School of Humanities and Sciences
Showing 1,741-1,760 of 1,861 Results
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Leif Wenar
Olive H. Palmer Professor of the Humanities, Professor of Philosophy, Senior Fellow at the Woods Institute for the Environment and Professor, by courtesy, of Political Science
BioLeif Wenar is a political philosopher. After receiving his AB at Stanford, he earned his PhD at Harvard, worked in Britain, and returned to Stanford in 2020.
He is the author of Blood Oil: Tyrants, Violence, and the Rules that Run the World and the author-meets-critics volume Beyond Blood Oil: Philosophy, Policy, and the Future. He is also the author of the entries for ‘John Rawls’ and ‘Rights’ in The Stanford Encyclopedia of Philosophy. His articles have appeared in Mind, Analysis, Philosophy & Public Affairs, Ethics, The Journal of Political Philosophy, The Columbia Law Review, and The Philosopher’s Annual. He co-edited Giving Well: The Ethics of Philanthropy, as well as an autobiographical volume by the economist FA Hayek.
He has been a Visiting Professor at the Stanford Center on Ethics and Society, a fellow at the Center for Advanced Studies in the Behavioral Sciences at Stanford, the William H. Bonsall Visiting Professor in the Stanford Philosophy Department, a Laurance S. Rockefeller Fellow and a Visiting Professor at Princeton’s University Center for Human Values, a Visiting Professor at the Princeton Department of Politics, a Fellow of the Program on Justice and the World Economy at the Carnegie Council on Ethics and International Affairs, a Faculty Fellow at the Center for Ethics and Public Affairs at The Murphy Institute of Political Economy, and a Visiting Fellow at the Australian National University School of Philosophy.
His public writing has been featured in The New York Times, The Wall Street Journal, The Los Angeles Times, Foreign Affairs, and the playbill for the White Light Festival at Lincoln Center. In London, he served for several years on the Mayor’s Policing Ethics Panel, which advises the Mayor and the Metropolitan Police on issues such as digital surveillance and the use of force.
He is currently developing unity theory, a foundational account of what makes for more valuable lives, relationships, and societies. His published work can be found at wenar.info. -
Katherine Whatley
Ph.D. Student in Japanese, admitted Autumn 2019
Current Research and Scholarly InterestsMy research examines the relationship between the written and the spoken word in Classical Japan. I take this relationship as the starting place and explore the role of music in Classical Japan through looking at words-as-song. From this vantage point, I argue that music was a primary mode of communication amongst people (especially women) and their surroundings—interpersonal, international, and inter-environmental. I am also a composer and koto performer working on a dissertation composition.
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Karen Wigen
Frances and Charles Field Professor of History
BioKären Wigen teaches Japanese history and the history of cartography at Stanford. A geographer by training, she earned her doctorate at the University of California at Berkeley. Her first book, The Making of a Japanese Periphery, 1750-1920 (1995), mapped the economic transformation of southern Nagano Prefecture during the heyday of the silk industry. Her second book, A Malleable Map: Geographies of Restoration in Central Japan, 1600-1912 (2010), returned to the ground of that study, exploring the roles of cartography, chorography, and regionalism in the making of modern Shinano.
An abiding interest in world history led her to co-author The Myth of Continents (1997) with Martin Lewis, and to co-direct the "Oceans Connect" project at Duke University. She also introduced a forum on oceans in history for the American Historical Review and co-edited Seascapes: Maritime Histories, Littoral Cultures, and Transoceanic Exchanges (2007) with Jerry Bentley and Renate Bridenthal. Her latest project is another collaboration, Cartographic Japan: A History in Maps, with co-editors Sugimoto Fumiko and Cary Karacas ( University of Chicago Press, forthcoming 2016). -
Gail Wight
Professor of Art and Art History, Emerita
BioGail Wight holds an MFA in New Genres from the San Francisco Art Institute where she was a Javits Fellow, and a BFA from the Studio for Interrelated Media at Massachusetts College of Art. She has an extensive international exhibition record, with over a dozen solo exhibits throughout North America and Great Britain, and her work has been collected by numerous institutions including the Museum of Modern Art in New York. Among her many artist residencies are western Australia’s Symbiotica, Art & Archaeology at Stonehenge, the Rockefeller Foundation in Bellagio, and San Francisco’s Exploratorium. Her work is represented by Patricia Sweetow Gallery in San Francisco.
