School of Humanities and Sciences
Showing 961-970 of 1,551 Results
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Mercedes Montemayor Elosua
Doctor of Musical Arts Student, Musical Arts
BioMercedes Montemayor is a Mexican composer, multidisciplinary artist, and doctor of musical arts candidate at Stanford University. Her works manifest as electronic and electroacoustic music, sound Art, sound installation, and performance Art. She composes multichannel pieces for the stage and the listening room at the Center for Computer Research in Music and Acoustics (CCRMA), from 3-7th order ambisonics. Also a film lover, she actively participates in the sound design and compositions of short films— and is now entering the world of scoring the feature film with LOUWRIEN WIJERS: from Competition to Compassion (2025). Her career launched with her collaboration with Mexican textile artist Miriam Medrez, in her intermedia installation Jardín Onírico (2022), followed by an internship at an Architectural Acoustics firm, and a performance in Mutek (2023) in Museo Anahuacall, in Mexico City with her debut album Volumina (2023).She studied Audio Engineering at Tecnológico De Monterrey and is in love with the process of mixing and mastering her work. Recently she's been reading Kierkegaard which is a considerable influence in her upcoming works, and continues to experiment with space to voice her experience as an experiencer.
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Yumi Moon
Associate Professor of History and, by courtesy, of East Asian Languages and Cultures
BioI joined the department in 2006 after I completed my dissertation on the last phase of Korean reformist movements and the Japanese colonization of Korea between 1896 and 1910. In my dissertation, I revisited the identity of the pro-Japanese collaborators, called the Ilchinhoe, and highlighted the tensions between their populist orientation and the state-centered approach of the Japanese colonizers. Examining the Ilchinhoe’s reformist orientation and their dissolution by the Japanese authority led me to question what it meant to be collaborators during the period and what their tragic history tells us about empire as a political entity. I am currently working on a book manuscript centered on the theme of collaboration and empire, notably in relation to the recent revisionist assessments of empire. My next research will extend to the colonial period of Korea after the annexation and will examine what constituted colonial modernity in people’s everyday lives and whether the particulars of modernity were different in colonial and non-colonial situations. To explore these questions, I plan to look at the history of movie theaters in East Asia between 1890 and 1945, a subject which will allow me to study the interactions between the colonial authority, capitalists and consumers, as well as to look at the circulation of movies as consumed texts.
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Joshua Moreno
Lecturer
BioJoshua Moreno’s work examines the overlapping relationship between the natural and human-made environment and highlights patterns and systems of efficiency that exist within them. Through installation, drawing, and film, he re-evaluates the everyday spaces and objects that surround us, with added attention to elemental phenomena.
www.joshuamoreno.com -
Franco Moretti
Danily C. and Laura Louise Bell Professor, Emeritus
BioAuthor of Signs Taken for Wonders (1983), The Way of the World (1987), Modern Epic (1995), Atlas of the European Novel 1800-1900 (1998), Graphs, Maps, Trees (2005), The Bourgeois (2013), and Distant Reading (2013). Chief editor of The Novel (2006). Has founded the Center for the Study of the Novel and the Literary Lab. Writes often for New Left Review, and has been translated into over twenty languages.
