School of Humanities and Sciences
Showing 101-185 of 185 Results
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Aatika Singh
Ph.D. Student in Art History, admitted Autumn 2023
Ph.D. Minor, Comparative Studies in Race and Ethnicity
Library Asst, Humanities Resource Group
CSA - Student Admin Assistant, South Asian Studies
RA: Brody, Theater and Performance StudiesCurrent Research and Scholarly InterestsCaste Studies, Art History & Cultural Studies, Race Studies and Modernism
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Corrado Sinigaglia
Affiliate, Philosophy
Visiting Scholar, PhilosophyBioI am a full Professor of Philosophy of Science at the University of Milan (Italy) and I am also leading the Cognition in Action Lab (http://cialab.unimi.it/). I have been at University of Milan since 2001 when I was appointed as Assistant Professor there. Before that I studied at the University of Leuven (1992-1993), at the Ecole Normale Superiéure of Paris (1994), and at the University of Genova (1995-1999), where I got my PhD in Philosophy of Science. I received several grants, including the BIAL Foundation Grant Program (2018-2020), the PRIN (2017-2020), the British Academy / Leverhulme Small Grant (2013-2015), and the Multi-Research Grant Action (Fondazione San Paolo, Torino) (2009-2012).
The overarching goal of my research is to integrate philosophy with cognitive neuroscience. I have extensively investigated the role of motor processes and representations in social cognition. My current research is aimed at explaining how motor representation meshes with intention, and more in general with thought, in performing both individual and joint action. A related question concerns how motor processes and representations might be involved in our making experience of the environment, other people included.
I am author and co-author of three books, about forty papers in peer reviewed journals, and fifteen chapters in edited books. I have published papers in philosophical (PPPR, Mind), psychological (Cognition, TICS) and neuroscientific (Nature Neuroscience Review, PNAS) journals. -
Julius Smith
Professor of Music, Emeritus
BioSmith is a professor emeritus of music and (by courtesy) electrical engineering (Information Systems Lab) based at the Center for Computer Research in Music and Acoustics (CCRMA). Teaching and research pertain to music and audio applications of signal processing. Former software engineer at NeXT Computer, Inc., responsible for signal processing software pertaining to music and audio. For more, see https://ccrma.stanford.edu/~jos/.
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Matthew Smith
Professor of German Studies and of Theater and Performance Studies
BioMatthew Wilson Smith’s interests include modern theatre and relations between science, technology, and the arts. His book The Nervous Stage: 19th-century Neuroscience and the Birth of Modern Theatre (Oxford, 2017) explores historical intersections between theatre and neurology and traces the construction of a “neural subject” over the course of the nineteenth century. It was a finalist for the George Freedley Memorial Award of the Theater Library Association. His previous book, The Total Work of Art: From Bayreuth to Cyberspace (Routledge, 2007), presents a history and theory of attempts to unify the arts; the book places such diverse figures as Wagner, Moholy-Nagy, Brecht, Riefenstahl, Disney, Warhol, and contemporary cyber-artists within a coherent genealogy of multimedia performance. He is the editor of Georg Büchner: The Major Works, which appeared as a Norton Critical Edition in 2011, and the co-editor of Modernism and Opera (Johns Hopkins, 2016), which was shortlisted for an MSA Book Prize. His essays on theater, opera, film, and virtual reality have appeared widely, and his work as a playwright has appeared at the Eugene O’Neill Musical Theater Conference, Richard Foreman’s Ontological-Hysteric Theater, and other stages. He previously held professorships at Cornell University and Boston University as well as visiting positions at Columbia University and Johannes Gutenberg-Universität (Mainz).
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Stephanie A. Smith
Master of Arts Student in History, admitted Autumn 2023
BioDistinguished Careers Institute Fellow (beginning January 2022). Over the course of a 40-year career, held leadership positions with two Fortune 50 financial-service companies, the Clinton Administration, and regional and national nonprofits. Built and led major transformational initiatives in the fields of consumer financial technology, marketing, national housing finance, and community development.
Areas of interest include the intersection among hypercapitalism, economic inequity, and threats to democracy, as well as medieval and modern European history. -
Matthew Steven Sosa
Master of Arts Student in Philosophy, admitted Autumn 2022
BioPronouns: he/him
Philosophy interests: philosophy of mind, philosophy of action, metaphysics, logic
Music interests: jazz, music theory -
Kathryn Starkey
Edward Clark Crossett Professor of Humanistic Studies and Professor, by courtesy, of English, of History and of Comparative Literature
BioKathryn Starkey is Professor of German in the Department of German Studies and, by courtesy, Professor of English, History, and Comparative Literature. Her work focuses primarily on medieval German literature from the eleventh to the thirteenth century, and her research topics encompass visuality and materiality, object/thing studies, manuscript illustration and transmission, language, performativity, and poetics. She has held visiting appointments at the Universities of Palermo (2011) and Freiburg im Breisgau (2013 and 2018).
Recent book publications (since 2012) include:
* Things and Thingness in European Literature and Visual Art, 800-1600, edited with Jutta Eming (Berlin/New York, 2021).
* Animals in Text and Textile. Storytelling in the Medieval World, edited with Evelin Wetter. Riggisberger Berichte, Vol. 24 (Riggisberg, Switzerland, 2019).
* Sensory Reflections. Traces of Experience in Medieval Artifacts, edited with Fiona Griffiths (Berlin/New York, 2018).
* Neidhart: Selected Songs from the Riedegger Manuscript, edited and translated with Edith Wenzel, TEAMS series in bilingual medieval German texts (Kalamazoo, MI, 2016).
* A Courtier’s Mirror: Cultivating Elite Identity in Thomasin von Zerclaere’s “Welscher Gast” (Notre Dame, 2013).
* Visuality and Materiality in the Story of Tristan, edited with Jutta Eming and Ann Marie Rasmussen (Notre Dame, 2012).
Professor Starkey is the PI for the Global Medieval Sourcebook (https://sourcebook.stanford.edu/) for which she received a NEH Digital Humanities Advancement Grant (2018) as well as awards from the Roberta Bowman Denning Fund for Humanities and Technologies at Stanford (2016, 2017, 2018).
Her current research projects include a co-authored (with Fiona Griffiths) textbook for the Cambridge Medieval Textbook series on A History of Medieval Germany (900-1220).
Professor Starkey has been the recipient of fellowships from the National Humanities Center, the Alexander von Humboldt Foundation, the UNC Institute for the Arts and the Humanities, and the Social Sciences and Humanities Research Council of Canada (SSHRCC).
Before joining the faculty at Stanford in 2012 she taught in the Department of Germanic and Slavic Languages and Literatures at the University of North Carolina at Chapel Hill. -
Alice Staveley
Senior Lecturer of English
BioAlice Staveley teaches a range of courses on British modernism, contemporary British and Canadian fiction, and Virginia Woolf. She has won the Dean's Award for Distinguished Teaching (2016-2017) and directs the Honors Program in English and the Digital Humanities Minor. She has taught in the Oxford tutorial system, the History and Literature concentration at Harvard University, and Stanford's Introduction to the Humanities Program (2001-2006). Research interests include: modernism; narratology; book and periodical history; women and the professions; feminist and cultural theory; and digital humanities. Her current book project examines Virginia Woolf's life as a publisher. Select publications include: Woolf’s short fictional feminist narratology; Woolf’s European reception; photography in Three Guineas; modernist marketing; and transnational archival feminisms. She co-founded and co-directs of The Modernist Archives Publishing Project, a critical digital archive of documents related to modernist publishing supported by grants from the Social Sciences and Humanities Research Council of Canada, the Arts and Humanities Research Council (UK), and the Roberta Bowman Denning Digital Fund for Humanities and Technologies. http://modernistarchives.com Recent digital humanities research involves quantitative analysis of modernist book-sales records.
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Ariel Stilerman
Assistant Professor of East Asian Languages and Cultures
BioAriel Stilerman earned his Ph.D. in Japanese literature from Columbia University and has undergone training in diverse fields such as the Tea Ceremony, Clinical Psychoanalysis, and Industrial Design. His first monograph studies the role of classical verse in the transmission of culture and knowledge across social classes. His current project looks at medieval illustrated narratives, poetic contests, and encyclopedic works to explore how changes in knowledge, authority, and technology can create opportunities for the construction of new shared cultural networks in the aftermath of natural and social catastrophes. Still on hold is the first direct translation of Genji monogatari into Spanish.
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Adele Leigh Stock
Ph.D. Student in History, admitted Autumn 2020
Current Research and Scholarly InterestsHistory of environment, religion, and technology in the African Great Lakes
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Jeanne Su
Director of Finance and Operations, East Asian Languages and Cultures
Current Role at StanfordDirector of Finance and Operations at East Asian Languages and Cultures (EALC).
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Meghan Sumner
Associate Professor of Linguistics
On Leave from 10/01/2023 To 06/30/2024BioI am an Associate Professor of Phonetics at Stanford. My work simplified: I take sound patterns that exist in languages and associated variation and usage patterns (who says what, how and when), and investigate the social meaning humans associate with these patterns (and how they come to make these associations). I care about how, cognitively, this social information affects attention, perception, recognition, memory, and comprehension. Then, I take all of that, and investigate the areas in which language and society interact and highlight how this advances theory, but also how stereotype and bias are reinforced through spoken language. Much of what we currently know about speech variation, language and cognition stems from experiments that probe one component of this process at time, leave out social factors and experience, use stimuli from normative white talkers, and are quite distant from the interdisciplinary and diverse research needed to advance theories and address issues relevant to society. My general focus is on understanding the mechanisms and representations that underlie spoken language understanding and how they interact across various listener and speaker populations in a social and dynamic world.
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Chao Sun
Professor of East Asian Languages and Cultures and, by courtesy, of Linguistics
On Leave from 09/01/2023 To 08/31/2024Current Research and Scholarly InterestsMy primary research interest is in Chinese linguistics studying how linguistic forms and meanings vary systematically in different socio-cultural contexts in modern Chinese languages. My other works concern with morphosyntactic changes in the history of Chinese and pedagogical grammar in teaching Chinese as Second Language.
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C. Kwang Sung, MD, MS
Associate Professor of Otolaryngology - Head & Neck Surgery (OHNS) and, by courtesy, of Music
On Partial Leave from 04/11/2024 To 05/23/2024Current Research and Scholarly InterestsLaryngology
Otolaryngology
Professional voice -
Lisa Surwillo
Associate Professor of Iberian and Latin American Cultures
BioProfessor Surwillo teaches courses on Iberian literature, with an emphasis on the nineteenth-century. Her research addresses the questions of property, empire, race and personhood as they are manifested by literary works, especially dramatic literature, dealing with colonial slavery, abolition and Spanish citizenship. Surwillo is the author of Monsters by Trade (Stanford 2014), a study of slave traders in Spanish literature and the role of these colonial mediators in the development of modern Spain. She is also the author of The Stages of Property: Copyrighting Theatre in Spain (Toronto 2007), an analysis of the development of copyright and authorship in nineteenth-century Spain and the impact of intellectual property on theater. She is currently completing two books: the first is a study of freedom petitions by enslaved Afro-Cuban women during the 1870s and the second is a co-authored study, with Martín Rodrigo, of a major Cuban financier and Catalan real estate magnate.