Stanford University
Showing 1-50 of 169 Results
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Ruth Elisabeth Appel
Postdoctoral Scholar, Communication
Current Research and Scholarly InterestsRuth Appel combines insights and methods from psychology, political science and computer science to develop and evaluate evidence-based personalized interventions to promote the social good. She is particularly passionate about preventing the spread of misinformation, encouraging political participation, promoting wellbeing and mental health, and addressing ethical challenges related to new technologies. Her current research projects include the 2020 Facebook Election Research Project and an online game to combat vaccine misinformation. She has also written about the ethics and privacy implications of new technologies.
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Jeremy Bailenson
Thomas More Storke Professor, Senior Fellow at the Woods Institute for the Environment and Professor, by courtesy, of Education
BioJeremy Bailenson is founding director of Stanford University’s Virtual Human Interaction Lab, Thomas More Storke Professor in the Department of Communication, Professor (by courtesy) of Education, Professor (by courtesy) Program in Symbolic Systems, and a Senior Fellow at the Woods Institute for the Environment. He has served as Director of Graduate Studies in the Department of Communication for over a decade. He earned a B.A. from the University of Michigan in 1994 and a Ph.D. in cognitive psychology from Northwestern University in 1999. He spent four years at the University of California, Santa Barbara as a Post-Doctoral Fellow and then an Assistant Research Professor.
Bailenson studies the psychology of Virtual and Augmented Reality, in particular how virtual experiences lead to changes in perceptions of self and others. His lab builds and studies systems that allow people to meet in virtual space, and explores the changes in the nature of social interaction. His most recent research focuses on how virtual experiences can transform education, environmental conservation, empathy, and health. He is the recipient of the Dean’s Award for Distinguished Teaching at Stanford. In 2020, IEEE recognized his work with “The Virtual/Augmented Reality Technical Achievement Award”.
He has published more than 200 academic papers, spanning the fields of communication, computer science, education, environmental science, law, linguistics, marketing, medicine, political science, and psychology. His work has been continuously funded by the National Science Foundation for over 25 years.
His first book Infinite Reality, co-authored with Jim Blascovich, emerged as an Amazon Best-seller eight years after its initial publication, and was quoted by the U.S. Supreme Court. His new book, Experience on Demand, was reviewed by The New York Times, The Wall Street Journal, The Washington Post, Nature, and The Times of London, and was an Amazon Best-seller.
He has written opinion pieces for The Washington Post, The Wall Street Journal, Harvard Business Review, CNN, PBS NewsHour, Wired, National Geographic, Slate, The San Francisco Chronicle, TechCrunch, and The Chronicle of Higher Education, and has produced or directed six Virtual Reality documentary experiences which were official selections at the Tribeca Film Festival. His lab has exhibited VR in hundreds of venues ranging from The Smithsonian to The Superbowl. -
Bhabna Banerjee
Master of Arts Student in Communication, admitted Autumn 2024
Stanford Student Employee, Primary Care and Population HealthBioBhabna Banerjee is an illustrator and data journalist based in Vancouver, Canada. She graduated from York University with a BFA in Media Production and Visual Journalism and was named The Global Leader of Tomorrow Scholar from the class of 2020. Her interests include environmental policy, biodiversity loss, climate migration, and extreme weather. She has previously covered climate and environmental issues for publications such as Forbes, World Economic Forum, El Tecolote, Courrier International, and the Knight Foundation. In 2022, she founded Planet Anomaly to improve climate literacy and make environmental news more accessible through illustrated data visualizations. Since then, she has helped environmental organizations communicate their data and research and has collaborated with the Rocky Mountain Institute, Climate Central, Datawrapper, and Down to Earth. At Stanford, she will continue to develop innovative ways of visual storytelling that make climate reporting more comprehensible.
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Robert Brenner
Lecturer
BioR.B. Brenner is a Lecturer in the Department of Communication. He returned to Stanford in 2018 after four years at the University of Texas at Austin, where he was a tenured full professor and director of the School of Journalism. He had been a Stanford Lecturer from 2010 to 2014.
His teaching is informed by a three-decade career as a reporter and editor. He held several prominent editing positions at The Washington Post, including Sunday Editor and Metro Editor. He was one of the primary editors of The Post’s coverage of the Virginia Tech shootings, which was awarded a Pulitzer Prize in 2008, and played a leadership role in merging the digital and print newsrooms.
He has been a consultant for two journalism-themed films: “The Post” (2017) and “State of Play” (2009).
A graduate of Oberlin College, R.B. began his reporting career in North Carolina and also worked at newspapers in California and Florida. -
David Carson
Graduate, Communication
BioDavid Carson is a John S. Knight (JSK) Journalism Fellow for the 2024-2025 academic year. He's interested in examining the impacts of AI-generated images on photojournalism and what can be done to build public trust in news photos. He is on leave from his position as a staff photojournalist at the St. Louis Post-Dispatch where he has worked for more than two decades. During his career, he's covered the wars in Iraq and Afghanistan, two World Series, a Superbowl, U.S. Presidential and Vice Presidential debates and 9/11 on the ground in New York City during the early hours and days that followed the attacks.
Carson's work was featured extensively in the 2015 Pulitzer Prize for Breaking News Photography, awarded to the St. Louis Post-Dispatch photo staff "For powerful images of the despair and anger in Ferguson, MO, stunning photojournalism that served the community while informing the country." He also was a member of the newspaper’s staff that was a 2009 Pulitzer Prize finalist for its coverage of a mass-shooting during a Kirkwood, Mo. city council meeting.
Previously Carson worked at the Naples Daily News in Florida, The Providence Journal-Bulletin in Rhode Island, and as a freelance photographer in New England where he worked for The New York Times, USA Today and the Associated Press, among others. He's is also an avid Boston sports fan and still enjoys playing soccer.
A portfolio of his work can be seen at www.davidcarsonphotos.com and he is still active on Twitter @pdpj -
David Cheriton
Professor of Computer Science, Emeritus
BioCheriton's research includes the areas of high-performance distributed systems, and high-speed computer communication with a particular interest in protocol design. He leads the Distributed Systems Group in the TRIAD project, focused on understanding and solving problems with the Internet architecture. He has also been teaching and writing about object-oriented programming, building on his experience with OOP in systems building.
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Jinie Chon
Fws-Stanford Student Employee, Communication
Undergraduate, Public PolicyBioUndergraduate pursuing Public Policy at Stanford.
For more information, please visit: linkedin.com/in/jiniechon -
Angele Christin
Associate Professor of Communication, by courtesy, of Sociology and Senior Fellow at the Stanford Institute for HAI
Current Research and Scholarly InterestsAngèle Christin studies how algorithms and analytics transform professional values, expertise, and work practices.
Her book, Metrics at Work: Journalism and the Contested Meaning of Algorithms (Princeton University Press, 2020) focuses on the case of web journalism, analyzing the growing importance of audience data in web newsrooms in the U.S. and France. Drawing on ethnographic methods, Angèle shows how American and French journalists make sense of traffic numbers in different ways, which in turn has distinct effects on the production of news in the two countries. She discussed it on the New Books Network podcast.
In a related study, she analyzed the construction, institutionalization, and reception of predictive algorithms in the U.S. criminal justice system, building on her previous work on the determinants of criminal sentencing in French courts.
Her new project examines the paradoxes of algorithmic labor through a study of influencers and influencer marketing on YouTube, Instagram, and TikTok. -
Shane Denson
Professor of Art and Art History and, by courtesy, of German Studies and of Communication
BioShane Denson is Professor of Film and Media Studies in the Department of Art & Art History at Stanford University. His research and teaching interests span a variety of media and historical periods, including phenomenological and media-philosophical approaches to film, digital media, comics, games, and serialized popular forms. He is the author of three books: Post-Cinematic Bodies (2023), Discorrelated Images (2020) and Postnaturalism: Frankenstein, Film, and the Anthropotechnical Interface (2014). He is also co-editor of several collections: Transnational Perspectives on Graphic Narratives (2013), Digital Seriality (special issue of Eludamos: Journal for Computer Game Culture, 2014), and the open-access book Post-Cinema: Theorizing 21st-Century Film (2016).
See also shanedenson.com for more info. -
Samantha Isabelle Yosuico Dizon
Undergraduate, Communication
Assistant Coordinator, Inclusion, Community and Integrative Learning (ICIL) Operations
Undergraduate, Inter-Departmental ProgramsBioHi! My name is Sam (she/her/hers). I’m a sophomore at Stanford University studying Communication and Disability Studies. I have a passion for creativity and advocacy; along with showcasing my artwork online through Instagram, I use my skills to help advocate for Autistic and Disabled rights (@ArtsBySam). I always strive to bring about positive change and I value the beauty of human connection and expression.
I currently work as the Assistant Coordinator for the Stanford University Disability Community (DisCo) Space. I help create graphics needed for newsletters and Instagram, manage our social media, organize events, and help make the DisCo Space as inclusive as possible.
Feel free to reach me at SamDizon@Stanford.edu! -
Mark Fiore
Graduate, Communication
BioCurrently a John S. Knight journalism fellow at Stanford, Pulitzer Prize-winner Mark Fiore is a visual journalist who turns complex issues into accessible cartoons, animation and biting satire. His work has appeared on the San Francisco Chronicle’s website, Politico, Slate.com, CBSNews.com, NPR’s web site and many other online news, cable and broadcast outlets across the globe.
For over six years, Fiore was staff cartoonist at KQED, where he created daily topical single-panel cartoons and collaborated with reporters and editors on longer pieces of graphic journalism and animation.
Beginning his career drawing traditional editorial cartoons for newspapers like the Washington Post and Los Angeles Times, Fiore turned to animation in 2001, when he pioneered the new form of animated political cartoons.
Growing up in California, Fiore also spent a good portion of his life in the backwoods of Idaho. It was this combination that shaped him politically. Mark majored in political science at Colorado College, where, in a perfect send-off for a cartoonist, he received his diploma in 1991 as commencement speaker Dick Cheney smiled approvingly.
Mark Fiore was awarded the Pulitzer Prize for editorial cartooning in 2010 and was a Pulitzer finalist in 2018. He won the Herblock Prize in 2016, a Robert F. Kennedy Journalism Award in 2019 and 2004, and has twice received an Online Journalism Award for commentary from the Online News Association. Fiore has received two awards in new media from the National Cartoonists Society and has received The James Madison Freedom of Information Award from The Society of Professional Journalists.