School of Humanities and Sciences
Showing 4,951-5,000 of 5,624 Results
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Chukwudubem Ukaigwe
Master of Fine Arts Student, Art Practice
HIA Grad Mentor, Stanford Arts InstituteBioChukwudubem Ukaigwe is an artist, curator, and writer based out of Canada. Exercising material as an experimental device for cross-examining plural themes, his interdisciplinary practice is an inquiry into semiotic dissonance. Chukwudubem participates in the creation of immersive audiovisual scapes for fecund contemplation, bringing to centre facets of everyday life to generate active conceptual trans-media interconnections pertaining to global aesthetics.
Tapping into a diverse spectrum of influences - from experimental music and literature, to history and futurisms - Ukaigwe approaches his art practice as a double gesture. On one hand, his work is a way of annotating, augmenting, defacing, transposing, and rewriting in the margins of a palimpsestic history. On the other hand, his paintings, installations, and video works are an attempt to assemble and compose a speculative sensorium that permits hearing in a different tempo; one that collapses the subject-object divide and maps out both new and revised sociographies. A compositional practice that is fabulated out of the choice to meander in extant modes of being: fugitive, improvised, ongoing and otherwise.
His social practice is established on the foundations of splintered or shared authorship, community input, fracturing time, and relativity. On obtaining a BFA (Hons.) from the university of Manitoba in Canada, Chukwudubem has presented exhibitions and effectuated artist residencies locally and intercontinentally. Ukaigwe is a founding member of the curatorial force, Patterns collective. -
Camille Utterback
Associate Professor of Art and Art History and, by courtesy, of Computer Science
BioCamille Utterback is an internationally acclaimed artist whose interactive installations and reactive sculptures engage participants in a dynamic process of kinesthetic discovery and play. Utterback’s work explores the aesthetic and experiential possibilities of linking computational systems to human movement and gesture in layered and often humorous ways. Her work focuses attention on the continued relevance and richness of the body in our increasingly mediated world.
Her work has been exhibited at galleries, festivals, and museums internationally, including The Frist Center for Visual Arts, Nashville, TN; The Orange County Museum of Art, Newport Beach, CA; ZERO1 The Art & Technology Network, San Jose, CA; The New Museum of Contemporary Art, The American Museum of the Moving Image, New York; The NTT InterCommunication Center, Tokyo; The Seoul Metropolitan Museum of Art; The Netherlands Institute for Media Art; The Taipei Museum of Contemporary Art; The Center for Contemporary Art, Kiev, Ukraine; and the Ars Electronica Center, Austria. Utterback’s work is in private and public collections including Hewlett Packard, Itaú Cultural Institute in São Paolo, Brazil, and La Caixa Foundation in Barcelona, Spain.
Awards and honors include a MacArthur Foundation Fellowship (2009), a Transmediale International Media Art Festival Award (2005), a Rockefeller Foundation New Media Fellowship (2002) and a commission from the Whitney Museum for the CODeDOC project on their ArtPort website (2002). Utterback holds a US patent for a video tracking system she developed while working as a research fellow at New York University (2004). Her work has been featured in The New York Times (2010, 2009, 2003, 2002, 2001), Art in America (October, 2004), Wired Magazine (February 2004), ARTnews (2001) and many other publications. It is also included in Thames & Hudson’s World of Art – Digital Art book (2003) by Christiane Paul.
Recent public commissions include works for the Liberty Mutual Group, the FOR-SITE Foundation, The Sacramento Airport, The City of San Jose, California, The City of Fontana, California, and the City of St. Louis Park, Minnesota. Other commissions include projects for The American Museum of Natural History in New York, The Pittsburgh Children’s Museum, The Manhattan Children’s Museum, Herman Miller, Shiseido Cosmetics, and other private corporations.
Utterback is currently an Assistant Professor in the Art and Art History Department at Stanford University. She holds a BA in Art from Williams College, and a Masters degree from The Interactive Telecommunications Program at New York University’s Tisch School of the Arts. She currently lives and works in San Francisco. -
Ravi Vakil
Robert Grimmett Professor of Mathematics
Current Research and Scholarly InterestsAlgebraic geometry and related subjects. For a complete publication list, see my publication page http://math.stanford.edu/~vakil/preprints.html rather than the list here.
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Guadalupe Valdés
Bonnie Katz Tenenbaum Professor of Education, Emerita
Current Research and Scholarly InterestsValdés is the Founder and Executive Director of "English Together" a 501(c)(3) organization. The organization creates rich connections between ordinary speakers of English and low-wage, immigrant workers by preparing volunteers to provide one-on-one “coaching” in workplace English.
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Juan Rafael Valdez
Advanced Lecturer, Language Ctr
BioJuan R. Valdez is a teacher and a writer. He enjoys teaching as a way of helping students to optimally develop their communicative skills, while they also develop a critical sense of who they are, plus a sense of community and coexistence in a diverse and complex world. Juan belongs to the tradition of maroon intellectuals and socionaturalists. These are individuals who like to roam between the city and the wilderness and between science and literature. His studies and writings explore the experiences, visions, and stories of those who walk the earth and leave little trace. His publications include: Tracing Dominican identity: the writings of Pedro Henríquez Ureña (Palgrave Macmillan, 2011) and En busca de la identidad: la obra de Pedro Henríquez Ureña (Ediciones Katatay, 2015). His latest book Sendas Extraviadas (Universidad Autónoma Metropolitana-UAM, 2024) is a series of essays on "aimless" walking that explore the possibility of overcoming perilous notions of politics, absurd racism, and consumerist madness. It also proposes strengthening our sense of place and belonging in the world by cultivating our relationship with nature. When Juan is not teaching, studying, or reading, he's hiking, tending to his plants, and having a good laugh.
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Beth Van Schaack
Affiliate, Center for Human Rights and International Justice
BioPrior to returning to Stanford, Dr. Van Schaack served as Ambassador-at-Large for Global Criminal Justice in the U.S. State Department office where she once served as Deputy. GCJ advises the Secretary of State and other U.S. officials on issues related to war crimes, crimes against humanity, and genocide. Prior to returning to public service, Dr. Van Schaack was the Leah Kaplan Visiting Professor in Human Rights at Stanford Law School, where she taught international criminal law, human rights, human trafficking, and a policy lab on Legal & Policy Tools for Preventing Atrocities. In addition, she directed Stanford’s International Human Rights & Conflict Resolution Clinic. Earlier in her career, she was a practicing lawyer at Morrison & Foerster, LLP; the Center for Justice & Accountability, a human rights law firm; and the Office of the Prosecutor of the International Criminal Tribunals for Rwanda and the Former Yugoslavia in The Hague. Dr. Van Schaack is a graduate of Stanford (BA), Yale (JD) and Leiden (PhD) Universities.
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Calvin Van Zytveld
Ph.D. Student in Music, admitted Autumn 2023
BioCalvin Van Zytveld is a Ph.D. candidate in Musicology who is also pursuing a Doctoral Certificate in Composition. His research focuses on sound recording and music notation. He is working on a dissertation titled 'Fixing Music: the Remediation of Sound and Performance through Notation and Recording 1958-2028,' which explores the means and motivations for fixing and affixing sounds past or future, real or fantastical. It includes chapters on text scores, microphone arrays, dynamic compression, and the pre-history of the Digital Audio Workstation (DAW).
Calvin went blind suddenly and unexpectedly in 2020 due to Leber’s Hereditary Optic Neuropathy (LHON).
He is the Head Designer for BLIND ENVY, a project based at Stanford’s Center for Computer-based Research in Music and Acoustics (CCRMA) to make the first-ever non-visual digital devices for recording and editing audio. BLIND ENVY is a 2026 recipient of the Magic Grant from the Brown Institute.
An avid cellist, he has given solo and chamber music performances in Canada, Sweden, Slovakia, the Czech Republic, Hungary, Spain, and China and played with such musicians and ensembles as Gustavo Dudamel, Robert Spano, Ludovic Morlot, Per Tengstrand, the Richardson Chamber Players, and the English Concert.
His compositions have been performed by Ensemble Mosaik, Plymouth Chamber Players, NEKO3, Distractfold, Peninsula Women’s Chorus, Grand Rapids Choir of Men and Boys, Princeton University Orchestra, and the Princeton Camerata.
He co-directs and performs in two festivals in his hometown, Grand Rapids, Michigan. Founded in 2016, Plymouth Chamber Players offers classical chamber concerts free of charge and features members of the Detroit, Chicago, Houston, Atlanta, and Grand Rapids symphony orchestras. Across town, 2026 was the inaugural year of Fountain Fest. The festival stretched across four days and included punk rock, rave, stand-up comedy, film screenings, live-coded choir and organ, jazz, free improvisation, and guided meditation.
Calvin graduated summa cum laude in music from Princeton University, where he studied with Steven Mackey and Donnacha Dennehy. He pursued master’s degrees at the University of Michigan, studying composition with Bright Sheng and cello with Richard Aaron.
Recent awards and fellowships include the 2025 Chair’s Award for Excellence in Teaching, the 2026 New Music USA Creator Fund, the RAISE fellowship for community-based research, and the Stanford Interdisciplinary Graduate Fellowship (SIGF).
