School of Humanities and Sciences
Showing 1,061-1,070 of 1,761 Results
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Harold Mooney
Paul S. and Billie Achilles Professor in Environmental Biology, Emeritus
BioStanford ecologist Harold “Hal” Mooney is the Paul S. Achilles Professor of Environmental Biology, emeritus, in the School of Humanities and Science’s Department of Biology and senior fellow, emeritus, with the Stanford Woods Institute as well as the Freeman Spogli Institute for International Studies. Mooney helped pioneer the field of physiological ecology and is an internationally recognized expert on environmental sciences. Through his six-decade academic career, Mooney has demonstrated how plant species and groups of species respond to their environments and developed research methodologies for assessing how plants interact with their biotic environments. To date he has authored more than 400 scientific books, papers and articles.
Mooney's recent research focuses on assessing the impacts of global environmental change on terrestrial ecosystems, especially on ecosystem function, productivity and biodiversity. Recent research includes studying the environmental and social consequences of industrialized animal production systems and examining factors that promote the invasion of non-indigenous plant species.
Mooney has played an international leadership role in numerous research settings, especially with problems related to biodiversity, invasive species, global warming and Mediterranean climates. In addition, he has been active in building up worldwide communities and networks of ecologists and scientists in other disciplines and arranging international conferences on the environment. He played a central role in the International Geosphere-Biosphere Program (IGBP), building up an international organization of scientists and having an influential part in setting the guidelines for the formulation of environmental policies. He also has advanced numerous international research programs as Secretary General and Vice-President of the International Council for Science (ICSU).
Mooney earned his Ph.D. from Duke University in 1960 and started as an assistant professor at UCLA that same year. In 1968 he was recruited to Stanford University, where he was later appointed the Paul S. Achilles Professor of Environmental Biology in the School of Humanities and Science’s Department of Biology. A senior fellow with the Stanford Woods Institute as well as the Freeman Spogli Institute for International Studies, Mooney has led a wide range of national and international scientific activities related to environment and conservation.
Notable roles included coordinating the 1995 Global Biodiversity Assessment, co-chairing the Assessment Panel of the 2005 Millennium Ecosystem Assessment, establishing and leading the Global Invasive Species Program and serving as lead review editor for the ongoing global assessment of the Intergovernmental Platform on Biodiversity and Ecosystem Services. His many accolades and awards include the 1990 ECI Prize in terrestrial ecology, the 1992 Max Planck Research Award in biosciences, the 1996 Eminent Ecologist Award from the Ecological Society of America, the 2000 Nevada Medal, the 2002 Blue Planet Prize, the 2007 Ramon Margalef Prize in Ecology, the 2008 Tyler Prize, the 2008 BBVA Foundation Award for Biodiversity Conservation, and the 2010 Volvo Environment Prize. -
Holden Moore
Undergraduate, Management Science and Engineering
Undergraduate, Symbolic SystemsBioStanford University undergraduate student majoring in symbolic systems with a concentration in neuroscience. Pursuing an interdisciplinary degree across diverse fields of study including computer science, mathematics, neuroscience, statistics, philosophy, and psychology.
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Matthew D. Morrison
Associate Professor of African and African American Studies
BioMatthew D. Morrison, a native of Charlotte, North Carolina, is an Associate Professor in the Department of African and African American Studies in the School of Humanities and Sciences. Professor Morrison holds a Ph.D. in Musicology from Columbia University, an. M.A. in Musicology from The Catholic University of America, and was a Presidential music scholar at Morehouse College. His research focuses on the relationship between identity, performance, property, copyright law, and inequities within the history and performance of music, with a focus on the history of American popular music and its global impact and circulation.
His published work has appeared in publications such as the Journal of the American Musicological Society, Women and Performance: A Journal of Feminist Theory, American Music, the Grove Dictionary of American Music, Oxford Handbooks, art forums/publications, and on Oxford University Press's online music blog. Professor Morrison has been awarded several fellowships from Institutions such as the American Council of Learned Societies (Susan McClary and Robert Walser Endowed Fellow), Harvard University (Hutchins Center Fellow), the American Musicological Society, Mellon Foundation, the Library of Congress, the Tanglewood Music Center, and the Center for Popular Music Studies/Rock and Roll Hall of Fame. His research has been highlighted in media outlets such as The New Yorker, as well as featured in NPR’s Throughline. Morrison serves as a consultant, advisor, and collaborator with organizations in and beyond the arts, such as The Schubert Club, “The Sound Track of America” opening concert series at the SHED, NYC, The Glimmerglass Festival Opera, as well as Theory, Warner Music Group, and SONY music.
Professor Morrison's book, Blacksound: Making Race in Popular Music in the United States, is published by The University of California Press (2024), He is the author of the book, Blacksound: Making Race and Popular Music in the United States (UC Press, 2024), which has been received several accolades, including the Woody Guthrie Prize from the International Association for the Study for Popular Music-US, the Irving Lowens book award from the Society for American Music, awards from the Association of Recorded Sound Collection and the Prose Award for Excellence in the Humanities from the Association of American Publishers, an honorable mention from the Royal Music Association’s Cambridge University Book Prize, was a finalist for the Museum of African-American History Stone Book Award, and was named a “Best Music Book of 2024) by Rolling Stone Magazine. In addition to his work as a musicologist and within Black Studies, Professor Morrison is an interdisciplinary scholar whose work engages with Sound Studies, Performance Studies, Race and Intellectual Property Studies, and Queer Studies. His current research explores the ethics of AI and Intellectual Property in music. -
Izabela Morska
Vscp Visiting Scholar, H & S Programs
BioIzabela Morska is a Polish scholar and writer, Professor of English and American Studies at the University of Gdańsk. Her research examines civic ethics, pluralism, and the cultural imaginaries of democracy, with particular attention to borderlands, migration, and the narrative forms through which political communities understand themselves. Her current work on Paweł Adamowicz—long serving mayor of Gdańsk and a prominent advocate of urban solidarity—situates his assassination in January 2019 within broader questions of civic responsibility, humanitarianism, and democratic resilience in contemporary Europe. She holds an MA from the University of Gdańsk, a PhD from the Polish Academy of Sciences, and an MFA from Mills College.
Morska has held research appointments at Humanities Institute University College Dublin, the Open Society Archives at Central European University Budapest, the Russian Institute for Advanced Study in Moscow, and the Beatrice Bain Research Group at UC Berkeley. She is the author of fifteen books across fiction, nonfiction, poetry, and criticism, including Glorious Outlaws: Debt as a Tool in Contemporary Postcolonial Fiction (2016), and her work has been recognized with the Julian Tuwim Literary Award for lifetime achievement (2019). Her teaching and writing engage American political imaginaries, embodiment narratives, postcolonial and subaltern studies, LGBTQ+ literature and culture, and creative nonfiction.
Her recent projects include a Polish Ministry of Culture grant for The Legacy of Paweł Adamowicz and a multi year research initiative on violence in the media.
At CREEES Stanford she is going to explore civic ethics, border imaginaries, and the cultural narratives that frame staged and performative violence, examining how extremist discourses in Eastern Europe contribute to stochastic forms of political hostility and how these dynamics resonate with the narrative patterns she has identified in the Adamowicz case, including tensions between Hanseatic urban revival and nationalistic backlash.
