School of Humanities and Sciences


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  • Albert Gelpi

    Albert Gelpi

    Coe Professor of American Literature, Emeritus

    BioFULL NAME: Albert Joseph Gelpi

    ACADEMIC ADDRESS: Department of English
    Stanford University, Stanford CA 94305

    HOME ADDRESS: 870 Tolman Drive, Stanford CA 94305

    BIRTH: July 19, 1931, New Orleans, Louisiana

    FAMILY: Married Barbara Charlesworth, June 14 1965
    Children: Christopher, born 1966; Adrienne, born 1970

    EDUCATION: A. B. Loyola University (New Orleans, 1951
    M. A. Tulane University, 1956
    Ph. D. Harvard University, 1962

    ACADEMIC POSITIONS:
    Assistant Professor, Harvard University, 1962-68
    Head Tutor, Department of English, Harvard University, 1965-68
    Associate Professor, Stanford University, 1968-74
    Director of Graduate Studies, Department of English, Stanford, 1969-72, 1978-80
    Professor, Stanford University, 1974-1999
    William Robertson Coe Professor of American Literature, 1978-1999
    Guggenheim Fellow, 1977-78
    Vice Chair, Department of English, Stanford University, 1979-81, 1988-97
    Chair, American Studies, Stanford University, 1976-77, 1989-90, 1994-97
    Associate Dean of Graduate Studies & Research, Stanford University, 1980-85
    Chair, Department of English, 1985-88
    William Robertson Coe Professor of American Literature, emeritus, 1999—

    PUBLISHED BOOKS:
    Emily Dickinson: The Mind of the Poet, Harvard University Press, 1965, paperback W. W. Norton, 1971

    The Poet in America, 1650 to the Present, D. C. Heath, 9173

    Adrienne Rich’s Poetry (edited with Barbara Charlesworth Gelpi), W. W. Norton, 1973

    The Tenth Muse: The Psyche of the American Poet, Harvard University Press, 1975; reissued with new introduction Cambridge University Press, 1991

    Wallace Stevens: The Poetics of Modernism, Cambridge University Press, 1986

    A Coherent Splendor: The American Poetic Renaissance 1910-1950, Cambridge University Press, 1987

    Adrienne Rich’s Poetry and Prose (edited with Barbara Charlesworth Gelpi, W. W. Norton, 1992

    Denise Levertov: Selected Criticism, University of Michigan Press, 1993

    The Blood of the Poet: Selected Poems of William Everson, Broken Moon Press, 1994

    Living in Time: The Poetry of C. Day Lewis, Oxford University Press, 1993

    A Whole New Poetry Beginning Here: Adrienne Rich in the Eighties and Nineties (edited with Jacqueline Brogan), Women’s Studies, 1998

    The Wild God of the World: An Anthology of Robinson Jeffers, Stanford University Press, 2003

    Dark God of Eros: A William Everson Reader, Heyday Books, 2003

    The Letters of Robert Duncan and Denise Levertov (edited with Robert J. Bertholf), Stanford University Press, 2004

    Robert Duncan and Denise Levertov:The Poetry of Politics, the Politics of Poetry (edited with Robert J. Bertholf), Stanford University Press, 2006

    American Poetry after Modernism: The Power of the Word, Cambridge: Cambridge University Press, 2015

    C. Day-Lewis, The Golden Bridle: Selected Prose (edited with Bernard O’Donoghue) Oxford: Oxford University Press, 2017

    Adrienne Rich: Poetry and Prose (edited with Barbara Charlesworth Gelpi &Brett Millier) New York: W. W. Norton, 2018

    Adrienne Rich, Selectred Poems (edited with barbara Charlesworth Gelpi & Brett Millier) New York:W> W> Worton, 2018

  • Vera Geranpayeh

    Vera Geranpayeh

    Ph.D. Student in German Studies, admitted Autumn 2024
    Ph.D. Minor, Feminist, Gender, and Sexuality Studies

    Current Research and Scholarly InterestsVera Geranpayeh is a PhD candidate in German Studies. Her dissertation investigates how gender drives narrative in medieval German literature, engaging (feminist) narratology, structuralist approaches, and theories of minor characters. She examines how minor female figures catalyze narrative movement by disrupting the course of patriarchal progression, and how these structural dynamics reverberate across periods into modern literature. Her work develops a narratological framework that highlights their epistemic authority, grounded in Otherness, marked by exclusion from minne.

    In addition, she pursues a project on the 1593 Hohenlohe cookbook, focusing on domestic authorship, female custodianship of knowledge, and the cultural transmission of culinary practices in early modern German aristocratic households.

    She is co-initiator of SCRIPTA, an interdisciplinary research group on gender, knowledge, and agency in premodern manuscript cultures that combines theoretical discussion with hands-on archival work in Stanford’s Special Collections and hosts workshops with guest scholars from other institutions.

    Her broader research spans queer survival, female bonds, and desire in nineteenth-century and fin-de-siècle German literature. She is the recipient of the Clayman Institute’s 2025 Marilyn Yalom Research Prize.