Stanford University
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Judith L. Goldstein
Janet M. Peck Professor of International Communication, Professor of Political Science and Senior Fellow at the Stanford Institute for Economic Policy Research
BioJudith L. Goldstein is the Janet M. Peck Professor of International Communication and the Kaye University Fellow in Undergraduate Education. Her research focuses on international political economy, with a focus on trade politics. She has written and/or edited six book including Ideas, Interests and American Trade Policy and more recently The Evolution of the Trade Regime: Politics, Law and Economics of the GATT and the WTO. Her articles have appeared in numerous journals.
Her current research focuses on the political requisites for trade liberalization focusing both on tariff bargaining and public preferences. As well, she is engaged in the analysis of a large survey panel, which focuses on how economic hard times influences public opinion.
Goldstein has a BA from the University of California Berkeley, a Masters degree from Columbia University and a Ph.D. from UCLA. -
Mario Alberto Gomez Zamora
Lecturer
Current Research and Scholarly InterestsMario A. Gómez Zamora’s first book project explores the cultural tensions that queer Indigenous P’urhépechas face when participating in their communities’ traditions. Through the lens of queer theory, dance studies, and performance studies, Mario analyzes how Indigenous communities reproduce colonial violence against queer individuals in the present, and how queer P’urhépechas work toward new futures through danzas and performances in P’urhépecha fiestas and ceremonies while they claim their indigeneity as part of the collective in Michoacán and among those P’urhépechas who migrated to the Pacific Coast and Midwest of the United States. To trace the stories of marginalized Indigenous people in both their homelands and in sites of migration, Mario combines Indigenous methodologies, such as talking-while-walking through the landscape, with oral histories, semi-structured interviews, participant observations, and archival research. His scholarship reshapes queer studies, migration studies, and performance studies by examining how queer P’urhépechas are embraced by the collective via their participation in danzas as female characters but are still subjects of anti-gay violence and death beyond the performance space. This is a project of hope, life, and resistance to the hegemonic normativity in the P’urhépecha landscape.
