School of Humanities and Sciences
Showing 1,301-1,320 of 1,838 Results
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Michael Rau
Assistant Professor of Theater and Performance Studies
Current Research and Scholarly InterestsI am a live performance creator and director. I direct theater, musicals, opera, and I create digital media projects. I am always looking for new projects and interdisciplinary collaborations. I am interested in ways that technology can be used to tell stories, in virtual reality and games, and in live performance situations. I have created immersive theater pieces, and I enjoy working with new playwrights and writers to develop and shape their work.
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Rush Rehm
Professor of Theater and Performance Studies and of Classics, Emeritus
Current Research and Scholarly InterestsStanford Repertory Theater (SRT) will present *Voices of the Earth: From Sophocles to Rachel Carson and Beyond* at the Sebastopol Arts Center on November 7, 2021. The audio/visual version and/or the script is available for use by schools, arts councils, and environmental groups, free of charge, Contact stanfordrep@stanford.edu, or go to our website stanfordreptheater.com. Join the fight to save human and animal life on our planet!
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Rob Reich
McGregor-Girand Professor of Social Ethics of Science and Technology, Senior Fellow at the Stanford Institute for HAI, Professor, by courtesy, of Education, of Philosophy and Senior Fellow, by courtesy, at FSI
On Leave from 10/01/2023 To 06/30/2024BioRob Reich is professor of political science and, by courtesy, professor of philosophy and at the Graduate School of Education. He is a co-director of the Center on Philanthropy and Civil Society (publisher of the Stanford Social Innovation Review), and associate director of the Institute for Human-Centered Artificial Intelligence. He was faculty director at the Center for Ethics in Society for eight years, and he continues to lead its ethics and technology initiatives.
His scholarship in political theory engages with the work of social scientists and engineers. His newest work is on ethics and AI. His most recent books are System Error: Where Big Tech Went Wrong and How We Can Reboot (with Mehran Sahami and Jeremy M. Weinstein, HarperCollins 2021) and Digital Technology and Democratic Theory (edited with Lucy Bernholz and Hélène Landemore, University of Chicago Press 2021). He has also written widely about philanthropy, including Just Giving: Why Philanthropy is Failing Democracy and How It Can Do Better (Princeton University Press, 2018) and Philanthropy in Democratic Societies: History, Institutions, Values (edited with Chiara Cordelli and Lucy Bernholz, University of Chicago Press, 2016). His early work is focused on democracy and education, including Bridging Liberalism and Multiculturalism in American Education (University of Chicago Press, 2002) and Education, Justice, and Democracy (edited with Danielle Allen, University of Chicago Press, 2013). He has written for the New York Times, Washington Post, Wired, The Guardian, and the Stanford Social Innovation Review.
Rob is the recipient of multiple teaching awards, including the Walter J. Gores award, Stanford’s highest honor for teaching. He was a sixth grade teacher at Rusk Elementary School in Houston, Texas before attending graduate school. He is a board member of the magazine Boston Review, of Giving Tuesday, and at the Spencer Foundation. -
James Reichert
Associate Professor of East Asian Languages and Cultures
BioProf. Reichert's field of specialization is Meiji-Taishô literature. He is especially interested in looking at the way that male-male sexuality is represented in literary texts from this period. His dissertation examines the treatment of male sexuality found in such works as Okamoto Kisen's Sawamura Tanosuke akebono zôshi (1880), Yamada Bimyô's Shintaishika Wakashu sugata (1886), Natsume Sôseki's Nowaki (1907) and Mori Ogai's Vita Sexualis (1909). Prof. Reichert is currently working on an article about the aesthetics of decadence and perversion found in the work of mystery writer Edogawa Ranpo.
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Yunfei Ren
Master of Fine Arts Student, Art Practice
BioYunfei Ren (1987, Wuhan, China) is a visual artist living in San Francisco, working in installation, photography, sound and sculpture. His work centers on the immigrant experience, exploring the complexity of identity and belonging in the context of history, citizenship and queerness. Inspired by his personal experience, Ren's practice investigates the history of racial prejudice and heightens the tension between the past and the present.
He earned a BA in French Literature from Middlebury College (2010) and is now an MFA candidate at Stanford University (2024). His work was recently exhibited at de Young Museum, Chinese Historical Society Museum, and was featured in the Washington Post. In 2021 and 2022, he was an artist-in-residence at the Atlantic Center for the Arts. -
Joan Ramon Resina
Professor of Iberian and Latin American Cultures and of Comparative Literature
BioProfessor Resina specializes in modern European literatures and cultures with an emphasis on the Spanish and Catalan traditions. He is Director of the Iberian Studies Program, housed in the Freeman Spogli Institute.
Professor Resina is most recently the author of The Ghost in the Constitution: Historical Memory and Denial in Spanish Society. Liverpool University Press, 2017. This book is a reflection on the political use of historical memory focusing on the case of Spain. It analyses the philosophical implications of the transference of the notion of memory from the individual consciousness to the collective subject and considers the conflation of epistemology with ethics. A subtheme is the origin and transmission of political violence and its endurance in the form of “negationism”. Some chapters consider “traumatic” phenomena, such as the bombing of Guernica, the Republican exile, the destruction of Catalan society, and the Holocaust. The book engages controversial issues, such as the relation between memory and imputation, the obstacles to reconciliation, and the problems arising from the existence of not only different but also conflicting memories about the past. Another recent book is Josep Pla: The World Seen in the Form of Articles. Toronto University Press, 2017, which received the North American Catalan Society award for best book on Catalan Studies in 2019. This book condenses Pla's 47-volume work into 11 thematic units devoted to a central aspect of Pla's oeuvre. Resina explores the modalities of Pla's writing: stylistic, phenomenological, political, his relation to language, fiction, food, and landscape, and his approach to sexuality, women, and death. It introduces the reader to the colorful world of Catalonia's greatest 20th century writer through the author's gaze. Pla was a privileged observer of some of the crucial events of the 20th century, but he also captured the sensual infrastructure of his own country by recording every aspect of its reality.
Previous books include Del Hispanismo a los Estudios Ibéricos. Una propuesta federativa para el ámbito cultural. Madrid: Biblioteca Nueva, 2009. In this book, Resina lays out the rationale for the overcoming of Hispanic Studies by a new discipline of Iberian Studies, contending that the field's response to the crisis of the Humanities should not lie in the retrenchment into the national philological traditions. Another publication since joining Stanford is Barcelona's Vocation of Modernity: Rise and Decline of an Urban Image (Stanford UP, 2008). This book traces the development of Barcelona's modern image since the late 19th century through the 20th century through texts that foreground key social and historical issues. The book ends with a highly critical view on the post-Olympic period.
Resina has edited eleven collections of essays on varied topics, most recently Inscribed Identities: Writing as Self-Realization. Routledge, 2019, and Repetition, Recurrence, Returns, Lexington Books, 2019.
He has published extensively in specialized journals, such as PMLA, MLN, New Literary History, and Modern Language Quarterly, and has contributed to a large number critical volumes. From 1999 to 2005 he was the Editor of Diacritics. For several years he has been a regular contributor to the Barcelona daily press. He has held teaching positions at Cornell University, the State University of New York at Stony Brook, and Northwestern University, as well as visiting appointments at foreign universities, and received awards such as the Alexander von Humboldt and the Fullbright fellowships, and a fellowship at the Internationales Kolleg Morphomata Center for Advanced Studies of the University of Cologne..
