School of Humanities and Sciences
Showing 1,201-1,250 of 1,364 Results
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Fred Turner
Harry and Norman Chandler Professor of Communication, Akiko Yamazaki and Jerry Yang University Fellow in Undergraduate Education and Professor, by courtesy, of Art and Art History and of History
BioFred Turner’s research and teaching focus on media technology and cultural change. He is especially interested in the ways that emerging media have helped shape American life since World War II.
Turner is the author of five books: The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties; From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network and the Rise of Digital Utopianism; Echoes of Combat: The Vietnam War in American Memory; Seeing Silicon Valley: Life Inside a Fraying America (with Mary Beth Meehan); and L'Usage de l'Art: de Burning Man à Facebook, art, technologie et management dans la Silicon Valley. His essays have tackled topics ranging from the rise of reality crime television to the role of the Burning Man festival in contemporary new media industries. They are available here: fredturner.stanford.edu/essays/.
Turner’s research has received a number of academic awards and has been featured in publications ranging from Science and the New York Times to Ten Zen Monkeys. It has also been widely translated.
Turner is also the Akiko Yamazaki and Jerry Yang University Fellow in Undergraduate Education. Before joining the faculty at Stanford, Turner taught Communication at Harvard University’s John F. Kennedy School of Government and the Massachusetts Institute of Technology. He also worked as a freelance journalist for ten years and he continues to write for newspapers and magazines in America and Europe, including Harper's, The New York Times Magazine, and the Frankfurter Allgemeine Zeitung.
Turner earned his Ph.D. in Communication from the University of California, San Diego. He has also earned a B.A. in English and American Literature from Brown University and an M.A. in English from Columbia University. -
Jun Uchida
Asian Cultures and Society Professor and Professor of History
Current Research and Scholarly InterestsMy current book project examines the diasporic history of Ōmi shōnin (merchant). Often compared to overseas Chinese and Jewish merchants, merchants of Ōmi (present-day Shiga prefecture) are famous for peddling textiles and other goods across the early modern Japanese archipelago. My aim is to trace their activities into the global age of capital and empire, from cotton trade and manufacturing in China to retail commerce in Korea and Manchuria, and immigration to North America.
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Chukwudubem Ukaigwe
Master of Fine Arts Student, Art Practice
HIA Grad Mentor, Stanford Arts InstituteBioChukwudubem Ukaigwe is an artist, curator, and writer based out of Canada. Exercising material as an experimental device for cross-examining plural themes, his interdisciplinary practice is an inquiry into semiotic dissonance. Chukwudubem participates in the creation of immersive audiovisual scapes for fecund contemplation, bringing to centre facets of everyday life to generate active conceptual trans-media interconnections pertaining to global aesthetics.
Tapping into a diverse spectrum of influences - from experimental music and literature, to history and futurisms - Ukaigwe approaches his art practice as a double gesture. On one hand, his work is a way of annotating, augmenting, defacing, transposing, and rewriting in the margins of a palimpsestic history. On the other hand, his paintings, installations, and video works are an attempt to assemble and compose a speculative sensorium that permits hearing in a different tempo; one that collapses the subject-object divide and maps out both new and revised sociographies. A compositional practice that is fabulated out of the choice to meander in extant modes of being: fugitive, improvised, ongoing and otherwise.
His social practice is established on the foundations of splintered or shared authorship, community input, fracturing time, and relativity. On obtaining a BFA (Hons.) from the university of Manitoba in Canada, Chukwudubem has presented exhibitions and effectuated artist residencies locally and intercontinentally. Ukaigwe is a founding member of the curatorial force, Patterns collective. -
Camille Utterback
Associate Professor of Art and Art History and, by courtesy, of Computer Science
BioCamille Utterback is an internationally acclaimed artist whose interactive installations and reactive sculptures engage participants in a dynamic process of kinesthetic discovery and play. Utterback’s work explores the aesthetic and experiential possibilities of linking computational systems to human movement and gesture in layered and often humorous ways. Her work focuses attention on the continued relevance and richness of the body in our increasingly mediated world.
Her work has been exhibited at galleries, festivals, and museums internationally, including The Frist Center for Visual Arts, Nashville, TN; The Orange County Museum of Art, Newport Beach, CA; ZERO1 The Art & Technology Network, San Jose, CA; The New Museum of Contemporary Art, The American Museum of the Moving Image, New York; The NTT InterCommunication Center, Tokyo; The Seoul Metropolitan Museum of Art; The Netherlands Institute for Media Art; The Taipei Museum of Contemporary Art; The Center for Contemporary Art, Kiev, Ukraine; and the Ars Electronica Center, Austria. Utterback’s work is in private and public collections including Hewlett Packard, Itaú Cultural Institute in São Paolo, Brazil, and La Caixa Foundation in Barcelona, Spain.
Awards and honors include a MacArthur Foundation Fellowship (2009), a Transmediale International Media Art Festival Award (2005), a Rockefeller Foundation New Media Fellowship (2002) and a commission from the Whitney Museum for the CODeDOC project on their ArtPort website (2002). Utterback holds a US patent for a video tracking system she developed while working as a research fellow at New York University (2004). Her work has been featured in The New York Times (2010, 2009, 2003, 2002, 2001), Art in America (October, 2004), Wired Magazine (February 2004), ARTnews (2001) and many other publications. It is also included in Thames & Hudson’s World of Art – Digital Art book (2003) by Christiane Paul.
Recent public commissions include works for the Liberty Mutual Group, the FOR-SITE Foundation, The Sacramento Airport, The City of San Jose, California, The City of Fontana, California, and the City of St. Louis Park, Minnesota. Other commissions include projects for The American Museum of Natural History in New York, The Pittsburgh Children’s Museum, The Manhattan Children’s Museum, Herman Miller, Shiseido Cosmetics, and other private corporations.
Utterback is currently an Assistant Professor in the Art and Art History Department at Stanford University. She holds a BA in Art from Williams College, and a Masters degree from The Interactive Telecommunications Program at New York University’s Tisch School of the Arts. She currently lives and works in San Francisco. -
Calvin Van Zytveld
Ph.D. Student in Music, admitted Autumn 2023
BioCalvin Van Zytveld is a Ph.D. candidate in Musicology who is also pursuing a Doctoral Certificate in Composition. His research focuses on sound recording and music notation. He is working on a dissertation titled 'Fixing Music: the Remediation of Sound and Performance through Notation and Recording 1958-2028,' which explores the means and motivations for fixing and affixing sounds past or future, real or fantastical. It includes chapters on text scores, microphone arrays, dynamic compression, and the pre-history of the Digital Audio Workstation (DAW).
Calvin went blind suddenly and unexpectedly in 2020 due to Leber’s Hereditary Optic Neuropathy (LHON).
He is the Head Designer for BLIND ENVY, a project based at Stanford’s Center for Computer-based Research in Music and Acoustics (CCRMA) to make the first-ever non-visual digital devices for recording and editing audio. BLIND ENVY is a 2026 recipient of the Magic Grant from the Brown Institute.
An avid cellist, he has given solo and chamber music performances in Canada, Sweden, Slovakia, the Czech Republic, Hungary, Spain, and China and played with such musicians and ensembles as Gustavo Dudamel, Robert Spano, Ludovic Morlot, Per Tengstrand, the Richardson Chamber Players, and the English Concert.
His compositions have been performed by Ensemble Mosaik, Plymouth Chamber Players, NEKO3, Distractfold, Peninsula Women’s Chorus, Grand Rapids Choir of Men and Boys, Princeton University Orchestra, and the Princeton Camerata.
He co-directs and performs in two festivals in his hometown, Grand Rapids, Michigan. Founded in 2016, Plymouth Chamber Players offers classical chamber concerts free of charge and features members of the Detroit, Chicago, Houston, Atlanta, and Grand Rapids symphony orchestras. Across town, 2026 was the inaugural year of Fountain Fest. The festival stretched across four days and included punk rock, rave, stand-up comedy, film screenings, live-coded choir and organ, jazz, free improvisation, and guided meditation.
Calvin graduated summa cum laude in music from Princeton University, where he studied with Steven Mackey and Donnacha Dennehy. He pursued master’s degrees at the University of Michigan, studying composition with Bright Sheng and cello with Richard Aaron.
Recent awards and fellowships include the 2025 Chair’s Award for Excellence in Teaching, the 2026 New Music USA Creator Fund, the RAISE fellowship for community-based research, and the Stanford Interdisciplinary Graduate Fellowship (SIGF). -
Dejan Vasic
Ph.D. Student in Art History, admitted Autumn 2023
Ph.D. Minor, Theater and Performance StudiesBioDejan Vasić is an art historian and curator of late modern and contemporary art and moving image media. He specializes in the transnational avant-garde and conceptual art, concentrating primarily on performance, video art, photography, and artists’ films and media works. His research intersects art, power, war, and everyday life, with methodological grounding in historical materialism, memory politics, decolonial, gender and feminist theory, and affirmation of critical thinking as a public good. Dejan is passionate about the history of exhibitions, museology and curatorial practice; he is invested in writings in the first person, and frequently collaborates with artists who battle social, economic and political problems.
Prior to coming to Stanford, Vasić had over a decade of experience in Serbia and the Yugoslav region, where he engaged in radical curatorial practices and critical writing that delves into the politics and ethics of aesthetics. Since 2012, he is a member of the International Association of Art Critics AICA and has served on the Program Advisory Board of AICA-Serbia (2020-2023). Dejan curated visual arts program at the Center for Cultural Decontamination in Belgrade (2017-2023), co-edited the Beton - Cultural Propaganda Kit (2018-2023), was part of the Four Faces of Omarska Working Group (2010-2015), the Culture of Memory curatorial platform (2010-2014) and Kontekst Collective (2009-2013). -
RJ Vasquez
Ph.D. Student in Religious Studies, admitted Autumn 2025
BioRJ Vasquez (he/him) is a PhD student in Religious Studies at Stanford University. His research focuses on the history of American religions and gives particular attention to spiritual life, migration, labor, and the modern state. He is especially interested in spiritual life as a medium of historical agency.
Raised in California’s Central Valley, RJ earned an associate’s degree at Bakersfield College and a bachelor’s degree at California State University, Bakersfield. He completed a master’s degree in theological studies at Harvard University before beginning his doctoral studies at Stanford.
RJ is also interested in digital humanities and directs a museum and archive revitalization project in his hometown of Wasco, California, where he works to add diversity and accessibility to his community’s shared history. -
Blakey Vermeule
Senior Associate Dean for Humanities and Arts and Albert Guérard Professor of Literature
BioBlakey Vermeule's research interests are neuroaesthetics, cognitive and evolutionary approaches to art, philosophy and literature, British literature from 1660-1820, post-Colonial fiction, satire, and the history of the novel. She is the author of The Party of Humanity: Writing Moral Psychology in Eighteenth-Century Britain (2000) and Why Do We Care About Literary Characters? (2009), both from The Johns Hopkins University Press. She is writing a book about what mind science has discovered about the unconscious.
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Richard Vinograd
Christensen Professor of Asian Art
BioRichard Vinograd is the Christensen Fund Professor in Asian Art in the Department of Art & Art History at Stanford University, where he has taught since 1989. Dr. Vinograd’s research interests include Chinese portraiture, landscape painting and cultural geography, urban cultural spaces, painting aesthetics and theory, art historiography, and inter-media studies. He is the author of Boundaries of the Self: Chinese Portraits, 1600-1900 (Cambridge: Cambridge University Press, 1992); co-editor of New Understandings of Ming and Qing Painting (Shanghai: Shanghai Calligraphy Painting Publishing House, 1994); and co-author of Chinese Art & Culture (New York: Prentice Hall and Harry N. Abrams, 2001). He has published more than thirty journal articles, anthology chapters, conference papers, and catalogue essays on topics ranging from tenth-century landscape painting to contemporary transnational arts.
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Matías Walker
Ph.D. Student in Philosophy, admitted Autumn 2026
Current Research and Scholarly InterestsI'm interested in making contributions on both the metaphysical and logical fronts of philosophical questions. My doctoral project will combine tools from modal logic, model theory, higher-order semantics and formal metaphysics, with particular attention to the relationship between logical structure and its semantical reach in metaphysical interpretation.
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Zach Wallis
Ph.D. Student in History, admitted Autumn 2026
Other Tech - Graduate, History DepartmentBioZach Wallis is a PhD student in the Department of History in the field of British history. His research focuses on political economy, energy, and the environment in Australia, New Zealand, and the Southwest Pacific in the late nineteenth and early twentieth centuries. He is especially interested in understanding how conjoined political-economic and environmental transformations across the Pacific in this period prefigured the Great Acceleration in significant ways. Some of his other research interests include the environmental history of the First World War, historical theory, and theories of socio-metabolism.
Before coming to Stanford, Zach earned a B.A. in history from McGill University, a Master of History from the Australian National University, and a M.A in history from the University of Chicago. His dissertation at the University of Chicago, which won the Raymond D. Fogelson Thesis Prize, was a study of settler ecological thinking in late nineteenth century New Zealand. He has also previously undertaken research into late nineteenth and early twentieth century Australian intellectual history, and he has been published on the topic in History Australia. -
Ban Wang
William Haas Professor of Chinese Studies and Professor, by courtesy, of Comparative Literature
BioWilliam Haas Professor in Chinese Studies, Stanford University
Departments of East Asian Languages and Comparative Literature
Yangtze River Chair Professor, Simian Institute of Advanced Study,
East China Normal University -
Ge Wang
Associate Professor of Music and Senior Fellow at the Stanford Institute for Human-Centered AI
BioGe Wang is an Associate Professor at Stanford University in the Center for Computer Research in Music and Acoustics (CCRMA). He specializes in the art of design and computer music — researching programming languages and interactive software design for music, interaction design, mobile music, laptop orchestras, expressive design of virtual reality, aesthetics of music technology design, and education at the intersection of computer science and music. Ge is the author of the ChucK music programming language, the founding director of the Stanford Laptop Orchestra (SLOrk). Ge is also the Co-founder of Smule (reaching over 200 million users), and the designer of the iPhone's Ocarina and Magic Piano. Ge is a 2016 Guggenheim Fellow, and the author of ARTFUL DESIGN: TECHNOLOGY IN SEARCH OF THE SUBLIME—a book on design and technology, art and life‚ published by Stanford University Press in 2018 (see https://artful.design/)
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Xinyu Wang
Master of Arts Student in Music, admitted Autumn 2026
BioGrad student CCRMA
