School of Humanities and Sciences
Showing 101-200 of 285 Results
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Veronica Jacobs-Edmondson
Curator of Collections, Archaeology
BioVeronica Jacobs-Edmondson (she/her) is the Curator of Collections at the Stanford University Archaeology Collections. She has a BA in Anthropology with a biological emphasis from the University of California, Santa Barbara and an MA in Museum Anthropology from Columbia University, where she participated in a collaborative effort to curate and design a permanent exhibit highlighting the effects of climate change on contemporary culture in the Pacific at the American Museum of Natural History. Her graduate research at Columbia largely focused on challenging traditional curatorial authority and the role of the 'outsider' in historic cultural knowledge-building. Before coming to SUAC, Veronica worked with many types of museum collections, including those at the Fowler Museum at UCLA, USC Pacific Asia Museum, and San Diego Museum of Man. Her experience with collections ranges from working in osteology laboratories to working with contemporary fine art, with everything in between. Veronica is responsible for daily operations at SUAC, including the physical care of the objects at SUAC along with records and data management. She also mentors students in museum practice and facilitates course visits with the Collections. She is passionate about ethical and respectful collecting, display, and stewardship of material culture, as well as ensuring equitable access to cultural collections, education, and resources.
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Amy Keohane
Administrative Associate, Language Ctr
BioLanguage Center scheduling assistant and building manager. She is in charge of scheduling the more than 900 courses offered by the Language Center each year, ordering books, and organizing Language Center events. She is also the coordinator for the Chinese Summer Language Program and the building manager for Building 30.
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Kimia Koochakzadeh-Yazdi
Doctor of Musical Arts Student, Musical Arts
CCRMA Student Assistant, MusicBioKimia Koochakzadeh-Yazdi is an Iranian composer and performer. She writes for hybrid instrumental/electronic ensembles, creates electroacoustic and audiovisual works, builds instruments, and performs electronic music. She explores the unfamiliar familiar while being motivated by how melodies unfold through time; finding ways to play with various musical thresholds and exploring musical extremes is something that she is currently attracted to. Her work experiments with merging Iranian music with the more contemporary classical music aesthetics.
Being a cross-disciplinary artist, she has actively collaborated on projects evolving around dance, film, and theater. She is the co-founder and producer of Fashion x Electronics, a collective focused on creating interdisciplinary works based on fashion and electronic music.
Kimia’s work has been showcased by organizations across the globe and her work has been performed internationally at festivals including Ars Electronica, Festival Ecos Urbanos, Tehran Contemporary Sounds, Sonic Matter Festival, New York City Electroacoustic Music Festival, Sound and Music Conference, and Modulus Festival, among others.
She holds a BFA in Music Composition from Simon Fraser University’s Interdisciplinary School for the Contemporary Arts. Kimia is currently based in San Francisco and is a doctorate candidate in Music Composition at Stanford University. -
Pam Maples
Senior Managing Director, JSK Journalism Fellowships
Current Role at StanfordManaging Director, John S. Knight (JSK) Journalism Fellowships
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Joan Molitoris
Acad Research & Pgrm Officer, Language Ctr
Current Role at StanfordAssociate Director, Stanford Language Center
Lecturer in Spanish, Stanford Language Center -
Ashkan Nazari
Ph.D. Student in Music, admitted Autumn 2023
Iranian Studies Student Assistant, Iranian StudiesBioAshkan Nazari
Degrees / Education
M.A., Ethnomusicology, Tehran University of Art, Tehran, 2016
B.A., Music, University of Tehran, Tehran, 2012
A Kurdish-Iranian musician, multi-instrumentalist, improviser, composer, and researcher, Ashkan is currently a PhD candidate in ethnomusicology and a doctoral certificate student in composition at Stanford University. Ashkan’s compositional work draws on the Iranian dastgāh system and Kurdish maqām idioms, while his practice at Stanford engages contemporary and experimental compositional approaches.
Ashkan’s more than 15-year research career has centered on Kurdish classical and folk musics as well as Iranian classical music. At Stanford, his work explores intersections between music and genocide, war, violence, intellectual movements, Islam, and Kurdish identity. He is also interested in developing decolonial ethnographic approaches to maqām as a cultural–musical practice and concept, particularly in relation to ethnicity and racism.
In his quest to explore those realms, Ashkan has already been prolific back home, with two titles: The Concept and Structure of Maqām in Kurdish Music, The Structure of Musical Modes in Hawrāmi Music. His articles have appeared in leading Iranian journals, and he has presented his research at international ethnomusicology conferences.
As the founder and conductor of the first philharmonic orchestra in his Kurdish hometown of Paveh, Ashkan has also taught Iranian music theory and directed Iranian ensembles, and has instructed setār performance and the analysis of Iranian classical music at the University of Kurdistan and the University of Art and Culture in Kermanshah and Sanandaj, respectively. -
Djordje Padejski
Associate Director, JSK Journalism Fellowships
Current Role at StanfordAssociate Director | Lecturer
