radical curatorial practices and critical writing that delves into the politics and ethics of aesthetics. Since 2012, he is a member of the International Association of Art Critics AICA and has served on the Program Advisory Board of AICA-Serbia (2020-2023). Dejan curated visual arts program at the Center for Cultural Decontamination in Belgrade (2017-2023), co-edited the Beton - Cultural Propaganda Kit (2018-2023), was part of the Four Faces of Omarska Working Group (2010-2015), the Culture of Memory curatorial platform (2010-2014) and Kontekst Collective (2009-2013). -
RJ Vasquez
Ph.D. Student in Religious Studies, admitted Autumn 2025
BioRJ Vasquez (he/him) is a PhD student in Religious Studies at Stanford University. His research focuses on the history of American religions and gives particular attention to spiritual life, migration, labor, and the modern state. He is especially interested in spiritual life as a medium of historical agency.
Raised in California’s Central Valley, RJ earned an associate’s degree at Bakersfield College and a bachelor’s degree at California State University, Bakersfield. He completed a master’s degree in theological studies at Harvard University before beginning his doctoral studies at Stanford.
RJ is also interested in digital humanities and directs a museum and archive revitalization project in his hometown of Wasco, California, where he works to add diversity and accessibility to his community’s shared history. -
Patrick Walsh
Ph.D. Student in Applied Physics, admitted Autumn 2025
BioPatrick graduated with honors from the University of Wisconsin-Madison in 2025 with a B.S. in Applied Math, Engineering, and Physics. He conducted his undergraduate research under Professor Mark Eriksson, where he studied Semiconductor Quantum Dot Qubits. His work focused on developing experimental techniques and numerical tools to automate gate-voltage calibration procedures for quantum dot devices. As an NSF Fellow and rotation student with the Bøttcher group at Stanford, Patrick is interested in using Josephson Junction Arrays to study a variety of problems in condensed matter, including vortex dynamics, quantum phase transitions, and highly correlated materials.
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Katherine Whatley
Ph.D. Student in Japanese, admitted Autumn 2019
Current Research and Scholarly InterestsMy research examines the relationship between the written and the spoken word in Classical Japan. I take this relationship as the starting place and explore the role of music in Classical Japan through looking at words-as-song. From this vantage point, I argue that music was a primary mode of communication amongst people (especially women) and their surroundings—interpersonal, international, and inter-environmental. I am also a composer and koto performer working on a dissertation composition.
