Stanford University
Showing 151-200 of 332 Results
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Kimia Koochakzadeh-Yazdi
Doctor of Musical Arts Student, Musical Arts
BioKimia Koochakzadeh-Yazdi (b. 1997 Tehran, Iran) composes for acoustic and hybrid ensembles, and produces and performs electronic music. Kimia explores the unfamiliar familiar while constantly being driven by the mechanism of the human psyche and exploring ways to manipulate it.
Her work has been featured in festivals such as The New York City Electroacoustic Music Festival (Virtual), Yarn/Wire Institute (Virtual), Ensemble Evolution (Virtual), New Music on the Point (Vermont, USA), wasteLAnd Summer Academy 2019 (Los Angeles, USA), EQ: Evolution of the String Quartet (Banff, Canada), Modulus Festival (Vancouver, Canada), SALT New Music Festival (Victoria, Canada).
Being a cross-disciplinary artist, she has actively collaborated on projects evolving around dance, film, and theatre. Kimia has been presented by organizations such as Iranian Female Composer Association, Music on Main, Western Front, Vancouver New Music, and Media Arts Committee. She has had publicity in papers such as The New York Times, Georgia Straight, MusicWorks Magazine, Vancouver Sun, and Sequenza 21.
She desires to play with the human psyche and its perception of time and space while creating sonic worlds that have their own rules and justifications.“Accidents” in music are the basis of her work. -
Jingpu Li
Ph.D. Student in Chinese, admitted Autumn 2022
Current Research and Scholarly Interests1. The eastward spread of grape wine and its sinicization-archaeological evidence from northwest China in the Tang dynasty
2. Speculation on the death of Haihun Marquis in the Han Dynasty—Evidence from spectroscopic analysis of buried soils
3. Analysis of organic residues in small pottery from the Cha'Hai Site in the Early Neolithic of Northern China
4. Study on pit mud of Suixi Brewing Site in Ming & Qing Dynasties -
Bingxiao Liu
Ph.D. Student in Chinese, admitted Autumn 2020
BioBingxiao Liu is a Ph.D. student in the Department of East Asian Languages and Cultures at Stanford University. Her research interests include premodern Chinese literature, cultural and intellectual history; gender and sexuality; emotions, literary and political culture. Her research examines how emotions are invoked or invented to constitute interpersonal ties in 3rd - 6th century China. Working with official histories, commentaries, inscriptions, and literary works, her project explores the reconceptualization of identity and community in emotive terms and the signification of emotion as the legitimizing basis for a new social order in medieval China.
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Mengyao Liu
Ph.D. Student in Classics, admitted Autumn 2022
BioI am broadly interested in the production of knowledge in ancient worlds, with a particular interest in the Greco-Roman and Chinese traditions. My curiosity is a comparative and genealogical one at root: by comparing different societies, I seek to grasp the historicity of intellectual practices and the ideas thus produced. Currently, my research interest focuses on astronomy and astrology in Ancient Greece and China.
While completing my B.A. in Classics at Sorbonne University, I investigated how the urban metamorphoses of Rome materialized the transformation of the political regime. My master's thesis at EHESS, "Statues pour les corps, livres pour les mots" : La vie (βἰος) et la rhétorique (λόγος) dans les Discours Sacrés, offers insight into the psychosomatic relations conceived by the Greeks. The inquiry breaks into two interdependent questions: the therapeutic usage of rhetorical practices and the unconventional representation of Asclepius in the Sacred Tales of Aristides.
Having one year of training in software engineering from Tsinghua University, I am also passionate about the potentials of digital humanities. -
Courtney MacPhee
Ph.D. Student in History, admitted Autumn 2020
SHI Discussion Leader, Stanford Pre-Collegiate StudiesCurrent Role at StanfordCo-coordinator of the Religion, Politics, and Culture Workshop, sponsored by the Stanford Humanities Center
Communications Coordinator of the Center for Medieval and Early Modern Studies at Stanford University
Graduate Mentor for Undergraduate Honors Thesis Writers -
Fernando Martinez Periset
Ph.D. Student in Comparative Literature, admitted Autumn 2022
BioHello, this is Fernando. Thanks for stopping by! Before joining Stanford's department of Comparative Literature as a doctoral student in 2022, I trained as a comparatist at Durham, the Sorbonne, Cambridge and Trinity College Dublin. My main supervisor here at Stanford is Roland Greene.
In terms of research interests, the main issue I keep coming back to (which partly derives from my experiences studying in different countries) is how and why intercultural encounters function as driving forces of creative production in its different forms. With a focus on big-picture thinking and global perspectives in the study of cultural history, I see such creative practices at work in the overlaps among literature, art history and philosophy, particularly continental philosophy. More precisely, I believe I am drawn to two broad questions: how classical theories of ethics and subjectivity (like Stoicism and Epicureanism) produced changes in societal values within Early Modern culture, and how the Renaissance, in turn, shaped attitudes to selfhood in later movements, especially Romanticism. From the standpoint of transhistorical reception studies, I would like to explore the inner lives of people from the past as a way of finding questions that speak to our own present. That is why specific topics of interest include the intersections of literary forms with the history of emotions, the history of ethics, cognitive anthropology, psychology, migrations, intellectual history and religion. I like poetry (both studying it and writing it), the epic tradition as well as theatre. Beyond French, Latin, Spanish and English, I am expanding into Portuguese and Arabic.
I am currently developing a research project on Milton and the classical tradition.
Some of my favourite authors include figures from Classical Antiquity and Early Modernity, such as Shakespeare, Milton, Montaigne, Racine, Seneca, Lucretius, Virgil, Homer, Quevedo, but also more recent figures whose work intervenes in and develops preexisting structures of ethics and emotions. I look forward to discovering new, exciting figures.
I would be delighted to hear from students and researchers (from Stanford and beyond!) with whom I could share intellectual interests, so please feel free to drop me a line.