School of Humanities and Sciences
Showing 551-600 of 1,437 Results
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Leo Hollberg
Professor (Research) of Physics and of Geophysics, Emeritus
BioHow can we make optimal use of quantum systems (atoms, lasers, and electronics) to test fundamental physics principles, enable precision measurements of space-time and when feasible, develop useful devices, sensors, and instruments?
Professor Hollberg’s research objectives include high precision tests of fundamental physics as well as applications of laser physics and technology. This experimental program in laser/atomic physics focuses on high-resolution spectroscopy of laser-cooled and -trapped atoms, non-linear optical coherence effects in atoms, optical frequency combs, optical/microwave atomic clocks, and high sensitivity trace gas detection. Frequently this involves the study of laser noise and methods to circumvent measurement limitations, up to, and beyond, quantum limited optical detection. Technologies and tools utilized include frequency-stabilized lasers and chip-scale atomic devices. Based in the Hansen Experimental Physics Laboratory (HEPL), this research program has strong, synergistic, collaborative connections to the Stanford Center on Position Navigation and Time (SCPNT). Research directions are inspired by experience that deeper understanding of fundamental science is critical and vital in addressing real-world problems, for example in the environment, energy, and navigation. Amazing new technologies and devices enable experiments that test fundamental principles with high precision and sometimes lead to the development of better instruments and sensors. Ultrasensitive optical detection of atoms, monitoring of trace gases, isotopes, and chemicals can impact many fields. Results from well-designed experiments teach us about the “realities” of nature, guide and inform, occasionally produce new discoveries, frequently surprise, and almost always generate new questions and perspectives. -
David Holloway
Raymond A. Spruance Professor of International History, Professor of Political Science and Senior Fellow at the Freeman Spogli Institute for International Studies, Emeritus
Current Research and Scholarly Interestscivil wars; history of nuclear weapons
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Susan Holmes
Professor of Statistics, Emerita
Current Research and Scholarly InterestsOur lab has been developing tools for the analyses of complex data structures, extending work on multivariate data to structured multitable table that include graphs, networks and trees as well as categorical and continuous measurements.
We created and support the Bioconductor package phyloseq for the analyses of microbial ecology data from the microbiome. We have specialized in developing interactive graphical visualization tools for doing reproducible research in biology. -
Tamami Homma
Lecturer, Music
BioBachelor's Degree in piano performance (Manhattan School of Music), Master of Music Degree in performance (RAM/University of London), LRAM (Licentiate, Royal Academy of Music), ARAM (honorary Associate, RAM). Studied with Byron Janis, Herbert Stessin (Juilliard School of Music), Christopher Elton, Hamish Milne, Dominique Merlet (Conservatoire de Genève), other masterclasses or private lessons with Andras Schiff, Alfred Brendel, Christopher Hogwood, Sarah Davis Buechner, Jerome Lowenthal, Piers Lane, amongst others. Champion of the music of British composer John McCabe, she contributed the chapter on his piano works for 'Landscapes of the Mind' published by Ashgate and recorded several CDs of his works including with McCabe, one recognized as 'Editor's Choice' and others consistently receiving five stars from Gramophone Magazine and BBC Music Magazine. She has also recorded other highly rated CDs of works by Chopin, Mozart, Rawsthorne and contemporary composers for SOMM, Dutton and Metier labels. Her recording of the piano quintet version with the Vilnius Quartet was 'CD of the Week' (The Independent, UK). As collaborative pianist, she has performed complete cycles of all Beethoven works for every instrument, played for classes of Maurice Hausson (violin), John Wallace (trumpet) as a student and later performed with Mats Lidstrom, Peter Sheppard-Skaerved at the Warsaw Autumn Festival, and founded the Tate Ensemble which performed at the Aldeburgh Festival and received high praise from the New York Times for their Carnegie Debut. Upon coming to the Bay Area in 2007 she has founded the Cal Arte Ensemble and has continued to perform and solo with many orchestras but also continues to record, supports local opera companies, coaches in vocal and ensemble, adjudicates in competitions in the US and abraod, and offers private lessons (is affiliated with CMTA and Vantage Academy in Hong Kong). She has worked as vocal and ensemble coach at the San Francisco Conservatory of Music and was Master Teacher at the Community School of Music & Art in Mountain View. She is most proud of her four children filling the home with their own various musical noises.
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Blair Hoxby
Professor of English
BioBlair Hoxby writes on literature and culture from 1500 to 1800. Two of his foremost interests are the commercial culture and the theatrical practices of the period. Mammon's Music: Literature and Economics in the Age of Milton (New Haven: Yale University Press, 2002) examines the impact of the commercial revolution on writings of major seventeenth-century poets such as Milton and Dryden. Together with Ann Coiro, he is editing a large multi-author collection of essays on Milton in the Long Restoration. Two of his new books nearing completion focus on tragic dramaturgy. What Is Tragedy? Theory and the Early Modern Canon seeks to free the early modern poetics of tragedy and the early modern theatrical repertoire from the expectations erected by the romantic and post-romantic philosophy of the tragic that has dominated tragic theory from Schelling to the present. Reading for the Passions: Performing Early Modern Tragedy argues that the passions, not deeds or character, hold the keys to early modern tragic performance.
Recent and forthcoming articles include Passion, for 21st-Century Approaches: Early Modern Theatricality, ed. Henry Turner (forthcoming, OUP); What Was Tragedy? The World We Have Lost, 1550-1795, Comparative Literature 64 (2012): 1-32; Allegorical Drama, in The Cambridge Companion to Allegory, ed. Rita Copeland and Peter Struck (Cambridge: Cambridge University Press, 2009); The Function of Allegory in Baroque Tragic Drama: What Benjamin Got Wrong, in Thinking Allegory Otherwise, ed. Brenda Machowsky (Stanford: Stanford University Press, 2009); and "Areopagitica and Liberty," in The Oxford Handbook of Milton, ed. Nicholas McDowell and Nigel Smith (Oxford: Oxford University Press, 2009). -
Caroline Hoxby
Scott and Donya Bommer Professor in the School of Humanities and Sciences, Senior Fellow at the Hoover Institution and at the Stanford Institute for Economic Policy Research and Professor, by courtesy, of Economics at the GSB
BioCaroline Hoxby is the Scott and Donya Bommer Professor of Economics at Stanford University, a Senior Fellow of the Hoover Institution, and the Director of the Economics of Education Program at the National Bureau of Economic Research. Before moving to Stanford, she was the Allie S. Fried Professor of Economics at Harvard University. A public and labor economist, Hoxby is one of the world's leading scholars in the Economics of Education. She is especially well known for promoting scientific methods in education research. She was the Principal Investigator of the Expanding College Opportunities project, which had dramatic effects on low-income, high achievers' college-going. For this project, recently received The Smithsonian Institution's Ingenuity Award. Some of the other research for which she is best known includes explaining the rising cost of higher education, the effects of school choice and charter schools on student achievement, and the effects of teacher unionization. She also writes on public school finance, peer effects, and how education affects economic growth. Her recent series of Tanner Lectures on Human Values (Berkeley) focuses on neuroscience and the cognitive skills of adolescents. She is a past Vice-President of the American Economic Association and the current Vice-President of the Western Economic Association International. Hoxby is a Fellow of the American Academy of Arts and Sciences, the British Academy, and the American Academy of Sciences and Letters. She is an award-winning instructor and advisor and is a Bass University Fellow in Undergraduate Education at Stanford University. Hoxby has a Ph.D. from MIT, studied at Oxford as a Rhodes Scholar, and obtained her baccalaureate degree summa cum laude from Harvard University.
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Hector Hoyos
Professor of Iberian and Latin American Cultures and, by courtesy, of Comparative Literature and of English
BioHéctor Hoyos is a scholar of modern Latin American and comparative literature. He writes about ideological critiques of globalization in the post-1989 Latin American novel, the articulation of critical theory and new materialism in the region’s cultural production, and related topics. His current monograph in progress examines the works of Gabriel García Márquez from a law and humanities perspective.
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Caitlin Nicole Hubbard
Assistant Professor of English
BioCaitlin Hubbard is a scholar of early modern theater and performance history, specializing in Restoration drama, the seventeenth-century court masque, and Shakespeare.
Her research focuses on the way that the practicalities and materiality of the stage space affect dramatic literature at the level of form. Her current book project, Reading Between the Scenes: Spectacle as Action and Idea in Early Modern English Theater, analyzes how the evolution of theater architecture and set design throughout the seventeenth-century, including the move from outdoor to indoor theaters and the introduction of changeable scenery, formally restructured both the craft of playwrighting and the experience of reading drama.
Courses she teaches include The Shakespearean Stage, in which students take on the roles and recreate the documents used by an early modern playing company to experience how performance transforms text, and What Women Want in Medieval and Renaissance Literature, which recenters female voices and female desire in the canon of early English literature. -
Wray Huestis
Professor of Chemistry, Emerita
BioProfessor Wray Huestis’ research concerns the molecular mechanisms whereby cells control their shape, motility, deformability and the structural integrity of their membranes. Metabolic control of interprotein and protein-lipid interactions is studied by a variety of biochemical, spectroscopic and radiochemical techniques, including fluorescence and EPR spectrometry, autoradiography and electron microscopy. The role of lipid metabolism and transport in regulating the fluid dynamics of cell suspensions (red blood cells, platelets, lymphocytes) is examined using circulating cells and cells grown in culture. Cell-cell and cell-liposome interactions are studied using model membrane systems with widely differing physical properties. Complexes of liposomes and encapsulated viruses are used as selective vectors to deliver water-soluble compounds across the membranes of intact cells. The particular projects described in the listed publications have as a common goal an understanding of the molecular workings of the cell membrane.
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Stephanie Jane Hunt
Lecturer, Theater and Performance Studies
BioStephanie is an actor, director, and teacher of voice and acting. As a core member of the Bay Area theatre company, Word for Word, Stephanie has acted in numerous productions, including Tobias Wolff’s Sanity, Colm Tóibín’s Silence, Upton Sinclair’s Oil! and Susan Glaspell’s A Jury of her Peers. She was nominated for a Bay Area Critics Circle award for her performance as the mysterious Old Woman on the train in Kevin Barry's short story Wintersongs. Stephanie played Lizzie Borden in The Fall River Axe Murders by Angela Carter directed by Amy Freed. For Word for Word, Stephanie directed the productions of Bullet in the Brain and Lady's Dream by Tobias Wolff, and All Aunt Hagar’s Children by Edward P. Jones, which played at the Z Space before touring France. Also, she directed the noir thriller Angel Face by Cornell Woolrich. She has acted with Berkeley Repertory Theatre, Campo Santo, Aurora Theatre, the Magic Theatre, Berkeley Shakespeare, the One Act Theater, and in New York at La Mama. For two years with Pulp Playhouse, Stephanie performed late-night comedy improv with O-Lan Jones and Mike McShane at the Eureka Theater. She has taught voice at ACT in the Summer Training Congress, and at the University of San Francisco, San Francisco State University, Chabot College, and Sonoma State University. Stephanie text and voice coaches many of the mainstage productions in the TAPS Department at Stanford University. She has directed a number of university productions. Most recently at Stanford, she directed Three Sisters by Anton Chekhov, which was attended by the entire freshmen COLLEGE cohort. At USF, she directed Twelfth Night, and adapted and directed Alice Munro’s The View from Castle Rock. At Sonoma State she directed The Green Bird by Carlo Gozzi, Top Girls by Caryl Churchill, Dancing at Lughnasa by Brian Friel, and The Exception and the Rule by Bertolt Brecht. Her training includes an MFA from the American Conservatory Theater and certification as an Associate Teacher of Fitzmaurice Voicework. Stephanie is committed to creating and teaching ensemble-based theater with a focus on heightened language.
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Nadeem Hussain
Associate Professor of Philosophy and, by courtesy, of German Studies
BioI received my B.S. in Symbolic Systems from Stanford University in 1990. I then went to the Department of Philosophy at The University of Michigan, Ann Arbor. I completed a Ph.D. there in 1999. I also spent the academic year of 1998-99 at Universität Bielefeld in Germany. I have been teaching at Stanford since 2000.
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Scott Hutchins
Lecturer, English
BioScott Hutchins is a former Truman Capote fellow in the Wallace Stegner Program at Stanford University. His work has appeared in StoryQuarterly, Catamaran, Five Chapters, The Owls, The Rumpus, The New York Times, San Francisco Magazine and Esquire, and has been set to improvisational jazz. He is the recipient of two major Hopwood awards and the Andrea Beauchamp prize in short fiction. In 2006 and 2010, he was an artist-in-residence at the Cité Internationale des Arts in Paris. His novel A Working Theory of Love was a San Francisco Chronicle and Salon Best Book of 2012 and has been translated into nine languages.
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Harold Hwang
Director, Stanford Institute for Materials and Energy Sciences (SIMES), Shadi and Omid Farokhzad Professor in the School of Humanities and Sciences, Professor of Photon Science and Senior Fellow at the Precourt Institute for Energy
BioHarold Y. Hwang is the Shadi and Omid Farokhzad Professor in the School of Humanities and Sciences, of Applied Physics (Stanford University), of Photon Science (SLAC National Accelerator Laboratory), Senior Fellow of the Precourt Institute for Energy, and Director of the Stanford Institute for Materials and Energy Sciences. He received a BS in Physics, BS and MS in Electrical Engineering from MIT (1993), and a PhD in Physics from Princeton University (1997). He was formerly a Member of Technical Staff at Bell Laboratories (1996-2003) and on the faculty at the University of Tokyo (2003-2010). His research is in condensed matter and materials physics, with a focus on correlated electrons and emergent phenomena in quantum materials, and heterostructures for energy applications and devices.
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Jackelyn Hwang
Associate Professor of Sociology
BioJackelyn Hwang is an Associate Professor in the Department of Sociology and Director of the Changing Cities Research Lab. Jackelyn’s main research interests are in the fields of urban sociology, race and ethnicity, immigration, and inequality. In particular, her research uses innovative data, measures, and methods to answer: how do neighborhood-level dynamics that are typically racialized drive changes in US residential segregation? Her projects focus on how residential sorting mechanisms shape how gentrification unfolds over time and space, the consequences of gentrification on residential displacement, and developing data and measurement infrastructures for improving measures of gentrification, including developing automated methods using computer vision to measure visible neighborhood conditions and their changes over time from Google Street View imagery. By improving our understanding of urban change and segregation, her work aims to advance policy solutions that promote racial equity as cities change.
Jackelyn received her B.A.S. in Sociology and Mathematics from Stanford University and her Ph.D. in Sociology and Social Policy from Harvard University. After completing her Ph.D., she was a Postdoctoral Research Fellow in the Office of Population Research at Princeton University. Her research has been supported by the American Sociological Association, the Joint Center for Housing Studies, the National Science Foundation, among others. Her work has appeared in the American Journal of Sociology, American Sociological Review, City & Community, Demography, Social Forces, Sociological Methods and Research, Sociological Methodology, and Urban Affairs Review, and other academic journals. -
Theresa Iker
Lecturer, History Department
BioTheresa Iker specializes in modern American politics, gender, and culture. She received her Ph.D. in History and minor in Feminist, Gender, and Sexuality Studies (FGSS) from Stanford University in 2023, where she now serves as the Choi-Lam H&S Lecturer in Undergraduate Teaching. She offers courses in the Department of History and the Stanford Introductory Studies Program.
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Jamie Imam
Advanced Lecturer, Biology
BioDr. Jamie Imam received her bachelor's degree in Biological Sciences and Psychology from Carnegie Mellon University and her Ph.D. in Genetics from the Stanford School of Medicine. In addition to teaching, Jamie is the Director of the Honors Program in Biology and a Lecturer Consultant with the Center for Teaching and Learning. When she is not teaching or doing science outreach, she enjoys reading, baking and spending time outdoors with her family.
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Miyako Inoue
Associate Professor of Anthropology and, by courtesy, of Linguistics
BioMiyako Inoue teaches linguistic anthropology and the anthropology of Japan. She also has a courtesy appointment with the Department of Linguistics.
Her first book, titled, Vicarious Language: the Political Economy of Gender and Speech in Japan (University of California Press), examines a phenomenon commonly called "women's language" in Japanese modern society, and offers a genealogy showing its critical linkage with Japan's national and capitalist modernity. Professor Inoue is currently working on a book-length project on a social history of “verbatim” in Japanese. She traces the historical development of the Japanese shorthand technique used in the Diet for its proceedings since the late 19th century, and of the stenographic typewriter introduced to the Japanese court for the trial record after WWII. She is interested in learning what it means to be faithful to others by coping their speech, and how the politico-semiotic rationality of such stenographic modes of fidelity can be understood as a technology of a particular form of governance, namely, liberal governance. Publication that has come out of her current project includes, "Stenography and Ventriloquism in Late Nineteenth Century Japan." Language & Communication 31.3 (2011).
Professor Inoue's research interest: linguistic anthropology, sociolinguistics, semiotics, linguistic modernity, anthropology of writing, inscription devices, materialities of language, social organizations of documents (filing systems, index cards, copies, archives, paperwork), voice/sound/noise, soundscape, technologies of liberalism, gender, urban studies, Japan, East Asia. -
Kent Irwin
Professor of Physics, of Particle Physics and Astrophysics and of Photon Science
BioIrwin Group web page:
https://irwinlab.stanford.edu/ -
Shanto Iyengar
William Robertson Coe Professor and Professor of Political Science and of Communication
BioShanto Iyengar is a Professor of Political Science and Director of the Political Communication Laboratory. Iyengar’s areas of expertise include the role of mass media in democratic societies, public opinion, and political psychology. Iyengar’s research has been supported by grants from the National Science Foundation, the National Institutes of Health, the Ford Foundation, the Pew Charitable Trusts, and the Hewlett Foundation. He is the recipient of several professional awards including the Philip Converse Award of the American Political Science Association for the best book in the field of public opinion, the Murray Edelman Lifetime Achievement Award, and the Goldsmith Book Prize from Harvard University. Iyengar is author or co-author of several books, including News That Matters (University of Chicago Press, 1987), Is Anyone Responsible? (University of Chicago Press, 1991), Explorations in Political Psychology (Duke University Press, 1995), Going Negative (Free Press, 1995), and Media Politics: A Citizen’s Guide (Norton, 2011).
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Usha Iyer
Associate Professor of Art and Art History
Current Research and Scholarly InterestsFilm studies, South Asia, Caribbean, Gender, Diaspora, Race and ethnicity
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Matthew O. Jackson
Eberle Professor of Economics and Senior Fellow at the Stanford Institute for Economic Policy Research
Biohttp://www.stanford.edu/~jacksonm/bio.html
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Christine Jacobs-Wagner
Dennis Cunningham Professor, Professor of Biology and of Microbiology and Immunology
BioChristine Jacobs-Wagner is a Dennis Cunningham Professor in the Department of Biology and the ChEM-H Institute at Stanford University. She is interested in understanding the fundamental mechanisms and principles by which cells, and, in particular, bacterial cells, are able to multiple. She received her PhD in Biochemistry in 1996 from the University of Liège, Belgium where she unraveled a molecular mechanism by which some bacterial pathogens sense and respond to antibiotics attack to achieve resistance. For this work, she received multiple awards including the 1997 GE & Science Prize for Young Life Scientists. During her postdoctoral work at Stanford Medical School, she demonstrated that bacteria can localize regulatory proteins to specific intracellular regions to control signal transduction and the cell cycle, uncovering a new, unsuspected level of bacterial regulation.
She started her own lab at Yale University in 2001. Over the years, her group made major contributions in the emerging field of bacterial cell biology and provided key molecular insights into the temporal and spatial mechanisms involved in cell morphogenesis, cell polarization, chromosome segregation and cell cycle control. For her distinguished work, she received the Pew Scholars award from the Pew Charitable Trust, the Woman in Cell Biology Junior award from the American Society of Cell Biology and the Eli Lilly award from the American Society of Microbiology. She held the Maxine F. Singer and William H. Fleming professor chairs at Yale. She was elected to the Connecticut academy of Science, the American Academy of Microbiology and the National Academy of Sciences. She has been an investigator of the Howard Hughes Medical Institute since 2008.
Her lab moved to Stanford in 2019. Current research examines the general principles and spatiotemporal mechanisms by which bacterial cells replicate, using Caulobacter crescentus and Escherichia coli as models. Recently, the Jacobs-Wagner lab expanded their interests to the Lyme disease agent Borrelia burgdorferi, revealing unsuspected ways by which this pathogen grows and causes disease -
Lochlann Ross Jain
Professor of Anthropology
BioJain is an award-winning author and Professor of Anthropology at Stanford University, Visiting Chair of Global Health and Social Medicine at King’ College London, and a Research Affiliate at VIAD, University of Johannesburg. His work aims to unsettle some of the deeply held assumptions about objectivity that underlie the history of medical research. Jain is the author of Injury (Princeton UP: 2006); Malignant: How Cancer Becomes Us (UC Press: 2013); and a book of drawings, Things that Art: A Graphic Menagerie of Enchanting Curiosity (U of Toronto Press: 2019).
Jain is currently working on two books. The first, supported by a Guggenheim Fellowship, develops the concept of The WetNet, which refers to fluid bonding among humans and animals in ways that create pathways for the transmission of pathogens. Specifically, mid-century bioscientific practices such as blood harvesting and transfusion, and vaccine development and testing involved exchanges in human and animal effluvia, the risks of which have largely been disavowed. Jain’s current book project elucidates the concept of The WetNet through a rigorous history of the hepatitis B virus and the development of the first hepatitis B vaccine.
The second project, “The Lung is a Bird and a Fish,” is a cultural history of drowning in prose and drawing. -
Branislav Jakovljević
Sara Hart Kimball Professor of the Humanities
BioMy research is highly interdisciplinary. I find it very rewarding to study performance in the context of visual arts, film and digital media, literature and poetry, critical theory, as well as larger social and historical processes. Most recently, I have been focusing on climate change and environmental justice. Over the past year, I have co-edited with my colleagues from TAPS Diana Looser and Matt Smith a two-part special issue of TDR: The Drama Review on performance and climate change. This research and teaching interest comes from my more long-term engagement with performance and politics.
My most recent monograph in English is Alienation Effects: Performance and Self-Management in Yugoslavia 1945-1991 (University of Michigan Press, 2016) which received the Joe A. Callaway Prize for the Best Book on Drama or Theater for 2016-17 and Association for Theatre in Higher Education (ATHE) Outstanding Book Award, 2017. It has been translated into Serbian (2019) and Slovenian (2021). I co-translated and edited Radomir Konstantinović’s book The Philosophy of Parochialism, a groundbreaking analysis of the relation of the national literature and the formation of totalitarian ideas and political practices in a small European nation during the first half of the 20th century (University Michigan Press, 2021). My most recent book project is The Performance Apparatus: On Ideological Production of Behaviors (forthcoming from University of Michigan Press), in which I investigate the relationship between performance art and theories of ideological formations from the 1970s until the present.
I hail from Yugoslavia, the country that was located in central and western Balkans, in southeastern Europe. There, I attended Drama Schools at universities in Skopje and Belgrade (present-day Northern Macedonia and Serbia, respectively). I worked as Dramaturg in professional theaters during and immediately after the completion of my BFA studies.
Most of my views on politics, ethics, justice, and the arts were informed by the unraveling of Yugoslavia in a series of bloody civil wars in the 1990s. I was active in anti-war movements before I left the country and remained active in pro-democracy publications in Serbia and the region of the former Yugoslavia. Some of these writings have been collected in the book Frozen Donkey and Other Essays (Smrznuti magarac i drugi eseji, Komuna Links, Belgrade 2017).
Both my MA and PhD are from the Department of Performance Studies at New York University. While pursuing my PhD, I was active in the New York downtown theater and alternative press scene in the late 1990s and early 2000s. In the subsequent years, I served on the board of Performance Studies international (PSi) and chaired the 19th PSi conference held at Stanford in June of 2013.
Before joining Stanford in 2006, I taught at NYU’s Tisch School of the Arts and University of Minnesota. In addition to teaching undergraduate and graduate classes in my home department, over the years I served as Director of Undergraduate Studies, Director of Graduate Studies, and Chair (2015-2019). Some of the highlights from my tenure as Chair are: devising a strategic plan for the department that yielded the current structure of our undergraduate program, supervising the return of the department to the renovated Roble Gym, the establishment of Nitery Experimental Theater as the first fully student-run theater space on campus, working with the Dean’s office to set up Carl Weber graduate fellowships, and opening TAPS season-planning process to include all members of the department who are willing to participate (students, faculty, staff). -
Doug James
LeRa Professor and Professor, by courtesy, of Music
Current Research and Scholarly InterestsComputer graphics & animation, physics-based sound synthesis, computational physics, haptics, reduced-order modeling
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Vida Celina James
Lecturer, English
BioVida James is Nuyorican, currently living in San Francisco. She was a 2024-2026 Wallace Stegner fellow at Stanford University. Her writing has been supported by the National Endowment for the Arts, The Center for Fiction, Periplus, Storyknife, Tin House, Bread Loaf, MASS MoCA, the St. Botolph Club Foundation, and VONA. She holds an MFA from the University of Massachusetts - Amherst and an MSW from Hunter College. Her work has appeared or is forthcoming in The Kenyon Review, Story, New England Review, and elsewhere.
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Rachel Jean-Baptiste
Michelle Mercer and Bruce Golden Family Professor of Feminist and Gender Studies, Professor of History and of African and African American Studies
BioPh.D., Stanford University
M.A., Stanford University
A.B., Bryn Mawr College
Rachel Jean-Baptiste is a historian of 19th-21st century West and Equatorial Africa and the French-speaking Atlantic World. Her research interests include the histories of: marriage and family law; citizenship; urbanization; family and childhood; women, gender, and sexuality; colonialism; and race.
