School of Humanities and Sciences
Showing 801-900 of 1,252 Results
-
Quyen Nguyen-Hoang
Ph.D. Student in Art History, admitted Autumn 2022
BioQuyên Nguyễn-Hoàng is a writer and translator born in Hà Nội.
Her recent translations include the English translation of Chronicles of a Village, a novel by Nguyễn Thanh Hiện (Yale University Press 2024), and the Vietnamese translation of Samuel Caleb Wee’s poetry collection https://everything.is/ (AJAR Press 2024).
While a curator at Sàn Art, she wrote Masked Force (2022), a bilingual book interleaved with the war photographs of Võ An Khánh. Her poems, essays and translations have appeared in Poetry, Jacket2, Modern Poetry in Translation and other venues. -
Andrea Nightingale
Professor of Classics, Emerita
Current Research and Scholarly InterestsI am completing a book entitled "Eros and Epiphany: Plato on the Soul's Ascent to Divine Beings"
-
Miguel Novelo Cruz
Lecturer
BioMiguel Novelo (he/him/el) is an interdisciplinary artist, educator, and researcher who focuses on emerging media and community organizing—currently working on algorithmic video art, technoshammanic installations, thermodynamic hypnotism, and friendly computational virus-like software.
Novelo earned a Bachelor of Fine Arts from the San Francisco Art Institute in 2018, followed by a Master of Fine Arts from Stanford University in 2022. His work has been exhibited at various institutions, including the de Young Museum, the Stanford Institute for Human-Centered Artificial Intelligence (HAI), the Museo Universitario Arte Contemporáneo (MUAC) in Mexico City, and numerous international film festivals. -
Ethan Nowak
Assistant Professor of Philosophy
Current Research and Scholarly InterestsPhilosophy of language, social and political philosophy, East Asian philosophy
-
Josiah Ober
Markos & Eleni Kounalakis Chair in Honor of Constantine Mitsotakis, Professor of Political Science, Senior Fellow at the Hoover Institution, Professor of Classics and, by courtesy, of Philosophy
BioJosiah Ober, the Constantine Mitsotakis Chair in the School of Humanities and Sciences, specializes in the areas of ancient and modern political theory and historical institutionalism. His primary appointment is in Political Science; he holds a secondary appointment in the Classics and courtesy appointments in Philosophy and the Hoover Institution. His most recent books are The Greeks and the Rational: The discovery of practical reason (University of CaliforniaPress 2022) and Demopolis: Democracy before liberalism in theory and practice Cambridge University Press 2017). His ongoing work focuses on rationality (ancient and modern), the theory and practice of democracy, and the politics of knowledge and innovation, Recent articles and working papers address AI ethics, socio-political systems, economic growth and inequality, the relationship between democracy and dignity, and the aggregation of expertise.
He is author or co-author of about 100 articles and chapters (many available on his Academia.edu page) and several other books, including Fortress Attica (1985), Mass and Elite in Democratic Athens (1989), The Athenian Revolution (1996), Political Dissent in Democratic Athens (1998), Athenian Legacies 2005), Democracy and Knowledge (2008), and The Rise and Fall of Classical Greece (2015). He has held residential fellowships at the National Humanities Center, Center for Hellenic Studies, Univ. of New England (Australia), Clare Hall (Cambridge), Center for the Advanced Study of the Behavioral Sciences , and Univ. of Sydney; research fellowships from the ACLS, NEH, and Guggenheim; and has been a visiting professor at University of Michigan, Paris I-Sorbonne, UC-Irvine, and UC-Berkeley. Before coming to Stanford he taught at Montana State University (1980-1990) and Princeton University (1990-2006). -
Kathryn Meyer Olivarius
Associate Professor of History
Current Research and Scholarly InterestsI am an historian of nineteenth-century America, interested primarily in the antebellum South, Greater Caribbean, slavery, and disease. My research seeks to understand how epidemic yellow fever disrupted Deep Southern society. Nearly every summer, this mosquito-borne virus killed up to ten percent of the urban population. But it also generated culture and social norms in its fatal wake. Beyond the rigid structures of race and unfreedom in Deep Southern society, I argue there was alternate, if invisible, hierarchy at work, with “acclimated” (immune) people at the top and a great mass of “unacclimated” (non-immune) people awaiting their brush with yellow fever languishing in social and professional purgatory. About half of all people died in the acclimating process.
In New Orleans, alleged-imperviousness or vulnerability to epidemic disease evolved into an explanatory tool for success or failure in commodity capitalism, and a justification for a race- and ethnicity-based social hierarchy where certain people were decidedly less equal than others. Disease justified highly asymmetrical social and labor relations, produced politicians apathetic about the welfare of their poor or recently-immigrated constituents, and accentuated the population’s xenophobic, racist, pro-slavery, and individualist proclivities. Alongside skin color, acclimation-status, I argue, played a major role in determining a person’s position, success, and sense of belonging in antebellum New Orleans.
Most of all, disease provided the tacit justification for who did what work during cotton and sugar production, becoming the essence of an increasingly elaborate and tortuous justification for widespread and permanent black slavery. In the Deep Southern view, only enslaved black people could survive work like cane cutting, swamp clearing, and cotton picking. In fact, proslavery theorists argued, black slavery was positively natural, even humanitarian, for it protected the health of whites—and thus the nation writ large—insulating them from diseased-labor and spaces that would kill them.
By fusing health with capitalism in my forthcoming book Necropolis, I will present a new model—beyond the toxic fusion of white supremacy with the flows of global capitalism—for how power operated in Atlantic society.
I am also interested in historical notions of consent (sexual or otherwise); slave revolts in the United States and the Caribbean; anti- and pro-slavery thought; class and ethnicity in antebellum America; the history of life insurance and environmental risk; comparative slave systems; technology and slavery; the Haitian Revolution; and boosterism in the American West. -
Stephen Orgel
Jackson Eli Reynolds Professor of Humanities, Emeritus
BioStephen Orgel has published widely on the political and historical aspects of Renaissance literature, theater, art history and the history of the book. His work is interdisciplinary, and is increasingly concerned with the patronage system, the nature of representation, and performance practice in the Renaissance. His most recent book is Imagining Shakespeare (2003), and he is the author of The Authentic Shakespeare (2002), Impersonations: The Performance of Gender in Shakespeare's England (Cambridge, 1996), The Illusion of Power (Berkeley, 1975), Inigo Jones (London and Berkeley, 1973, in collaboration with Sir Roy Strong), and The Jonsonian Masque (Cambridge, Mass., 1965). He has edited Ben Jonson's masques, Christopher Marlowe's poems and translations, the Oxford Authors John Milton, The Tempest and The Winter's Tale in The Oxford Shakespeare, Trollope's Lady Anna, and Edith Wharton's The Custom of the Country, The Age of Innocence and The Reef in the Oxford World's Classics. He is the general editor of Cambridge Studies in Renaissance Literature and Culture, and of the new Pelican Shakespeare. He has been awarded a Guggenheim Fellowship, NEH Fellowships, and ACLS Fellowships; he has been a Getty Fellow, a visiting fellow at New College, Oxford, and most recently the Clark Lecturer at Trinity College, Cambridge. He is a Fellow of the American Academy of Arts and Sciences.
-
Megan Otani
Affiliate, Linguistics
BioUW Linguistics '26 | Research Assistant @ SPOG Lab
-
Samuel Page
Ph.D. Student in Slavic Languages and Literatures, admitted Autumn 2021
Research Assistant to Professor Gabriella Safran, Slavic DepartmentCurrent Research and Scholarly InterestsEastern European literature; Eastern European religions; literary theory.
-
David Palumbo-Liu
Louise Hewlett Nixon Professor and Professor, by courtesy, of English
Current Research and Scholarly InterestsHuman Rights, Social Justice, Ethics, Race and Ethnicity
-
Hyun Suk Park 朴賢淑 (she/her)
Assistant Professor of East Asian Languages and Cultures
BioMy primary field of research is Korean literature and culture from the seventeenth through the nineteenth century. As a scholar of Korean literature both in Korean and literary Sinitic (hanmun 漢文) by training, my research is deeply engaged with the East Asian cultural tradition. My research interests include the intersections between literature and performance, the history of gender and sexuality, the comparative history of slavery, and the cultural history of natural disasters in early modern East Asia and beyond.
My first book manuscript, Precarious Spectacle: Martial Courtesans, State Slavery, and the Ritual Production of Royal Authority in Chosŏn Korea (forthcoming; Harvard University Asia Center, 2027), explores the cultural production of government courtesans (kwan’gi 官妓) at the nexus of the studies of slavery, gender, and performance in Korean literature. In this work, I illuminate how the spectacular performances of courtesans, offered in state events, were involved in the constitution and reproduction of state power of Chosŏn. I also examine how courtesan performances represent state power as multivalent and unstable through the frequent incorporation of heterogeneous elements, as exemplified by martial entertainment offered by cross-dressing courtesans.
I am currently in the process of designing a new research project that explores the same-sex intimacy created by the practice of letter writing between the literati of Chosŏn and Qing outside of diplomatic venues. I am also developing a long-term research project in environmental humanities that focuses on climate disasters in seventeenth-century East Asia and explores the new methodologies of writing a literary and cultural history that considers climate as an actant.
Before joining Stanford in 2025, I have taught at UCLA (2018–2025), Seoul National University (2016–2018), and UC Berkeley (2013–2016). -
Grant Parker
Associate Professor of Classics, of African and African American Studies and, by courtesy, of Comparative Literature
BioGrant Parker joined Stanford in 2006, having taught previously at Duke University. He has long researched and taught Latin literature and Roman imperial culture, e.g. The Making of Roman India (2008). Other publications include The Agony of Asar: a former slave's defence of slavery, 1742 (2001) and, as editor, South Africa, Greece, Rome: classical confrontations (2017). Since 2025 he has also taught African Studies in the newly constituted Department of African and African American Studies. As a comparative global humanist, his interest in monuments, collective memory and their media is expressed by several articles on obelisks and statues. Another ongoing theme is enslavement and its aftermaths, ancient and modern. Current work engages monument-mindedness in Southern Africa as well as the global reception of Virgil's poetry. His many roles on campus have included the Stanford Archaeology Center, the Center for African Studies, and Residential Education.
-
Patricia Parker
Margery Bailey Professor of English and Dramatic Literature and Professor of Comparative Literature
BioPatricia Parker received her M.A. in English at the University of Toronto and taught for three years in Tanzania, whose President Julius Nyerere also translated Shakespeare into Kiswahili. After teaching at the University of East Africa, she completed her Ph.D. at Yale, in Comparative Literature, and taught for 11 years at the University of Toronto. First invited to Stanford as a Visiting Professor in 1986, she came to Stanford permanently in 1988 as a Professor in both English and Comparative Literature. She has also taught as a Visiting Professor at UC Berkeley and as a member of the core faculty at the School of Criticism and Theory (Cornell University, 1998). She is the author of four books (Inescapable Romance, a study of romance from Ariosto to Wallace Stevens; Literary Fat Ladies: Rhetoric, Gender, Property; Shakespeare from the Margins; and Shakespearean Intersections) and co-editor of five collections of essays on criticism, theory, and cultural studies, including Shakespeare and the Question of Theory and Women, Race and Writing in the Early Modern Period. She has lectured widely in France, Germany, Spain, Australia, New Zealand, the Czech Republic, and other parts of the world, as well as at Harvard, Yale, Berkeley, Chicago, Oxford, Cambridge, the Sorbonne, and other universities; as Gauss Seminar lecturer at Princeton, Shakespeare's Birthday lecturer at the Folger Shakespeare Library, Northrop Frye Professor lecturer at the University of Toronto, and Paul Gottschalk lecturer at Cornell University; and has served on the Advisory Board of the English Institute. In 2003-4, she organized an international conference and public festival at Stanford devoted to “Shakespeare in Asia.” She has also worked with students to create performance-based programs in the community. She currently teaches courses on Shakespeare (including Global Shakespeares), the Bible and Literature, Epic and Empire and other topics. In addition to books-in-progress on Shakespeare, rhetoric, race, and gender, she is the General Editor of the Stanford Global Shakespeare Encyclopedia, which will be released online as a global reference work free to anyone in the world with access to the internet.
-
Antonia Michelle Rosen Peacocke
Assistant Professor of Philosophy
BioAntonia Peacocke works on philosophy of action, epistemology, philosophy of mind, and aesthetics, including philosophy of literature. As of December 2025, her monograph Mental Means is forthcoming with Oxford University Press. Before coming to Stanford, she was a Bersoff Faculty Fellow in the Philosophy Department at New York University. She earned her Ph.D. from the University of California, Berkeley in 2018.
-
Michael Penn
Teresa Hihn Moore Professor of Religious Studies and Professor, by courtesy, of Classics
BioMichael Penn, the Teresa Hihn Moore Professor of Religious Studies, is a specialist in the history of early Christianity with a particular focus on middle eastern Christians who wrote in the Aramaic dialect of Syriac.
Professor Penn’s first book, Kissing Christians: Ritual and Community in the Late Ancient Church, was published in 2005 by the University of Pennsylvania Press. In 2015 he published two books on Christian-Muslim relations: Envisioning Islam: Syriac Christians in the Early Muslim World (University of Pennsylvania Press) and When Christians First Met Muslims: A Source Book of the Earliest Syriac Writings on Islam (University of California Press). For these projects Professor Penn has received awards from the John Simon Guggenheim Foundation, the American Council for Learned Societies, the National Endowment for the Humanities, the National Humanities Center, the Institute for the Study of the Ancient World, the British Academy, the American Philosophical Association, the American Academy of Religion, and the Wabash Center for Teaching and Learning.
Professor Penn is currently working on an Andrew Mellon Foundation funded collaboration that uses recent advances in the computerized analysis of handwriting to help analyze ancient Aramaic manuscripts. In addition to this work in the digital humanities, Professor Penn has begun several related projects that focus on the history of Syriac Christianity and the manuscripts they produced.
Before joining Stanford, Professor Penn was on the faculty of Mount Holyoke College. He has also taught at Brandeis University, Haverford College, Bryn Mawr College, and Duke University. He has additional experience as a secondary school teacher, including six years as the director of forensics at Durham Academy High School, where he ran a nationally competitive policy debate team. Professor Penn has also held research positions at Apple Computers, the Weizmann Institute (Israel), the Palo Alto Veterans Hospital, and Ames Research Center, NASA.
Ph.D. (Religion) Duke University (1999)
A.B. (Molecular Biology) Princeton University (1993) -
Bissera Pentcheva
Victoria and Roger Sant Professor of Art and Professor, by courtesy, of Classics
BioBissera Pentcheva's work focuses on Byzantium and the medieval Mediterranean, more specifically aesthetics, phenomenology, and acoustics. Her most recent book Hagia Sophia: Sound, Space and Spirit in Byzantium (Penn State University Press 2017) explores the interconnection among acoutsics, architecture, and liturgical rite. She has also edited, Aural Architecture in Byzantium: Music, Acoustics and Ritual (Ashgate, 2017). Pentcheva has published another two books with Pennsylvania State University Press: Icons and Power: The Mother of God in Byzantium, 2006 that won the John Nicholas Brown prize form the Medieval Academy of America in 2010 and The Sensual Icon: Space, Ritual, and the Senses in Byzantium, 2010. She has held a number of prestigious fellowships among them: J. S Guggenheim, American Academy of Rome, Wissenschaftskolleg zu Berlin, Mellon New Directions Fellowship for the study of Classical Arabic, Alexander von Humboldt (Germany), Onassis Foundation (Greece), Dumbarton Oaks, and Columbia University's Mellon Post-doctoral fellowship. Her work has been published at the Art Bulletin, Speculum, Gesta, and Res. Anthropology and Aesthetics, and Convivium.
-
Peggy Phelan
Ann O'Day Maples Professor of the Arts and Professor of English
BioPeggy Phelan is the Ann O’Day Maples Chair in the Arts Professor of Theater & Performance Studies and English. Publishing widely in both book and essay form, Phelan is the author of Unmarked: the politics of performance (Routledge, 1993); Mourning Sex: performing public memories (Routledge, 1997; honorable mention Callaway Prize for dramatic criticism 1997-1999); the survey essay for Art and Feminism, ed. by Helena Reckitt (Phaidon, 2001, winner of “The top 25 best books in art and architecture” award, amazon.com, 2001); the survey essay for Pipilotti Rist (Phaidon, 2001); and the catalog essay for Intus: Helena Almeida (Lisbon, 2004). She edited and contributed to Live Art in Los Angeles, (Routledge, 2012), and contributed catalog essays for Everything Loose Will Land: 1970s Art and Architecture in Los Angeles (Mak Center, 2013), Haunted: Contemporary Photography, Video, and Performance (Guggenheim Museum, 2010); WACK! Art and the Feminist Revolution (Museum of Contemporary Art, 2007); and Andy Warhol: Giant Size (Phaidon, 2008), among others. Phelan is co-editor, with the late Lynda Hart, of Acting Out: Feminist Performances (University of Michigan Press, 1993; cited as “best critical anthology” of 1993 by American Book Review); and co-editor with Jill Lane of The Ends of Performance (New York University Press, 1997). She contributed an essay to Philip Ursprung’s Herzog and De Meurron: Natural History (CAA, 2005).
She has written more than sixty articles and essays in scholarly, artistic, and commercial magazines ranging from Artforum to Signs. She has written about Samuel Beckett for the PMLA and for The National Gallery of Ireland. She has also written about Robert Frost, Michael and Paris Jackson, Olran, Marina Abramovic, Dziga Vertov and a wide range of artists working in photography, dance, architecture, film, video, music, and poetry. She has edited special issues of the journals Narrative and Women and Performance. She has been a fellow of the Humanities Institute, University of California, Irvine; and a fellow of the Humanities Institute, The Australian National University, Canberra, Australia. She served on the Editorial Board of Art Journal, one of three quarterly publications of the College Art Association, and as Chair of the board. She has been President and Treasurer of Performance Studies International, the primary professional organization in her field. She has been a fellow of the Getty Research Institute and the Stanford Humanities Center. She won a Guggenheim Fellowship in 2004. She chaired the Department of Performance Studies at New York University and the Drama Department at Stanford University. -
Patrick Phillips
Eavan Boland Professor
BioPatrick Phillips is the author of Blood at the Root: A Racial Cleansing in America, which was named a best book of the year by the New York Times, the Boston Globe, and Smithsonian, and received an American Book Award from the Before Columbus Foundation. He is also the author of four poetry collections, including Elegy for a Broken Machine, which was a finalist for the National Book Award, and Song of the Closing Doors, published in 2022. Phillips has received support from the Guggenheim Foundations, the National Endowment for the Arts, the New York Public Library's Cullman Center for Writers and Scholars, and the Carnegie Foundation, as well as a Fulbright Fellowship at the University of Copenhagen, and the Lyric Poetry Award of the Poetry Society of America. He is the Eavan Boland Professor of English and Creative Writing at Stanford.
-
Paul Phillips
Professor (Teaching) of Music
Current Research and Scholarly InterestsHave recorded music by Adolphus Hailstork with Stanford Philharmonia, the Stanford Symphony Orchestra, and guest artists for inclusion on a commercial recording with a projected completion date in 2025.
-
Jana Pocrnja
Postdoctoral Scholar, Comparative Literature
BioJana Pocrnja holds a Ph.D. in Romance Languages and Literatures from the University of Vienna and is currently serving as a Max Kade Postdoctoral Scholar at the Department of Comparative Literature. Her ongoing research explores the intersection between philosophy and literature, with a particular focus on the concept of poetic reasoning in the works of María Zambrano. Previously, she has conducted research on 19th- and 20th-century Spanish/Latin American and French literature, as well as literary theory, particularly in the field of poetology and reader’s response theory.
-
Robert Podesva
Associate Professor of Linguistics
BioI am currently an Assistant Professor in the Department of Linguistics at Stanford University. I hold degrees from Stanford University (PhD, MA) and Cornell University (BA) have been an Assistant Professor at Georgetown University. My research examines the social significance of variation in the domains of segmental phonetics, prosody, and voice quality. I have a particular interest in how phonetic resources participate in the construction of identity, most notably gender, sexuality, race, and their intersections. My latest projects focus on the social meaning of non-modal voice qualities in interactional contexts and sociolinguistic variation in inland California and Washington, DC. I have co-edited Research Methods in Linguistics (with Devyani Sharma), Language and Sexuality: Contesting Meaning in Theory and Practice (with Kathryn Cambpell-Kibler, Sarah Roberts, and Andrew Wong), and a special issue of American Speech on sociophonetics and sexuality (with Penelope Eckert). I live in San Francisco.
-
Steven Press
Associate Professor of History
BioSteven Press is an Associate Professor of History and an affiliated member of the Freeman Spogli Institute for International Studies, the Center for African Studies, and the Stanford Center for Law and History.
Press' first book, Rogue Empires: Contracts and Conmen in Europe's Scramble for Africa (published Spring 2017 with Harvard University Press), received the American Historical Association's Pacific Coast Branch Book Award.
Press' second book, Blood and Diamonds: Germany's Imperial Ambitions in Africa, appeared in 2021 with Harvard University Press. It received the German Studies Association's Barclay Book Prize and was named a CHOICE Outstanding Title.
In an article in the Journal of Modern History, Press explored the exchanges between Germany, China, and Cuba that led to the USA's lease for Guantanamo Bay in 1903. His article on post-Napoleonic European nationalism appeared in Central European History, as did a more recent article about Wilhelmine Germany's Weltpolitik.
Press graduated with a B.A. from Vanderbilt University and an A.M. and Ph.D. from Harvard University. He taught at Harvard and Vanderbilt before coming to Stanford. His research interests include European sovereignty, international relations, and commodity networks. -
Robert N. Proctor
Professor of History and, by courtesy, of Medicine (Pulmonary and Critical Care Medicine)
Current Research and Scholarly InterestsTobacco and cigarette design; human origins and evolution; changing concepts of health and disease; medical history and medical politics
-
Sarah Prodan
Assistant Professor of French and Italian
BioI am an Italianist, an early modernist and a Michelangelo scholar. My primary research and teaching contributions center on Italian literature and cultural history of the fifteenth and sixteenth centuries, with a special focus on lyric poetry and on the relationship between literature and spirituality.
My first monograph, Michelangelo’s Christian Mysticism: Spirituality, Poetry and Art in Sixteenth-Century Italy (Cambridge University Press, 2014), was awarded the Jeanne and Aldo Scaglione Publication Award for a Manuscript in Italian Literary Studies by the Modern Language Association in 2013. Literary, cultural and historical in scope, this study considers the Florentine artist’s poetics and aesthetics in light of medieval and Renaissance Augustinianism, lay religious culture, and the Italian Reformation, respectively, to provide a more nuanced understanding of Michelangelo’s spirituality and how it functioned.
My current book project, Poetics of Piety in Early Modern Italy, builds on this earlier work to consider the ways in which male and female poets of devotional verse engaged the Word in text, image, and imagination in the sixteenth century. Combining diachronic and synchronic approaches to the study of early modern Italian verse, this project examines relations among religious practice and poetic form in the pre-Tridentine and post-Tridentine periods.
Other book-length projects include Friendship and Sociability in Premodern Europe: Contexts, Concepts and Expressions (Toronto: CRRS, 2014), a co-edited volume that explores ideas and instances of friendship in premodern Europe through a well-ordered series of investigations into amity in discrete social and cultural contexts related to some of the most salient moments and expressions of European history and civilization: the courtly love tradition, Renaissance humanism; the Reformation, the Counter-Reformation and the attendant confessionalization and wars of religion; Jesuit missions; the colonization of America; and lastly, expanding trade patterns in the Age of Discovery.
Prior to joining Stanford, I was a postdoctoral research fellow in the Department of History at Harvard University and at the Centre for Reformation and Renaissance Studies at Victoria University in the University of Toronto, where I designed and taught early modern cultural history courses and lectured on Italian language and literature.
In parallel to my scholarly pursuits, I am completing a work of historical fiction inspired by my academic research. Taking the dramatic events of the French invasion of Italy in the fall of 1494 as its context, Imminence: Florence, 1494 recounts the riveting and tumultuous history of the dangerously divided Florentine city-state through the experiences of a lay female visionary temporarily resident in an elite nunnery tied to the highest echelons of political power. An imagined female story seamlessly inserted into a famously documented male history, Imminence weaves strands of verisimilitude with threads of reality, to offer a tapestry of fiction and non-fiction that touches on persistent human challenges – personal, social, and political. An exercise in empathic historical imagination, this novel explores women’s political, social, cultural, and religious history during the exciting and pivotal moment of the Italian Renaissance.
You can learn more about my academic and creative pursuits at www.sarahprodan.com. -
Ato Quayson
Jean G. and Morris M. Doyle Professor of Interdisciplinary Studies, Professor of English and of African and African American Studies and, by courtesy, of Comparative Literature
Current Research and Scholarly InterestsIn addition to an interest in comparative cultural traditions of tragedy, I also have a strong interest in comparative urban studies, diaspora and transnational studies, and interdisciplinarity, among others.
-
Prof. Ilaria L.E. RAMELLI FRHistS
Affiliate, Philosophy
BioProfessor Ilaria L.E. Ramelli, FRHistS, holds two MAs, a PhD, a Doctorate h.c., a Postdoc, and various Habilitations to Ordinarius. She has been Professor of Roman History, Senior Visiting Professor (Harvard; Boston University; Columbia; Erfurt University), Full Professor of Theology and Endowed Chair (Angelicum), Humboldt Research Award Senior Fellow (Erfurt U. MWK), Professor of Theology (Durham University, Hon.), and Senior Fellow in Classics / Ancient Philosophy / Hellenic Studies / Theology and Religion (Durham U., twice; Princeton; Sacred Heart University; CEU Institute for Advanced Studies; Corpus Christi, Oxford U.; Christ Church, Oxford U.). She is also Professor of Patristics and Church History (KUL) and Senior Fellow at Bonn University, then Humboldt Research Award Return Senior Fellow, and Member, Center for the Study of Platonism, University of Cambridge (https://www.platonism.divinity.cam.ac.uk/directory).
She investigates ancient philosophy, especially Platonism and Stoicism, ancient theology (esp. Patristic Philosophy and Christian Platonism, besides Judaism and ancient 'pagan' religions), the interrelations between philosophy, theology, and science; ancient Christianity, Classics, and Late Antiquity, and has authored numerous books, articles, and reviews in leading scholarly journals and series, in these areas. Examples at https://orcid.org/ 0000-0003-1479-4182
Recent books include: Allegoria (Sacred Heart University 2004), Basileus Nomos Empsykhos (Bibliopolis 2006), Gregory of Nyssa on the Soul and the Resurrection (Bompiani-Sacred Heart University 2007), The Roman Stoics (Bompiani 2008), Hierocles the Stoic (Brill-SBL 2009), Pre-Existence of Souls? (Peeters 2013), The Christian Doctrine of Apokatastasis: A Critical Assessment from the New Testament to Eriugena (Brill 2013), Evagrius' Kephalaia Gnostica (Brill-SBL 2015), The Role of Religion in Shaping Narrative Forms (Mohr Siebeck 2015), Social Justice and the Legitimacy of Slavery: The Role of Philosophical Asceticism from Ancient Judaism to Late Antiquity (OUP 2016), Evagrius between Origen, the Cappadocians, and Neoplatonism (Peeters 2017), Bardaisan of Edessa: A Reassessment (Gorgias 2009; De Gruyter 2019), A Larger Hope? Universal Salvation in Christianity from the Origins to Julian of Norwich, pref. Richard Bauckham (Cascade, Wipf & Stock 2019), The Wiley-Blackwell Companion to World Literature, 1: To 600 CE (co-ed., Oxford 2020), Terms for Eternity: Aiōnios and Aïdios in Classical and Christian Authors (Gorgias 2007; De Gruyter 2021), Patterns of Women’s Leadership in Early Christianity (OUP 2021), Eriugena’s Christian Neoplatonism and its Sources in Ancient and Patristic Philosophy (Peeters 2021), Lovers of the Soul, Lovers of the Body: Philosophical and Religious Perspectives from Late Antiquity (Harvard 2022), T&T Clark Handbook of the Early Church (co-ed., T&T Clark-Bloomsbury Academic 2021, 2024), The Construction of Professional Identities in Late Antiquity (co-ed.), Origen, the Philosophical Theologian: Kleine Schriften with unpublished essays (DeGruyter 2025), The Seneca–Paul Correspondence: New Research (forthc.) and Human and Divine Nous from Ancient to Renaissance Philosophy and Religion: Key Themes, Intersections, and Developments.
Her current work includes ethical intellectualism in ancient to late antique philosophy; Ammonius, Origen, and Plotinus and the negotiation of Plato's legacy; the category and the protagonists and philosophical issues of Patristic Philosophy and Christian Platonism; John 13-17 and its Patristic reception (including major themes in Patristic philosophy); the role of the rejection of philosophical enquiry (along with other factors) in the dismissal of the doctrine of apokatastasis by the "Church of the Empire" in late antiquity; and the theories of epistrophē and apokatastasis in ancient and patristic philosophy and their interrelation. -
Michael Ramsaur
Professor (Teaching) of Theater and Performance Studies, Emeritus
Current Research and Scholarly InterestsEducation for Theatrical Lighting Design, nationally and internationally. Lighting design for Musicals.
![Bran[don] Papineau](https://profiles.stanford.edu/proxy/api/cap/profiles/247069/resources/profilephoto/350x350.1731824285281.jpg)
