School of Humanities and Sciences
Showing 1-52 of 52 Results
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Adrian Lake Scheider Feinberg
Undergraduate, Art & Art History
Undergraduate, Freeman Spogli Institute for International Studies
Undergraduate, Program in International RelationsBioI am a fourth-year undergraduate double-majoring in International Relations and Art History (Film) with interdisciplinary honors in Democracy, Development, and the Rule of Law. Broadly speaking, my coursework focuses on postwar Southeast European legal history, post-conflict governance, and political theory.
Talk to me in Mandarin, Persian, German, French, or Serbo-Croatian. -
Brian Ferneyhough
The William H. Bonsall Professor in Music, Emeritus
BioStudies with Ton de Leeuw, Amsterdam Conservatory, and Klaus Huber, Basel Conservatory.
Awards: Mendelssohn Scholarship, 1968; Lady Holland Composition Award, Royal Academy of Music, 1967; Grand Prix du Disque, 1978 and 1982; Gaudeamus Music Week Prizes 1969 and 1970; Composition Stipend, City of Basle, 1969-71; Koussevitsky Prize 1978; Composition Stipend of Southwest German Radio, 1974-5; Chevalier dans l’Ordre des Artes et des Lettres, Paris 1984; Associate Royal Academy of Music, 1990; Royal Philharmonic Award for Chamber Music Composition, 1996; Fellow, Birmingham Conservatoire, 1995; Elected Member of the Akademie der Künste, Berlin, 1996; Fellow, Royal Academy of Music, 1998; Elected Corresponding Member of the Bayrische Akademie der Schönen Künste 2005.
Activities: member of International Jury ISCM, 1980 (Finland) and 1988 (Hong Kong); member jury Gaudeamus Composition Competition 1983; member of International Reading Panel, IRCAM, 1993 & 1999; member of Kranichsteiner Preis Jury, Darmstadt, 1978-96; member of board, Perspectives of New Music 1995-present.
Compositions featured throughout the world and at all the major European festivals of contemporary music. Compositions include: Fourth String Quartet, Bone Alphabet, Terrain, Allgebrah, Incipits, Unsichtbare Farben, String Trio. His opera Shadowtime was premiered as part of the Munich Biennale 2004, and has been taken to Paris, New York, Bochum and London 2004-5. In 2006, it was staged in Stockholm, Sweden. In October 2006, his orchestral piece Plötzlichkeit was premiered at the Donaueschingen Festival, Germany. His Fifth String Quartet was premiered in Witten and later played in the Aldeburgh and Salzburg Festivals.
Publications: Collected Writings, Harwood Academic Publishers, 1998; POETIK, and various articles and interviews. -
Christian Figueroa
Undergraduate, History
BioChristian Figueroa is a political activist, student organizer, communications specialist and B.A. candidate studying history at Stanford University.
Most notably, Christian was an appointed Kamala Harris Party Leader/Elected Official Delegate to the 2024 Democratic National Convention, representing his home state of California and serving as a youth surrogate featured on various media, including The New York Times, NPR Weekend Edition, PBS NewsHour, and local radio, television and print.
At Stanford, he is an appointed committee member in the Office of the Provost and the Office of Community Standards, has academic interests in both history and communication, and has served in prominent University positions, including as the Flag Bearer of the Inauguration of Stanford University's 13th President Jonathan Levin and as a Student Assistant to Paul Brest, Former Dean of Stanford Law School. He has been often featured in the Stanford Report, the University's official news publication.
Professionally, he has interned in the Office of Los Angeles Mayor Karen Bass, Stanford University, the California Democratic Party and The Boeing Company. He is notable on social media and news media for his political and activist involvement. -
Paula Findlen
Ubaldo Pierotti Professor of Italian History and Professor, by courtesy, of French and Italian
BioI have taught the early history of science and medicine for many years on the premise that one of the most important ways to understand how science, medicine and technology have become so central to contemporary society comes from examining the process by which scientific knowledge emerged. I also take enormous pleasure in examining a kind of scientific knowledge that did not have an autonomous existence from other kinds of creative endeavors, but emerged in the context of humanistic approaches to the world (in defiance of C.P. Snow's claim that the modern world is one of "two cultures" that share very little in common). More generally, I am profoundly attracted to individuals in the past who aspired to know everything. It still seems like a worthy goal.
My other principal interest lies in understanding the world of the Renaissance, with a particular focus on Italy. I continue to be fascinated by a society that made politics, economics and culture so important to its self-definition, and that obviously succeeded in all these endeavors for some time, as the legacy of such figures as Machiavelli and Leonardo suggests. Renaissance Italy, in short, is a historical laboratory for understanding the possibilities and the problems of an innovative society. As such, it provides an interesting point of comparison to Gilded Age America, where magnates such as J.P. Morgan often described themselves as the "new Medici," and to other historical moments when politics, art and society combined fruitfully.
Finally, I have a certain interest in the relations between gender, culture and knowledge. Virginia Woolf rightfully observed at the beginning of the twentieth century that one could go to a library and find a great deal about women but very little that celebrated or supported their accomplishments. This is no longer true a century later, in large part thanks to the efforts of many scholars, male and female, who have made the work of historical women available to modern readers and who have begun to look at relations between the sexes in more sophisticated ways. Our own debates and disagreements on such issues make this subject all the more important to understand. -
Jordan Marie Finley
Undergraduate, English
Undergraduate, Theater and Performance StudiesBio2021 Transfer Cohort. Theatre & Performance Studies Major (Acting Concentration). Creative Writing Minor. Stanford Rams Head Theatrical Society. Stanford Cheer 2021. Grammy U San Francisco Chapter.
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Shelley Fisher Fishkin
Joseph S. Atha Professor of Humanities and Professor, by courtesy, of African and African American Studies
BioShelley Fisher Fishkin is the Joseph S. Atha Professor of Humanities and Professor of English at Stanford, where she is also Director of Stanford's American Studies Program and Co-Director of the Chinese Railroad Workers in North America Project. She is the author, editor, or co-editor of forty-eight books and has published over one hundred fifty articles, essays and reviews, many of which have focused on issues of race and racism in America, and on recovering and interpreting voices that were silenced, marginalized, or ignored in America's past. Her books have won awards from Choice, Library Journal, the New York Public Library, and elsewhere. She holds a Ph.D. in American Studies from Yale. Before coming to Stanford in 2003, she was chair of the American Studies Department at the University of Texas at Austin. Her research has been featured twice on the front page of the New York Times, and twice on the front page of the New York Times Arts section. In 2017 she was awarded the John S. Tuckey Lifetime Achievement award by the Center for Mark Twain Studies in recognition of her efforts "to assure that a rigorous, dynamic account of Twain stays in the public consciousness," and stated that "Nobody has done more to recruit, challenge, and inspire new generations and new genres of Mark Twain studies." Her most recent book, Writing America: Literary Landmarks from Walden Pond to Wounded Knee, came out in 2017. Junot Díaz called it "a triumph of scholarship and passion, a profound exploration of the many worlds which comprise our national canon....a book that redraws the literary map of the United States."
She has served as President of the American Studies Association and the Mark Twain Circle of America, was co-founder of the Charlotte Perkins Gilman society, and was a founding editor of the Journal of Transnational American Studies. She has given keynote talks at conferences in Beijing, Cambridge, Coimbra, Copenhagen, Dublin, Guangzhou, Hong Kong, Hyderabad, Kolkata, Kunming, Kyoto, La Coruña, Lisbon, Mainz, Nanjing, Regensburg, Seoul, St. Petersburg, Taipei, Tokyo, and across the U.S.
In June 2019, the American Studies Association created a new prize, the "Shelley Fisher Fishkin Prize for International Scholarship in Transnational American Studies." The prize honors publications by scholars outside the United States that present original research in transnational American Studies. In its announcement of the new award, the ASA said, "Shelley Fisher Fishkin's leadership in creating a crossoads for international scholarly collaboration and exchange has transformed the field of American Studies in both theory and practice. This award honors Professor Fishkin's outstanding dedication to the field by promoting exceptional scholarship that seeks multiple perspectives that enable comprehensive and complex approaches to American Studies, and which produce culturally, socially, and politically significant insights and interpretations relevant to Americanists around the world." In 2023 the American Studies Association awarded Fishkin the "Bode-Pearson Prize for Lifetime Achievement and Outstanding Contribution to the field of American Studies." Her current book projects include a book entitled "Jim (Huckleberry Finn's Comrade)" forthcoming in Yale University Press's "Black Lives" biography series, and a book about Hal Holbrook and Mark Twain. -
Lazar Fleishman
Professor of Slavic Languages and Literature
BioLazar Fleishman studied at a music school and the Music Academy in Riga, Latvia before graduating from Latvian State University in 1966. His first scholarly papers (on Pushkin, the Russian elegy, and Boris Pasternak) were published during his university years. He emigrated to Israel in 1974, where his academic career began at the Department for Russian Studies and the Department of Comparative Literature at the Hebrew University of Jerusalem. He was co-founder and co-editor of the series Slavica Hierosolymitana: Slavic Studies of Hebrew University (1977-1984). He was Visiting Professor at the University of California, Berkeley (1978-1979; 1980-1981), The University of Texas at Austin (1981-1982), Harvard, and Yale (1984-1985) before joining the Stanford faculty in 1985. He also taught at the Russian State University for the Humanities, Princeton, Latvian State University, Charles University in Prague (Czech Republic), and the University of Vienna, Austria. His research interests encompass the history of 19th and 20th century Russian literature (especially, Pushkin, Pasternak, and Russian modernism); poetics; literary theory; 20th-century Russian history; Russian émigré literature, journalism and culture. He is the founder of the series Stanford Slavic Studies (1987-present), editor of the series Studies in Russian and Slavic Literatures and History (Boston: Academic Studies Press, 2007-present) and co-editor of the series Verbal Art: Studies in Poetics (Fordham, formerly Stanford University Press).
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James Flynn
Ph.D. Student in Classics, admitted Autumn 2023
Master of Arts Student in Religious Studies, admitted Autumn 2024Current Research and Scholarly InterestsJamie Flynn is a PhD student in Ancient History. He focuses on the cultural, religious, and economic history of the eastern Mediterranean during the Hellenistic and Roman periods, ancient India and its connection with Mediterranean societies, and the historical impact of climate change on the ancient world. As an undergrad, he researched the economic history of warfare in the Greek and Roman worlds. His undergraduate thesis compared contemporary trends among Hellenistic philosophers and Indian ascetics of withdrawing from society. During his M.A. degree, he worked on the Yale Nile Initiative, an interdisciplinary group of historians and scientists studying climate change in antiquity, where he covered South Asia. He also worked on digitally documenting Greek epigraphy from Dura Europos and has an ongoing interest in the digital humanities. He studies the Indian languages Sanskrit and Pali in addition to Latin and Greek.
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Debra Fong
Academic Staff Hourly, Music
BioViolinist Debra Fong is Concertmaster of the Peninsula Symphony, Associate Concertmaster of the San Jose Chamber Orchestra, and Principal Second Violinist of the San Francisco Chamber Orchestra. She spends her summers as a first violinist with the Grammy Award-winning Santa Fe Opera Orchestra.
Also dedicated teacher, Debra is a Lecturer in Music at Stanford University, teaching violin and chamber music, and she maintains a private violin studio. She is a faculty coach for Young Chamber Musicians, a guest conductor for the Palo Alto Chamber Orchestra, and a judge for several annual young artist concerto competitions. Debra is a former violin faculty member at The College of William & Mary, The Music Institute of Chicago, and New England Conservatory of Music Preparatory School.
Debra received her Bachelor and Master of Music degrees in Violin Performance with Honors and Distinction from the New England Conservatory of Music in Boston, where she studied with Eric Rosenblith, James Buswell, Eugene Lehner, and Louis Krasner.
Debra has been a featured chamber musician at Toronto Summer Music; Bay Chamber Concerts in Maine; Grand Teton Music Festival; Santa Fe Chamber Music Festival; Yellow Barn Chamber Music Festival in Vermont; Sarasota Music Festival; and Yale/Norfolk Chamber Music Festival in Connecticut. She has been a guest artist with the St. Lawrence String Quartet, Chicago Chamber Musicians, North American New Music Festival in Buffalo, NY, and the New Music Festival at Santa Clara University. Debra is an avid proponent of contemporary music and has worked closely with composers such as Olivier Messiaen, Thomas Adès, Joan Tower, Bright Sheng, and Kaija Saariaho.
Debra's discography includes recordings with The Santa Fe Opera, indie pop vocalist Vienna Teng, Stanford Chamber Chorale, composer John Luther Adams, Mannheim Steamroller, and she has performed on numerous film soundtracks.
Debra plays a Giuseppe Rocca violin kindly on loan from Stanford University’s Harry R. Lange Instrument Collection. In her leisure time, Debra enjoys reading modern fiction, practicing yoga, playing word games, and seeking out excellent coffee. -
Charlotte Fonrobert
Associate Professor of Religious Studies and, by courtesy, of Classics and of German Studies
BioCharlotte Elisheva Fonrobert specializes in Judaism: talmudic literature and culture. Her interests include gender in Jewish culture; the relationship between Judaism and Christianity in Late Antiquity; the discourses of orthodoxy versus heresy; the connection between religion and space; and rabbinic conceptions of Judaism with respect to GrecoRoman culture. She is the author of Menstrual Purity: Rabbinic and Christian Reconstructions of Biblical Gender(2000), which won the Salo Baron Prize for a best first book in Jewish Studies of that year and was a finalist for the National Jewish Book Award in Jewish Scholarship. She also co-edited The Cambridge Companion to the Talmud and Rabbinic Literature (2007), together with Martin Jaffee (University of Washington). Currently, she is working on a manuscript entitled Replacing the Nation: Judaism, Diaspora and the Neighborhood.
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Michael Frank
Benjamin Scott Crocker Professor of Human Biology and Professor, by courtesy, of Linguistics
Current Research and Scholarly InterestsHow do we learn to communicate using language? I study children's language learning and how it interacts with their developing understanding of the social world. I use behavioral experiments, computational tools, and novel measurement methods like large-scale web-based studies, eye-tracking, and head-mounted cameras.
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Johan H. Fredrikzon
Affiliate, Art & Art History
Visiting Postdoctoral Scholar, Art & Art HistoryBioM.Sc. Computer Science (Stockholm University, 2013)
Ph.D. History of Ideas (Stockholm University, 2021)
Johan Fredrikzon is a researcher at The Division of History of Science, Technology and Environment at KTH Royal Institute of Technology in Stockholm and during the 2024–25 academic year a visiting scholar Stanford University. In 2022–2024, he was a postdoctoral research fellow at University of California, Berkeley and in 2018–19 a research affiliate at Yale University.
In his research, Fredrikzon is interested in problems of loss, disappearance, errors, waste, and decay as concerns and opportunities in areas of labor, knowledge, risk, and creativity.
Fredrikzon's current project The Making of Human Mistakes in the Era of Artificial Intelligence, 1940–1990 (financed by the Swedish Research Council) is an investigation of the history of artificial intelligence (AI) from the perspective of errors and mistakes. Not in the sense of failed AI projects or a general view of AI as a flawed undertaking, but as a study of how the notion of what constitutes an error has influenced what has counted as intelligence in humans and machines, respectively.
His 2021 monograph, Cycles of data : Environment, Population, Administration, and the Cultural Techniques of Early Digitalization is an investigation of digitalization as a societal process in Scandinavia, circa 1965–1980. It argues that we should understand this process as the work of three cultural techniques: modeling, linking, and reuse which operated simultaneously within environmental sciences, population statistics, and office administration. Fredrikzon demonstrates that already half a century ago, the downplaying of human labor in digital work, imaginaries of data as a "raw" resource, the management of data as "capital", and an algorithmic understanding of the natural environment were articulated by big tech of the day, i.e. the agencies of the welfare state , insurance companies, and research institutions in the natural sciences.
Fredrikzon is a working editor at Sensorium, a peer-reviewed journal based at Linköping University devoted to philosophies, histories, and imaginaries of media, art, and literature. In addition to teaching undergraduate classes in the history of Western thought from the Pre-Socratics through Postcolonial theory, Fredrikzon has taught extensively on the histories of digital technology, technological critique, futurology and futures studies, as well as the concepts of death in the age of nuclear radiation.
As of May 2023, Fredrikzon is under contract with the leading Nordic publisher Fri Tanke to write a history of artificial intelligence (AI). The aim is to produce an accessible account of how thinking in AI has devleoped over time and what’s currently at stake as society tries to grasp with this potentially disruptive technology.
Recent publications:
Book chapter: “John Durham Peters (1999) Speaking Into the Air”, Classics med Media Theory, Routledge, 2024
Peer-reviewed article: ”ARARAT 1976: The Exhibition as Environing Medium”, Journal of Social and Cultural Possibilities, Temple University, 2024
Peer-reviewed article: "Towards erasure studies: Excavating the material conditions of memory and forgetting" Memory, Mind & Media, Cambridge, 2023 (co-authored with Chris Haffenden).
Book chapter, ”Döden och författaren”, Bildningsboxen 2, Norstedts, 2023 [in Swedish, book-length essay on death and the act of writing].
Book chapter, ”Strålningsdöden”, Dödens idéhistoria, Appell, 2022 [in Swedish, on the conception of nuclear radiation as existential risk in an anthology on death and dying in the history of ideas]. -
Amy Freed
Artist-in-Residence in the Department of Theater and Performance Studies
BioAmy Freed is the author of Restoration Comedy, The Beard of Avon, Freedomland, Safe in Hell, The Psychic Life of Savages, You, Nero and other plays. She 's a past recipient of the Charles McArthur Playwriting Award (D.C.) The New York Art's Club Joseph Kesserling Award, a several-times winner of the LA Critic's Circle Award, and a Pulitzer Prize Finalist. Her work has been produced at South Coast Repertory Theater, New York Theater Workshop, Seattle Repertory, American Conservatory Theater, Yale Rep, California Shakespeare Theater, Berkeley Rep, the Goodman, Playwright's Horizons, Woolly Mammoth, Arena Stage and other theaters around the country.
Her most recent play is The Monster Builder, and she is developing commissions for Berkeley Rep, South Coast Rep and Arena Stage. She is currently Artist-in-Residence at Stanford University and also holds a Mellon Foundation Playwriting Residency for the Arena Stage in Washington, D.C. -
Estelle Freedman
Edgar E. Robinson Professor of United States History, Emerita
Current Research and Scholarly InterestsI continue to work on the history sexual violence, including the use of oral history testimony. I am currently co-producing an historical documentary film "Singing for Justice: Faith Petric and the Folk Process."
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Takako Fujioka
Associate Professor of Music
BioResearch topics include neural oscillations for auditory perception, auditory-motor coupling, brain plasticity in development and aging, and recovery from stroke with music-supported therapy.
Her post-doctoral and research-associate work at Rotman Research Institute in Toronto was supported by awards from the Canadian Institutes of Health Research. Her research continues to explore the biological nature of human musical ability by examining brain activities with non-invasive human neurophysiological measures such as magnetoencephalography (MEG) and electroencephalography (EEG).
