School of Humanities and Sciences
Showing 181-200 of 1,927 Results
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Vincent L. Briley
Affiliate, SGS Stanford Global Studies
BioVincent L. Briley is a passionate leader and coach in community college education. He currently serves as the Interim Associate Dean of Student Affairs at Montgomery College - Rockville Campus, where he is dedicated to improving student access and outcomes. His extensive career includes administrative and instructional roles at Denison University, Eastern Iowa Community Colleges, and Cuyahoga Community College, with a focus on student success, academic affairs, and community engagement.
Briley has honed his leadership skills through prestigious professional development, including the American Association of Community Colleges’ John E. Roueche Future Leaders Institute and the Peabody Professional Institute of Higher Education Management at Vanderbilt University. A champion of scholarship, he earned fellowships at Stanford University, the National Endowment for the Humanities, and multiple Fulbright awards focused on expanding international education.
Committed to his community, Briley volunteers with several local and national organizations and is a passionate musician who has performed with the Cleveland Orchestra. He is drawn to opportunities that allow him to serve institutions where students are central to the mission and vision. -
Jennifer DeVere Brody
Professor of Theater and Performance Studies and, by courtesy, of African and African American Studies
BioJennifer DeVere Brody (she/her) holds a B.A. in Victorian Studies from Vassar College and an M.A. and Ph.D. in English and American Literature from the University of Pennsylvania. Her scholarship and service in African and African American Studies, Gender and Sexuality Studies, visual and performance studies have been recognized by numerous awards: a 2022 Guggenheim Fellowship, a 2023 Virginia Howard Fellowship from the Bogliasco Foundation, support from the Mellon and Ford Foundations, the Monette-Horwitz Prize for Independent Research Against Homophobia, the Royal Society for Theatre Research, and the Thurgood Marshall Prize for Academics and Community Service among others. Her scholarly essays have appeared in Theatre Journal, Signs, Genders, Callaloo, Screen, Text and Performance Quarterly and other journals as well as in numerous edited volumes. Her books include: Impossible Purities: Blackness, Femininity and Victorian Culture (Duke University Press, 1998), Punctuation: Art, Politics and Play (Duke University Press, 2008) and Moving Stones: About the Art of Edmonia Lewis(forthcoming from Duke University Press). She has served as the President of the Women and Theatre Program, on the board of Women and Performance and has worked with the Ford and Mellon Foundations. She co-produced “The Theme is Blackness” festival of black plays in Durham, NC when she taught in African American Studies at Duke University. Her research and teaching focus on performance, aesthetics, politics as well as black feminist theory, black queer studies and contemporary cultural studies. She co-edited, with Nicholas Boggs, the re-publication of James Baldwin’s illustrated book, Little Man, Little Man (Duke UP, 2018). She held the Weinberg College of Board of Visitors Professorship at Northwestern University and has been a tenured professor at six different universities in her thirty year career. Her expertise in Queer Studies fostered her work as co-editor ,with C. Riley Snorton, of the flagship journal GLQ. She serves on the Editorial Board of Transition and key journals in global 19th Century Studies. At Stanford, she served as Chair of the Theater & Performance Studies Department (2012-2015) and Faculty Director of the Center for Comparative Studies in Race & Ethnicity (2016-2021) where she won a major grant from the Mellon Foundation and developed the original idea for an Institute on Race Studies.
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Michaela Bronstein
BioWelcome! For current information about me, try my personal website (http://www.michaelabronstein.com/) or my Stanford English page (https://english.stanford.edu/people/michaela-bronstein).
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Aaron Diamond Brown
Lecturer
Collections Associate, ArchaeologyBioAaron Brown is an archaeologist specializing in Roman and Italic material culture with particular interests in ancient foodways (i.e. the practices and beliefs surrounding the production and consumption of food and drink), craft production and the life histories of artifacts, the Roman household, and the lived experiences of the non-elite. Much of his research seeks to recover the daily realities of ancient persons’ lives in order to better understand large-scale social structures and how they changed over time. His current book project is a social and material history of cooking in the Roman Empire.
He serves as the assistant director of the Pompeii Artifact Life History Project (PALHIP) and a ceramic specialist for the Pompeii I.14 project. He has also worked at the following sites in Italy: Rofalco, Cetamura del Chianti, Cerveteri, Morgantina, and Oplontis. -
Jessica Brunner
Senior Program Manager; Director of Human Trafficking Research, Center for Human Rights and International Justice
BioJessie Brunner is proud to serve as Associate Director of Strategy and Program Development at the Center for Human Rights and International Justice at Stanford University. She is also the Center’s Director of Human Trafficking Research. In these roles, Jessie contributes to overall vision and strategy, and leads several of the Center's core research collaborations related to labor exploitation. Jessie is currently working on several multidisciplinary, community-engaged research projects, including enhancing contract and payment structures to combat forced labor in tuna fisheries and – as co-Principal Investigator of the Re:Structure Lab – investigating how supply chains and business models can be re-imagined to promote equitable labor standards and worker rights. She is also Director of Strategic Partnerships for the Stanford Human Trafficking Data Lab, guiding the Lab’s strategy and establishing key relationships and connections with the global anti-trafficking community. Much of this work focuses on policy engagement in Brazil and Southeast Asia, though Jessie remains active on these issues locally in San Diego and the Bay Area, as well as globally through various United Nations bodies. Her work is motivated by the desire to understand how these forms of abuse are linked to systemic inequities, and in turn, how policies can be designed to curb them while promoting fairness and justice. Jessie is further involved in projects related to trauma-informed human rights investigation and environmental justice. She has worked on human rights and post-conflict reconciliation in Argentina, Bosnia and Herzegovina, Brazil, Cambodia, Chile, Colombia, Ethiopia, Indonesia, Rwanda, the Philippines, Singapore, and Thailand.
Previously, Jessie served as a researcher at Stanford’s Center on Democracy, Development, and the Rule of Law’s Program on Human Rights; a Public Affairs Assistant at the State Department in the Bureau on Democracy, Human Rights and Labor; a reporter for Los Angeles Times Community News; and a non-profit public relations/marketing manager. She earned a Master’s in International Policy from Stanford University and a self-designed interdisciplinary Bachelor’s degree and Spanish minor from the University of California, Berkeley.
In addition to her professional accomplishments, Jessie is a gratified mom, wife, daughter, sister, and friend who enjoys baking, cycling, and tree bathing. -
Scott Bukatman
Professor of Art and Art History
BioScott Bukatman is a cultural theorist and Professor of Film and Media Studies at Stanford University. His research explores how such popular media as film, comics, and animation mediate between new technologies and human perceptual and bodily experience. His books include Terminal Identity: The Virtual Subject in Postmodern Science Fiction, one of the earliest book-length studies of cyberculture; a monograph on the film Blade Runner commissioned by the British Film Institute; and a collection of essays, Matters of Gravity: Special Effects and Supermen in the 20th Century. The Poetics of Slumberland: Animated Spirits and the Animating Spirit, celebrates play, plasmatic possibility, and the life of images in cartoons, comics, and cinema. Bukatman has been published in abundant journals and anthologies, including October, Critical Inquiry, Camera Obscura, Science Fiction Studies, and the Journal of Cinema and Media Studies.
Hellboy's World: Comics and Monsters on the Margins shows how our engagement with Mike Mignola's Hellboy comics also a highly aestheticized encounter with the medium of comics and the materiality of the book. Scott Bukatman’s dynamic study explores how comics produce a heightened “adventure of reading” in which syntheses of image and word, image sequences, and serial narratives create compelling worlds for the reader’s imagination to inhabit. His most recent book, Black Panther, part of the 21st Century Film Essentials series (University of Texas Press), explores aspects of the 2018 Ryan Coogler film, including the history of Black superheroes, Black Panther's black body, the Wakandan dream, and the controversies around the Killmonger character.
