School of Humanities and Sciences
Showing 301-400 of 1,251 Results
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Brooke Fabricant
Fac Spclst 2, Jasper Ridge
Current Role at StanfordResident Ranger at Jasper Ridge Biological Preserve
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Debra Fong
Academic Staff Hourly, Music
BioViolinist Debra Fong is Concertmaster of the Peninsula Symphony, Associate Concertmaster of the San Jose Chamber Orchestra, and Principal Second Violinist of the San Francisco Chamber Orchestra. She spends her summers as a first violinist with the Grammy Award-winning Santa Fe Opera Orchestra.
Also dedicated teacher, Debra is a Lecturer in Music at Stanford University, teaching violin and chamber music, and she maintains a private violin studio. She is a faculty coach for Young Chamber Musicians, a guest conductor for the Palo Alto Chamber Orchestra, and a judge for several annual young artist concerto competitions. Debra is a former violin faculty member at The College of William & Mary, The Music Institute of Chicago, and New England Conservatory of Music Preparatory School.
Debra received her Bachelor and Master of Music degrees in Violin Performance with Honors and Distinction from the New England Conservatory of Music in Boston, where she studied with Eric Rosenblith, James Buswell, Eugene Lehner, and Louis Krasner.
Debra has been a featured chamber musician at Toronto Summer Music; Bay Chamber Concerts in Maine; Grand Teton Music Festival; Santa Fe Chamber Music Festival; Yellow Barn Chamber Music Festival in Vermont; Sarasota Music Festival; and Yale/Norfolk Chamber Music Festival in Connecticut. She has been a guest artist with the St. Lawrence String Quartet, Chicago Chamber Musicians, North American New Music Festival in Buffalo, NY, and the New Music Festival at Santa Clara University. Debra is an avid proponent of contemporary music and has worked closely with composers such as Olivier Messiaen, Thomas Adès, Joan Tower, Bright Sheng, and Kaija Saariaho.
Debra's discography includes recordings with The Santa Fe Opera, indie pop vocalist Vienna Teng, Stanford Chamber Chorale, composer John Luther Adams, Mannheim Steamroller, and she has performed on numerous film soundtracks.
Debra plays a Giuseppe Rocca violin kindly on loan from Stanford University’s Harry R. Lange Instrument Collection. In her leisure time, Debra enjoys reading modern fiction, practicing yoga, playing word games, and seeking out excellent coffee. -
Denise Geraci
Administrative Director, Science, Technology and Society
BioAs the administrative director for the Program in Science, Technology, and Society, I am responsible for managing and overseeing the program’s operational, financial, and human resources. Long interested in applied social science and public anthropology, I am happy to support a program that trains students to think critically about how social contexts and processes relate to practices of science and technology. My professional interests also include community-university partnerships and international education. Before joining STS, I worked for Stanford Global Studies, managing professional development programs for community college faculty interested in internationalizing college curriculum. I also worked for Stanford's Center for Latin American Studies, and have more than ten years’ experience conducting research, working, and studying in Latin American, primarily Mexico, Bolivia, and Guatemala.
Trained as a sociocultural anthropologist, my academic focus is on migration, restructuring of labor markets, socioeconomic inequalities and family in the global economy, as well as medical anthropology and reproductive health. My dissertation at the City University of New York Graduate Center examined how the lives of children who remain with other family members in Puebla, Mexico change when their mothers migrate to the US, and how family, community, and the state in Mexico understand and deal with these changes. Research for my M.A. thesis analyzed migration and work experiences of Peruvian women in relation to the restructuring of New York City’s labor market. -
Kate Gibson
Associate Director, Bill Lane Center for the American West
Current Role at StanfordProgram Manager, Precourt Institute for Energy
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Philip Gilbert
Student Services Officer, Science, Technology and Society
Current Role at StanfordStudent Services Officer
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Dillon Gisch
Research Assistant, Classics
BioDillon Gisch recently received his PhD in Classical Archaeology from Stanford University. His research investigates how images of "modest Venus" from central Italy, coastal western Turkey, and coastal Syria engendered a diverse array of contextual significances for viewers in the ancient world, despite being classified as "replicas" by modern viewers. He also studies the provenance histories and historiographies of these images and other "replicated" ancient art, especially related to issues of gender, ethnicity, and sexuality. He has broad interests in visual culture; the historiography of art; social archaeology and art history; collecting, museum, and heritage ethics; empire and cultural appropriation; catalogs and cataloging practices; and legacy data analysis.
Previously, he received his BA in Classical Studies and Art History with Distinction (summa cum laude) from the University of Washington (Seattle) and his MA in Anthropology from Stanford University. He has worked as a gallerist of early modern and modern (1450–1970) European, American, and Japanese graphic art on paper at Davidson Galleries in Seattle. He has also excavated in central Italy at the ancient Etruscan site of Poggio Civitate (Murlo) and the ancient Roman site of Cosa.
The Europe Center and the American Academy in Rome have featured portions of his ongoing dissertation research. -
Leylanie Go
Program Coordinator, Language Ctr
Current Role at StanfordProgram Coordinator
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Laura Goode
Academic Prog Prof 1, H&S Dean's Office
BioI write about feminism, intersectionality, female friendship, motherhood, matrescence, gender, race, and culture in TV, film, and literature; I'm especially interested in the contemporary feminist first-person essay, the female gaze in image-making, and performances of gender in "prestige" television. I also write and teach on the craft of pitching for writers, how gendered and racinated modes of confidence inform pitching and publishing behaviors, and how emergent writers can build their own paths to publication.
My first book was a young adult novel, SISTER MISCHIEF (Candlewick Press, 2011), which follows an all-girl hip-hop crew in suburban Minnesota; The American Library Association included SM in two annual honor lists, the Amelia Bloomer Project, recognizing excellence in feminist YA literature, and the Rainbow List (Top Ten selection), recognizing excellence in GLBTQ YA. I'm also the author of a collection of poems, BECOME A NAME (Fathom Books, 2016), and with the director Meera Menon, I co-wrote and produced the feature film FARAH GOES BANG, which premiered at the 2013 Tribeca Film Festival and won the inaugural Nora Ephron Prize from Tribeca and Vogue. My nonfiction work has appeared in publications including BuzzFeed Reader, ELLE, Los Angeles Review of Books, Catapult, Glamour, InStyle, Publishers Weekly, Longreads, The Cut, Refinery29, New Republic, and the anthology SCRATCH: Writers, Money, and The Art of Making a Living. I'm currently working on a novel that examines the long-term effects of sexual violence on relationships between women, a short memoir, and a collection of poems. My craft book on pitching and publishing, QUEEN PITCH, is forthcoming from Ten Speed Press, an imprint of Penguin Random House, in fall 2025.
At Stanford, I serve as a Lecturer in the English department and Feminist, Gender, and Sexuality Studies program, and as the Associate Director for Student Programs for the Public Humanities Initiative. With Adrian Daub, I also co-host the Clayman Institute for Gender Research's podcast The Feminist Present.
