School of Humanities and Sciences
Showing 21-40 of 98 Results
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Bradley Efron
Max H. Stein Professor and Professor of Statistics and of Biomedical Data Science, Emeritus
Current Research and Scholarly InterestsResearch Interests:
BOOTSTRAP
BIOSTATISTICS
BAYESIAN STATISTICS -
Ronald Egan
Stanford W. Ascherman, M.D. Professor
On Leave from 10/01/2024 To 12/31/2024BioResearch Areas:
- Chinese Poetry
- Song dynasty Poetry and literati Culture
- The social and historical context of Song dynasty aesthetics -
Karen Eggleston
Senior Fellow at the Freeman Spogli Institute for International Studies and Professor, by courtesy, of Health Policy
Current Research and Scholarly InterestsHealth reform in China; comparative healthcare systems in Asia; government and market roles in the health sector; payment incentives; healthcare productivity; and economic implications of demographic change.
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Paul Ehrlich
Bing Professor of Population Studies, Emeritus
Current Research and Scholarly InterestsThe role of the social sciences in dealing with global change
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Johannes C. Eichstaedt
Assistant Professor (Research) of Psychology
Current Research and Scholarly InterestsWell-being: affect, life satisfaction, and purpose, and their individual and societal determinants (lifestyle factors and policies); traits: character strengths, personality, trust, and empathy
Mental and physical health: depression, stress, and anxiety; health psychology: heart disease and opioid addiction
Methods: Natural Language Processing & Large Language Models; data science and
visualization; longitudinal methods, machine learning, and psychological assessment through AI -
Liran Einav
Charles R. Schwab Professor of Economics and Senior Fellow at the Stanford Institute for Economic Policy Research
Biohttps://leinav.people.stanford.edu/bio
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Keith Ekiss
Lecturer
Current Research and Scholarly InterestsPoetry, Translation, Speculative Literature.
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Kennii Ekundayo
Ph.D. Student in Art History, admitted Autumn 2024
BioKehinde “Kennii” Ekundayo is an independent curator specializing in global contemporary art. Since 2017, she has curated exhibitions in her home country, Nigeria, and internationally, working with artists, institutions, and collections alike to realize highly publicized projects. Of particular note is "Idi Owena," a 63-year-spanning retrospective exhibition on Bruce Onobrakpeya’s artistry at the San Diego State University Gallery in Spring '22.
Ekundayo's current research is focused on the responses of under-represented and/or understudied artists to issues of conflict, forced migration, and environmentalism--three subjects which have proven critical to shaping the course of the millennium. Her research is particularly directed at (the activities of) refugee artists who have resettled in the United States since 1990 to date, delineating their contributions to contemporary art theory. She is also interested in the evolution of artistic processes over time, exploring artistic interpretations of human connections, and examining relationships between art and place.
Her MA thesis titled, “Retelling the Story of Place: Aestheticizing the Double Jeopardy of Flooding in Brazil and Nigeria” is a comparative analysis of artistic interventions to the flood disasters in Brazil and Nigeria. Her writings have appeared across exhibition catalogs and academic publication. -
Harry Elam
Senior Vice Provost for Education, Vice President for the Arts, Freeman-Thornton Vice Provost for Undergraduate Education and the Olive H. Palmer Professor in Humanities, Emeritus
BioVice Provost for Undergraduate Education; Olive H. Palmer Professor in the Humanities; Robert and Ruth Halperin University Fellow for Undergraduate Education; Director of the Institute for Diversity in the Arts. Harry J. Elam, Jr. is the Olive H. Palmer Professor in the Humanities and the Freeman-Thornton Vice Provost for Undergraduate Education at Stanford University.
He is author of and editor of seven books, Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka; The Past as Present in the Drama of August Wilson (Winner of the 2005 Errol Hill Award from the American Society of Theatre Research); and co‑editor of four books, African American Performance and Theater History: A Critical Reader; Colored Contradictions: An Anthology of Contemporary African American Drama; The Fire This Time: African American Plays for the New Millennium; and Black Cultural Traffic: Crossroads in Performance and Popular Culture. His articles have appeared in American Drama, Modern Drama, Theatre Journal, Text and Performance Quarterly as well as journals in Israel, Taiwan and Poland and several critical anthologies. Professor Elam is also the former editor of Theatre Journal and on the editorial boards of Atlantic Studies, Journal of American Drama and Theatre, and Modern Drama. He was elected to the College of Fellows of the American Theatre in April 2006. In August 2006 he won the Betty Jean Jones Outstanding Teaching Award from the American Theatre and Drama Society and in November 2006 he won the Distinguished Scholar Award form the American Society of Theatre Research. In July 2014, Elam received the Association of Theatre in Higher education’s highest award for theatre scholars, the Career Achievement Award.
In addition to his scholarly work, he has directed professionally for over twenty years: most notably, he directed Tod, the Boy Tod by Talvin Wilks for the Oakland Ensemble Company, and for TheatreWorks in Palo Alto California, he directed Jar the Floor by Cheryl West and Blues for an Alabama Sky by Pearl Cleague, which was nominated for nine Bay Area Circle Critics Awards and was the winner of DramaLogue Awards for Best Production, Best Design, Best Ensemble Cast and Best Direction. He has directed several of August Wilson's plays, including Radio Golf, Joe Turner's Come and Gone, Two Trains Running, and Fences, the latter of which won eight Bay Area “Choice” Awards.
At Stanford he has been awarded five different teaching awards: The ASSU Award for Undergraduate Teaching, Small Classes (1992); the Humanities and Sciences Deans Distinguished Teaching Award (1993); the Black Community Service Center Outstanding Teacher Award (1994), The Bing Teaching Fellowship for Undergraduate Teaching (1994-1997); The Rhodes Prize for Undergraduate Teaching (1998).
He received his AB from Harvard College in 1978 and his Ph.D. in Dramatic Arts from the University of California Berkeley in 1984.
